Friday was the last day for candidates for Berkeley city offices to file the requisite paperwork to appear on the November ballot. 

In District 1, long-time incumbent Linda Maio will be challenged by Jasper Kingeter, Anthony Di Donato and Merrilie Mitchell. 

In District 4, Councilmember Jesse Arreguin, who was elected two years ago after Dona Spring’s death, will be running for a full four year term this time. Challengers include Eric Panzer, Jim Novosel and Bernt Wahl. 

Councilmember Kriss Worthington will have a third rematch in District 7 with perennial candidate George Beier, this time joined by newcomer Ces Rosales. 

In District 8, two-term incumbent Gordon Wozniak will face Stewart Emmington Jones and Jacquelyn McCormick. 

Candidates for Rent Board Commissioner include a tenant-backed slate of incumbents Dave Blake, , Lisa Anne Stephens, Pam Webster, Jesse Townley , Katherine Harr and first-timer Asa Dodsworth. Other candidates are Marcia Levenson , Tamar Larsen and George Perezvelez. 

In the Berkeley Unified School district race, Karen Hemphill is running for a second term. New candidates are Joshua R. Daniels, Norma J.F. Harrison, Julie Holcomb, Priscilla Myrick and Leah T. Wilson. 

School board candidates have until Wednesday to file, because incumbents Nancy Riddle and Shirley Issel are not running again, which automatically extends the filing period. 

Incumbent City Auditor Ann-Marie Hogan is running unopposed for City Auditor. 

A group of at least 37 caregivers at two Oakland nursing homes found out they had been replaced after a five-day union strike that ended this morning, a union spokesman said.  

About 150 employees who are members of Service Employees International Union-United Healthcare Workers West went on strike Monday at Piedmont Gardens and Grand Lake Gardens nursing homes and were scheduled to return to work this morning.  

However, at least 37 workers found out either Friday night or this morning that they had been replaced by new employees hired during the strike, union spokesman Jarard Kings said.  

Kings said American Baptist Homes of the West, the company that owns the facilities, was "grossly violating federal labor laws" by replacing the workers, and alleged the move was retaliation against employees for striking.  

David Durham, a labor attorney for the company, said that claim was "completely bogus" and that the employees who were replaced were put on a preferential re-hire list in accordance with federal laws.  

"It's completely lawful to replace workers during a strike," Durham said. "The company had to do it because there was no assurance that the union wasn't going to keep striking, and you really can't operate (these facilities) with a continual stream of temporary workers."  

The union has been bargaining for a new contract since February. Details about the employees' health care plans and disciplinary system are the main points of contention in negotiations, which have involved a federal mediator.  

Durham said the union "wants to change a disciplinary system that's been in place for 15 years, and we feel it's an unnecessary intrusion into basic management rights."  

There are no bargaining sessions scheduled in the immediate future, but Durham said he was "hopeful it'll be settled soon."  

A statement issued by the union Friday also expressed an interest in resolving the differences between the two sides.  

"We stood up for our rights with a strike and we want to work things out with management to make these facilities better places to work and receive care," Gloria McNeal, a certified nurse assistant, said in the statement.  

California’s most pre-eminent sculptor of the late 19^th century was both a disabled Berkeley man and one of the first artists from the then-young state to earn international attention and acclaim. 

Three quarters of a century have now passed since his death and he has fallen into some obscurity even here in his adopted hometown.  

But he’s an important figure in our local history, whose presence both early and late in life helped establish Berkeley’s enduring reputation as a community of the arts and a hospitable place for the disabled to live and work. 

One hundred and fifty years ago this year, Douglas Tilden was born. Half that time--seventy-five years ago, August 6, 1935—he was found dead, apparently from a heart attack, in his home on Channing Way at Sixth Street. He lived alone in the modest house with backyard studio, and it was unclear how long he had been deceased when a friend found his body.  

Although Tilden was not born in Berkeley, we can claim him as a honorary native son, by virtue of his long association with the California School for the Deaf as a child and young adult and his choice of Berkeley as a place to live and work during the last several years of his life. 

Tilden was born May 1, 1860, in Chico and lost his hearing due to scarlet fever when still a young child. In 1866 he became one of the early students sent to the young Institution for the Instruction and Maintenance of the Indigent Deaf and Dumb, established in San Francisco in the year of his birth.  

Despite the forbidding Dickensian name (or Harry Potteresque, for you young readers), the Institution was a progressive facility that became, in the 20^th century, the renowned California State Schools for the Deaf and Blind.  

