reviewed by James Roy MacBean
Friday March 17, 2017 - 04:25:00 PM
The opera Atalanta by George Friederic Handel received a semi-staged production last weekend, March 11-2, at San Francisco Conservatory of Music. Handel composed Atalanta for the events celebrating the 1736 wedding of Frederick, Prince of Wales, to Princess Augusta of Saxe-Gotha. The story of Atalanta is drawn from the pastoral tradition of ancient Greek writers, who delighted in depicting the simple life of shepherds and nymphs. Here the story revolves around two couples: the shepherd Aminta and the nymph Irene, and the noble couple comprised of Meleagro, King of Aetolia, and Atalanta, Princess of Arcadia. To complicate matters, both Meleagro and Atalanta appear in disguise, he as the shepherd Tirsi, she as the huntress Amarilli. In a ‘back-story’, Atalanta had rebuffed the marriage proposal of Meleagro and had gone off instead to imitate the chaste goddess of the hunt, Artemis.
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