Theater Review: Oleg Liptsin's Production of Beckett's 'Endgame
"What else is there to keep me here?”... "The dialogue!"
Oleg Liptsin, the Bay Area's resident veteran of Russia's outstanding theater of the late 20th century, has produced a marvel—an intimate, remarkably original show of Samuel Beckett's masterpiece, 'Endgame,' billed as being in Laurel and Hardy style, even opening with the great comic pair's theme music, but more of wonderfully bittersweet comedy of the endlessly repeated encounter of a longwinded old master in his wheelchair, appropriately named Hamm(Greg Young), his skittering, ever-upright servant Clov (Liptsin)—and interruptions, asides by Hamm's captive parents (in adjoining dumpsters) Nagg (Phil Estrin) and Nell (Gale Bradley), as well as a few eruptions from the light booth and some well-chosen video footage, counterpoint to Hamm's drawn-out tale of acquiring a boy servant from a starving man—probably the young Clov, though Hamm's too coy to say.
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