The institution provided its live-in students with both academic and vocational instruction and independent living skills long before the modern disabled rights movement was born in Berkeley. 

The Institution broke ground for a new campus in Berkeley in 1867 and fully relocated here from San Francisco in 1869. It remained until relocation to Fremont in the early 1980s; the old Berkeley site is presently the University of California’s Clark Kerr Campus.  

Thus, Tilden spent many of his formative years in Berkeley. He joined the School as a teacher after graduation and experimented with sculpture and considered going to UC, which would have made him one of the first deaf students to matriculate there.  

But he so impressed the Board of Directors with a statuette that they gave him money to pursue artistic training in New York and Paris (Tilden contended the money was a scholarship; the School claimed it was a loan, and kept the “Bear Hunt” statue, described later, as reimbursement).  

In Paris he came into his own as a sculptor, creating works that won him awards and admiration. One of these, dated 1893, was “The Football Players”—two young male figures, based on French models, wearing what we might today describe as rugby or track and field uniforms.  

The statue was purchased by San Francisco Mayor James Phelan who was a year younger than Tilden, and had studied at Cal. Phelan offered it in 1898 as a prize to the first team, Cal or Stanford, to subsequently win two Big Games in football. 

Cal, which had an undistinguished record to date against Stanford, rallied in response to the incentive and with the help of professional coach and former Princeton star Garrett Cochran soundly beat Stanford in 1898 and 1899.  

Cochran still remains the Cal coach with the best win/loss percentage, and “The Football Players” came to the UC Berkeley campus where it was dedicated, May 12, 1900.  

It was sited along the path between what was then the football field to the north, and the gymnasium to the southeast, and was the first piece of permanent outdoor art installed on the campus. 

At the time Tilden was riding high. His sculptures had been in major exhibitions, he was teaching at the UC-affiliated Mark Hopkins Institute of Art in San Francisco, and was a newly minted member of the Bohemian Club. He had married in 1896 and greeted his first child, Gladys, in 1900 just a few months before “The Football Players” was dedicated on campus. 

In subsequent years Tilden would complete several public commissions, including his statues of the “California Volunteers” and “Admission Day” monument in San Francisco, and “Twelve Stages of Man” for Lakeside Park in Oakland.  

He also helped found the California Association for the Deaf (CAD), wrote a novel, established a studio in Oakland and, in part because of his artistic reputation, was able to become a public advocate for the disabled. 

In 1903 he wrote, “The deaf live in a world of their own; a world of pantomime, a world of eternal silence; an auxiliary sphere almost totally unknown to the majority of hearing people. To every 2,000 citizens there is perhaps but one deaf mute. This one man is known to—say 100 people, the remaining 1,900 know little or nothing about him, the little they do know is boiled down to one opinion. “He, the mute, must necessarily be an ignorant being, because he can neither hear nor speak.” Some of the 1,900 would be astonished to know that in reality the gray matter of the mute is of just as fine a fiber as is that of a hearing man.”  

As the 20^th century wore on, however, Tilden’s star went into decline. His style of sculpture was superseded by new trends, he did not get major new commissions, and he had to work as a machinist. He fought with some CAD colleagues and lost his wife to divorce in 1924.  

Now in his mid-60s, impoverished, and perhaps somewhat embittered he moved back to Berkeley that same year and built a small studio. While he continued to design and create he was estranged from key friends, family, and benefactors, and sank into poverty.  

Tilden would certainly not be the last live / work West Berkeley artist to experience suffering, financial hardship, and disappointment while trying to carry on a creative avocation. 

In November, 1930 the Oakland Tribune reported “Art, ever a faithless mistress, has refused to serve Tilden, and today…his studio (is) crammed with the fine creations of his own hands but empty of food or money. Tilden is compelled to ask that a state old age pension be granted to him.” 

“The world, engrossed in its own struggles, surged forward and forgot the man whose sculptures will live long after he has passed.” 

Several prominent Tilden works do indeed live on in the Bay Area, eighty years later. They include a version of his “Tired Boxer” in the De Young Museum and what’s now known as the Mechanics Monument on Market Street in San Francisco. 

That commission, for Peter Donahue, depicts several men operating a large punch press and, although shorn of its encircling pool, is an iconic Downtown San Francisco memorial. 

Berkeley once had two big Tilden statues. One was “The Bear Hunt”, a physically dramatic scene of two Indians locked in desperate combat with a mother grizzly, while her cubs shelter at their feet. 

“The Bear Hunt” went to the Deaf School campus on Warring Street where it ultimately had a place of honor in a courtyard adjacent to the administration building and in front of a boy’s dormitory.  

