No Local Atmosphere Needed for Gautier Capuçon
In a San Francisco Symphony program chock full of post card evocations of Mediterranean land-and-sea-scapes, the best music, the Cello Concert No. 1 in A minor by Camille Saint-Saens, offered nothing in the way of local color but everything in what counts most – beautiful music. Cellist Gautier Capuçon was in top form here, spinning out the lovely melodies of Saint-Saens with his burnished low register, and reaching up into the utmost heights of the cello’s register for the occasional stratospheric notes. Both sides of Capuçon’s expressive capabilities were on display here – the robustly physical attack and the delicately refined nuances. All told, guest conductor Stéphane Denève had little to do in this work aside from allowing Gautier Capuçon to have his way, a strategy that ensured success. Likewise, Capucon’s encore, the Swan, from Saint-Saens’ Carnival of the Animals, was an exquisite gem that highlighted this cellist’s magical touch. -more-