Tilden feuded with the School, arguing that the sculpture belonged to him, but it was retained by the School after his death and, in 1980, moved to Fremont where in stands in an open plaza on the current campus. 

“The Football Players”, still standing on its original site more than 110 years after dedication, is thus the only publicly visible artwork by Tilden in Berkeley, although a set of his papers and family memorabilia is housed in the Bancroft Library. He is otherwise not remembered (Tilden Park is named for another individual).

Members of the City of Berkeley Police Department (BPD) are asking for the community’s help in locating a developmentally disabled woman whose name is Heather Bloom. In June of 2009, Bloom’s mother, who lives in New York called BPD after she had not been able to contact her daughter and Heather’s adult caretaker since 2005. 

Members of the BPD Homicide Detail, who are responsible for investigating Adult Missing Persons cases, have yet to secure any viable leads as to Heather Bloom’s whereabouts despite a variety of investigative efforts. 

BPD’s primary focus is to locate Heather Bloom and obtain any details regarding her welfare. It is possible that the caretaker has placed Heather in a home or hospital in the San Francisco Bay Area. Heather is not mobile without the use of a wheelchair. 

If you have any information regarding Heather Bloom, the BPD Homicide Detail is asking you to contact them at (510) 981-5741 or the BPD non-emergency number at (510) 981-5900 or (510) 981-5911 from your cellular phone. If callers wish to remain anonymous they are asked to call the Bay Area Crime Stoppers Tip Line at 1-800-222-TIPS (8477).

In memory of the 1945 U.S. led atomic bombing of Hiroshima and Nagasaki, hundreds of bay citizens will gather at Aquatic Park in Berkeley Saturday night for the annual Bay Area Peace Lantern Ceremony.  

"Its commemoration and ritual, with a side of education." says Steve Freedkin, Berkeley resident and founder of the event. Similar ceremonies are held annually in Japan and a growing number of cities in the U.S. This event, which is in its 9th year, is the only one of its kind in the bay area. 

On Aug. 6, 1945, the U.S. dropped the first atomic bomb "Little Boy" on the Japanese city Hiroshima. Three days later, Aug. 9, a second atomic bomb was dropped on Nagasaki. Both bombs, the first of their kind, killed thousands upon impact, with many others dying from radiation exposure in the days, weeks, months, and years that followed. 

"It was a very unfortunate day," said Jack Dairiki, San Francisco resident and Hiroshima survivor. Dairiki was fourteen at the time of the attack and three miles from the center when the bomb was dropped. "I could see over the factory, and the whole city was covered with smoke and fire. The mushroom cloud was over the city like a tremendous genie, like fireworks in the night." 

"I felt my body floating in the air because the blast was so strong. When I opened my eyes, I could not see anything around but dust and smoke." Dairiki remembers instinctively falling to the ground and covering his eyes and ears before following the sound of footsteps towards a nearby bomb shelter. 

The Berkeley ceremony is modeled after a Japanese tradition in which lighted paper lanterns are decorated and set adrift across a sea of water. The journey of the lantern across the water represents the journey of the individual soul moving towards peace in the afterlife.  

At the ceremony, attendees will decorate lantern shades, or "soul ships", with personal messages connected with their own vision of peace. Freedkin encourages children to decorate their lanterns with images that represent the type of world they want to create. "It's a great way for them to start being in the habit of thinking of themselves as having a role in these issues," said Freedkin. "Kids will draw fields and hills and rainbows and unicorns. It was great to see that." 

Messages from the mayors of Hiroshima and Nagasaki will also be read prior to the lantern launching. Freedkin expects the messages to contain a call to action to the U.S. toward the total abolition of nuclear warfare. However, he discourages activists from using the ceremony as a political platform to share their ideas. "We all support that kind of program," Freedkin said. "But this isn't that. This is a chance for us to reaffirm our beliefs and commitments and have a beautiful moving experience as a community."  

Freedkin also stresses the importance of staying positive. "I believe there is some value in taking a small step." he says "Once you take a small step, like coming to a lantern ceremony or writing a letter to Congress, or decorating a lantern shade," says Freedkin, "you become someone who does not just think about doing something but someone who has taken action. And the next time an opportunity comes for you to act, you will be more likely to do something about it."

For the remainder of this week Canadian actor Rick Miller is in town reprising his one-man, many-character, comic farce “MacHomer” at the California Shakespeare Theater in Orinda. If you are a “Simpsons” fan it’s a do not miss production. 

At the opening show Tuesday night Miller gave a trademark energetic and inspired send-up of “MacBeth”, his version retaining much of the Shakespearean dialogue and plot but casting characters from the animated, subversive, TV comedy “The Simpsons”. 

Miller, who shifts between voices and personas with uncanny ease and energy, fits vocal and physical impersonations of more than 50 “Simpsons” characters into his cast. There are also cameos by Jesus, God, Kermit the Frog (de-legged at one point), Sean Connery, and several others from the world outside the “The Simpsons.”  

The show has been updated from the first time I saw it at the Berkeley Rep. a few years ago. “MacHomer” now includes Barack Obama and “South Park” allusions in its current cultural references.  

Miller has also incorporated several small, entertaining, song medleys, to punctuate the plot and a sidesplitting Simpsons puppet recap of the first act, projected live on the backdrop. 

He finishes off the show with an encore of “Bohemian Rhapsody” sung with his interpretations of the “25 most annoying voices” in modern entertainment. 

The characters also lapse out of MacBeth purism into other Shakespearean tropes. “To beer or not to beer?” MacHomer muses. 

Ironically, Miller’s Homer Simpson / Thane MacHomer is one of his slightly weaker characterizations, but he does Marge Simpson, Montgomery Burns, Ned Flanders, Krusty the Clown, Barney Gumble, and others so well it doesn’t really matter.  

The group “casting” is especially inspired. The three witches, for example, are bar-owner Moe Szyslak, the Sea Captain, and Principal Seymour Skinner, unlikely peas in a black kettle pod who actually play off each other to perfection. 

As Miller—clad in kilt and chainmail, face shiny with sweat—does the voices live, either on the stage or from behind a podium shaped like a television, “Simpsons” imagery is projected on a screen behind him, adding its own visual comedy.  

McDuff (loveable, pitiable, barfly Barney Gumble) lives in a fortress with towers made of Simpsonesque Duff Beer cans; King Duncan (Simpsons nefarious plutocrat C. Montgomery Burns) reigns from a castle topped by twin nuclear cooling towers. The Simpson—I’m sorry, MacHomer—medieval manse has an attached three-car garage. 

It’s “a one joke concept stretched into a play”, as one of the characters says. I realize it sounds very odd, but it’s very, very, funny. You may well be hoarse from hilarity by the end. 

Millers’ versatile talent and performance energy reminds me a bit of Geoff Hoyle, familiar to locals through his leading, many-character, performances at the holiday California Revels. 

A piece of advice. Think twice about going if you’re not familiar with “The Simpsons”. The allusions, jokes, and impersonations come so thick and fast—often in just a moment’s time—that you’ll be completely bewildered if you haven’t seen and absorbed a fair number of episodes of the TV show. 

If you have, you may well be laughing from start to finish of the two act, but non-stop, performance. 

Here’s a little test. Match the following characters with the following expressions. 

Montgomery Burns, Nelson Muntz, Captain McCallister, Homer, Ned Flanders. 

D’oh! Do diddly do! Excellent! Argggghh! HA! HA! 

If you could easily attach at least four of those characters to their trademark sayings, this show should be comprehensible to you. 

Give yourself an extra point if you’ve lived in the East Bay long enough to remember when Simpsons creator Matt Groening was not known for his TV hit, but for his “Life in Hell” comics in the East Bay Express. 

The show is in the Bruns Amphitheater, the CalShakes home, just beyond the Caldecott Tunnel on the warm side of the Berkeley Hills. Bring your own snacks if you like. Picnic areas—and a well-stocked café—adjoin the outdoor performance space.  

Painting-perfect golden hills touched with the low evening sun and eucalyptus and oak groves frame the setting. If you don’t drive, there’s a shuttle from the Orinda BART station. 

Performances take place at 8:00 pm every evening through this Saturday. There’s a special finale second performance at 10:30 on Saturday as well. 

The Tuesday audience seemed pretty close to capacity, but as of this writing the CalShakes website showed “Good” availability for tickets later in the week, except for Friday when tickets were listed as “Limited”. 

Tickets are $35 and $30. For this show, lawn chairs are provided for free on the upper terraces. Bring warm outer clothing layers, and a blanket if you like, since the evenings can cool down.  

If you can’t navigate the on-line ticket system, call (510) 548-9666 after 10:00 am for a live ticket agent. 

You can link through the MacHomer website to the CalShakes ticket page. 

The Miller send-up also functions as something of a local prelude to a serious CalShakes production of the real “Macbeth” coming up August 18-September 12.

Two couples, one of them from Berkeley, who challenged Proposition 8, California's voter-enacted ban on same-sex marriage, joined their attorneys and other supporters in San Francisco today to voice their approval shortly after a federal judge overturned the initiative. 

U.S. District Judge Vaughn Walker ruled Prop. 8 violated the U.S. Constitution's guarantees of equal treatment and due process, but he also issued a temporary stay suspending the ruling. 

Prop. 8, approved by California voters as a state constitutional amendment in November 2008, provided that, "Only marriage between a man and a woman is valid or recognized in California." 

Berkeley resident Kris Perry, who joined her partner Sandy Stier as one of the two couples who challenged the initiative, said the "system worked" with Walker's ruling. 

"Our courts are supposed to protect our constitutional rights, and today they did," Perry said. "Today every American should be proud." 

Stier added, "Today we can go to sleep knowing that our hopes and our dreams to...have a legal marriage can be realized and are close to becoming true." 

The proponents of Prop. 8 and their campaign committee, ProtectMarriage.com, asked for a stay of the ruling in a filing late Tuesday while they appeal Walker's decision. 

The lawyers for the two couples have until Friday to respond to the request. If Walker declines to continue the stay, Prop. 8 supporters can ask the 9th U.S. Circuit Court of Appeals to grant a stay while the case is appealed. The appeal could take months and could end up in the U.S. Supreme Court. 

Jeff Zarrillo, of Burbank, who joined his partner Paul Katami as the other couple in the case, said, "We understand that this decision is only the beginning." 

The lead attorneys for the couples were Ted Olson and David Boies, who were on opposite sides of a legal battle between George W. Bush and Al Gore over the results of the 2000 presidential election but joined forces in representing the plaintiffs in this lawsuit. 

Boies joked that if the case makes it all the way to the Supreme Court, "Ted and I have a deal that he's going to get the five justices that voted for him, and I'll get the four that voted for me." 

Boies added that the judge in this case made it clear that, "The fundamental right to marry is already set in a handful of Supreme Court precedents." 

Olson said the legal team will argue against the stay but declined to guess when or where the case will finally be decided. 

"We will say that this judge has found, after the most exhaustive trial you can imagine, that the constitutional rights of these individuals are being violated every day," he said. 

"I don't want to predict when anything is going to happen next, but we're going to fight to vindicate these constitutional rights as quickly as we possibly can. We now have the confidence that all of the facts that could be presented by the proponents of Prop. 8 gave the judge no single reason to continue this discrimination." 

Olson said he appreciated that the ruling happened at a federal court in San Francisco. 

"It really means a lot because San Francisco has always been there fighting for gay and lesbian individuals," he said. 

Various opponents of same-sex marriage released statements decrying the ruling, including Brian Brown, president of the National Organization for Marriage. 

"With a stroke of his pen, Judge Walker has overruled the votes and values of 7 million Californians who voted for marriage as one man and one woman," he said. "This ruling, if allowed to stand, threatens not only Prop. 8 in California but the laws in 45 other states that define marriage as one man and one woman." 

Boies disagreed, saying the decision did not strip anyone of their rights.  

"The court held there is no harm to anyone's rights as the result of this decision," he said. "In fact, it increases the stability and value of marriage in our society." 

He said the opinion was a "careful, thorough analysis" of why gay marriage bans are discriminatory and "anti-American."  

"I would challenge anybody...to read this opinion and then tell me what they disagree with, what they have left to say, to not to just ignore the opinion but take a look at it," he said.  

Between meetings today,Councilman Kriss Worthington told the Planet about his reaction to today’s decision to overturn Proposition 8. 

Said Worthington: “It’s a beautiful thing. Civil rights and civil liberties are frequently won in the courts before they are won at the ballot.” Reflecting on his long history of involvement with civil rights struggles he adds that today’s outcome is “continuing a long trend”. 

“There is a unique Berkeley angle [aside from two plaintiffs being from Berkeley],” he added. “Shortly after I was elected, in 1997, I introduced the idea that Berkeley should endorse marriage equality. We did not seem to have the votes at that time.” Worthington and additional supporters met with clergy and other community leaders. By 1998 the time was ripe and by an 8-1 vote, Berkeley became the first city in the US to endorse marriage equality for same-sex couples, Worthington proudly recalls. 

“There is a large contingent in Berkeley who went to San Francisco around 3 today to celebrate,” he said. When asked if he would be joining them he quipped: “Believe it or not I still do prioritize. I have one more meeting and some other [city business] to attend to today. And then, yes, I’ll [go celebrate].” 

A federal judge in San Francisco today overturned Proposition 8, California's ban on same-sex marriage. U.S. District Judge Vaughn Walker said the voter-approved initiative violated the U.S. Constitution's guarantees of equal treatment and due process. But Walker also issued a temporary stay suspending the ruling until he has had time to consider a request by the supporters of Proposition 8 for a longer-term stay while they appeal his decision. 

He ordered lawyers for two same-sex couples who challenged Proposition 8 to respond to the request for a stay by Friday. He said he may then decide whether to grant a further stay without holding a hearing. 

The proponents of Proposition 8 and their campaign committee, ProtectMarriage.com, asked for a stay in a filing late Tuesday, in advance of today's ruling.  

The case was the nation's first federal court trial on a U.S. constitutional challenge to a state ban on same-sex marriage. Walker heard evidence in the nonjury trial in January. 

Theodore Olson, a lawyer for the two couples, said, "On no less than 14 occasions, the Supreme Court has held that marriage is a fundamental right.  

"This decision recognizes that Proposition 8 denied the plaintiffs, and tens of thousands of other Californians, that fundamental constitutional right and treated them unequally," Olson said.  

His 136-page ruling rejected Proposition 8 sponsors' arguments that voters had a rational basis for enacting the measure to protect the traditional definition of marriage and to encourage responsible child-rearing. 

Walker wrote, "Proposition 8 fails to advance any rational basis in singling out gay men and lesbians for denial of a marriage license.  

"Indeed the evidence shows Proposition 8 does nothing more than enshrine in the California constitution the notion that opposite-sex couples are superior to same-sex couples," the judge said. 

The judge also wrote, "Moral disapproval alone is an improper basis on which to deny rights to gays and lesbians. 

"The evidence shows conclusively that Proposition 8 enacts, without a reason, a private moral view that same-sex couples are inferior to opposite-sex couples," Walker said. 

The judge issued a permanent injunction prohibiting enforcement of Proposition 8, but the injunction will go into effect only if and when the stay is lifted. 

If Walker declines to continue the stay, Proposition 8 supporters can ask the 9th U.S. Circuit Court of Appeals to grant a stay while the case is appealed. The appeal could take months.  

Proposition 8, approved by California voters as a state constitutional amendment in November 2008, provided that "only marriage between a man and a woman is valid or recognized in California." 

Gov. Arnold Schwarzenegger issued a statement in response to today's ruling.  

"For the hundreds of thousands of Californians in gay and lesbian households who are managing their day-to-day lives, this decision affirms the full legal protections and safeguards I believe everyone deserves," Schwarzenegger said.  

"At the same time, it provides an opportunity for all Californians to consider our history of leading the way to the future, and our growing reputation of treating all people and their relationships with equal respect and dignity," the governor said.  

The Blake and Mabel Neighborhood Association (BAMNA) in West Berkeley was one of the 56 Berkeley neighborhood associations which took part in the 2010 National Night Out on August 3rd.  

More than 60 people showed up, representing 2/3 of the households of the neighborhood. 

They ranged in age from 3 months to over 80 years; representing a tapestry of diversity: Indian, Asian, Caucasian, and African American.  

“This was our first Night Out. We can't wait until next year!” organizer Sheila Kolenc said. 

As the chair of the National Black Justice Coalition and an openly gay City Councilmember in Berkeley, I am elated with the federal court’s decision to overturn Proposition 8. I hope - this ruling demonstrates that this is a matter of basic civil, and human, rights. While this truly is a victory for the LGBT community, I realize that the fight for same-sex marriage will continue and that there is still a long way to go to achieve equality in our society, but I will continue to strive for this goal.  

Darryl Moore  

Berkeley City Council, District 2  

AC Transit is beginning to comply with a judge's ruling that the bus agency must honor its old contract with workers while the two sides engage in binding arbitration for a new contract, district officials said today. 

They said the agency has until Aug. 10 to fully comply with Alameda County Superior Court Judge Judith Ford's order, which prevents them from imposing a new contract on employees during negotiations. 

However, officials at AC Transit, which serves parts of Alameda and Contra Costa counties, said they are considering filing an appeal against the Monday ruling. 

Agency managers said in a prepared statement that the old contract is "costly and inefficient," losing the district $1.2 million in savings each month. It could ultimately mean the elimination of additional transit service and the loss of union jobs, officials said. 

When the old contract expired on June 30 after three months of talks failed to result in an agreement, AC Transit's board of directors voted to impose a new contract on members of Amalgamated Transit Union Local 192, which represents the bus agency's 1,750 employees, including 1,200 bus drivers. 

The new contract took effect July 18, but Ford ruled that the bus agency must honor the old contract while the union and management engage in binding arbitration. 

On July 16, Alameda County Superior Court Judge Frank Roesch ordered AC Transit to enter into binding arbitration with ATU Local 192 to try to reach an agreement on a new contract.  

The two sides have agreed on an arbitrator, but no new talks have been scheduled so far. 

AC Transit's management said it imposed the new contract to save $15.7 million in labor costs to help close a projected $56 million funding gap for the two-year period ending in June 2011. 

The district says it has taken other steps to reduce its budget gap in recent years, including raising fares, reducing service and cutting management positions. 

AC Transit officials said that in order to comply with Ford's order, operators must be reassigned to their previous work schedules, and numerous internal procedures must be changed with regard to payroll, health benefits, lunch breaks, overtime and holiday bonuses, part-time work and cost-of-living adjustments. 

District officials said cutting bus service is one of the main actions they will consider to try to balance their budget. 

"We have already made heavy cuts in service, and it is not an area anyone wants to touch again," Interim General Manager Mary King said. "To do so could decimate our service, but doing nothing could make us insolvent. We have almost no options." 

The legal status of medical marijuana, and marijuana generally, is changing in these parts. Richmond, Berkeley, and Oakland all have recently made or initiated significant changes in marijuana legislation. November’s state ballot includes Proposition 19, the “Regulate, Control and Tax Cannabis Act of 2010”. Where do these changes lead?  

In one extreme scenario, Oakland, Berkeley and Richmond may become the economic capital and ultimate tourist destination for legalized marijuana in the U.S. 

In an alternative extreme scenario, East Bay commercial pot trade may be chilled as a prolonged confrontation between federalism vs. states’ rights, and prohibition vs. legalization, unfolds.  

In between those two extremes lies of a spectrum of possibilities and conflicting viewpoints. What will be the effect on crime? On marijuana abuse by youth? On medical marijuana patients? On the free market economy? On the core values of society? Or will national legalization and liberalization happen so quickly, and so thoroughly, that the East Bay enjoys no particular economic advantage? 

This article offers a series of analytic maps of the emerging and proposed legislative landscape and its various interpretations. 

The Legislative Landscape 

Oakland has recently authorized, by ordinance, the licensing and taxation of large-scale marijuana grow operations for medical purposes. Berkeley has placed on November’s ballot a measure to license a small number of modestly sized medical grow operations. In September, Richmond will consider finalizing legislation to license a small number of grow-ops. All three cities anticipate and are making way for a new type of business: the legally recognized commercial grow operation.  

In all three cases, grow operations are intended to be separate business entities from retail distributors of marijuana. Each jurisdiction intends to tax the business revenues of the grow-ops as they make their wholesale transactions with retail operations. Each jurisdiction taxes the retail operations separately. Some within the medical marijuana community object to both the taxation of medicine and to the imposed “double taxation” structure. Proponents of the plan hail the boost to municipal revenues and the supposed avoidance of a monopoly on the local marijuana industry.  

Berkeley and Richmond are also working on limiting the number of medical marijuana dispensaries and changing the taxation and zoning requirements of such dispensaries. Oakland is adjusting taxation as well. The contrast between Berkeley and Richmond regarding existing dispensaries is striking. Richmond seems intent on shutting down existing dispensaries before allowing authorized dispensaries. In contrast, Berkeley proposes to grandfather in its existing dispensaries, which seem to have a working relationship with the city government and Berkeley police.  

At the state level, Proposition 19 would legalize possession and consumption of marijuana in small quantities by persons at least 21 years of age. It would impose new restrictions, such as that consumption must be in private and must be out of view of anyone under 21. Proposition 19 would impose new, somewhat harsh penalties for providing marijuana to any person under 21 or consuming it in front of such a person. Some advocates, such as Dennis Peron, have come out against Prop. 19 because of the new restrictions it would impose. Others view Prop. 19 as a step in the right direction, recapitulating legislation that led to the end of alcohol prohibition.  

Significantly, Proposition 19 would allow local jurisdictions to permit, regulate, and tax the commercial growing, distribution, wholesale and retail sale of marijuana to persons at least 21 years of age – subject to only a few restrictions (such as not selling more than one ounce in a retail transaction to a non-medical-use buyer). That is to say, the Berkeley, Richmond, and Oakland system of medical grow-ops and dispensaries could easily be recast as general purpose operations for legalized marijuana.  

At the federal level, the Controlled Substances Act classifies all production, possession, consumption and conveyance (including commercial conveyance) of marijuana as federally unlawful (with but a few, academic exceptions). For quantities large enough to be regarded as “commercial scale” offenses, penalties are prescribed. For small, first-time-offense, usually overlooked “personal use” quantities, the federal government may or may not choose to impose significant civil penalties, ultimately erasable from one’s record at significant expense, depending upon current regulations established by the federal Attorney General’s office.  

That discretionary provision for small amounts and personal use is important, nt. It is one of the authorities upon which the Obama administration based its order to the DEA to tolerate those medical marijuana dispensaries that are lawful under state statues. It is not clear that the same discretion applies to large scale commercial grow operations, whether for medicinal purposes or for Proposition 19 purposes – in the worst case, the feds could be successfully sued into shutting down locally authorized commercial grow operations in Richmond, Berkeley, and Oakland.  

The Local Law Enforcement Landscape 

Berkeley and Oakland law enforcement seem to get along well for the most part with their resident dispensaries and the associated activities. Richmond is, at this time, engaged in trying to shut down all of its extant dispensaries while at the same time considering a regulatory framework to permit a few (presumably new) dispensaries.  

In all jurisdictions, there’s enforcement against dangerous and fully unlawful operations – such as fully unlawful “grow houses” in residential areas –when authorities notice them. By all accounts, enforcement lags far behind the prevalence of such operations and enforcement all too often only follows a tragedy that leads to accidental discovery of the unlawful grow operation (such as a fire or a violent crime).  

Not all unlawful grow operations are particularly dangerous, however. Multiple sources confirm that there is quite a bit of modestly large to fully commercial-scale, health-conscious, safety-concerned growing already in our region and that this has been the situation for quite a long time. Current efforts to permit regulated and taxed grow operations are, from the perspectives of some within the medical marijuana community, a chance to bring these extant and widely respected operations out of the dark and into the light.  

The Polite Federal Law Enforcement Landscape 

The federal Controlled Substances Act plainly makes a felony of activities that are essential to any commercial scale marijuana activity. It also authorizes the federal government to prosecute any level of possession, transfer, or use of marijuana, affording the federal Attorney General’s office discretion for small amounts. 

Partially on the basis of that discretion, the Obama administration has taken a hands-off approach towards medical marijuana dispensaries and patients who comply with state law.  

There is deep concern within the medical marijuana industry that, as locally authorized commercial scale grow operations are established, the DEA and FBI will crack down and force a confrontation on the issue. While on the one hand it seems clear that the Obama administration would not be eager to take such steps, it is equally clear that such steps are nearly mandated by the Controlled Substances Act.  

A realpolitik consideration can not be overlooked: federal enforcement against locally authorized and reasonably regulated grow operations is, as a practical matter, futile and self destructive. A favorite narrative among medical marijuana advocates hearkens back to when Dennis Peron’s outlaw medical dispensary was raided by the feds. In response to the raid, the community sprouted many more outlaw dispensaries and, meanwhile, Peron coauthored Proposition 215 which authorized such dispensaries at the state level.  

In short, the medical marijuana movement in California – and now the Prop. 19 proposal for general legalization – dances a polite and largely unresisted insurrection before the federal government. In conjunction, the two levels of government are replaying the patterns that led to the repeal of the 18th Amendment (alcohol prohibition).  

The Tense Federal Law Enforcement Landscape 

While the medical marijuana and legalization debates rage on, the fact remains that violent organized crime fills much of the demand for marijuana. The organized crime entangles domestic “prison gangs” as well as organized crime across our nation’s borders. Prohibition of marijuana observably enriches powerful enemies of the state – just as the prohibition of alcohol did before it. This may be one of the reasons the federal government is less than eager to interfere with state-level medical marijuana and even marijuana legalization efforts.  

The Historical Comparison to Alcohol Prohibition 

The legal gamesmanship around marijuana bears a striking resemblance to the political games that brought an end to alcohol prohibition in the US: 

The 18th Amendment to the US Constitution, ratified in 1919, outlawed “the manufacture, sale, or transportation of intoxicating liquors within, the importation thereof into, or the exportation thereof from the United States and all territory subject to the jurisdiction thereof for beverage purposes”. 

Most important, the amendment specified no specifics other than: “The Congress and several States shall have concurrent power to enforce this article by appropriate legislation.” 

That reasonable discretion, left to Congress and the legislatures, proved the wedge by which the widespread unpopularity of prohibition was overcome. Here are two anecdotal examples: 

As Time Magazine reported in 1931, and the Napa Valley Register records, California grape growers eagerly sold a dried grape concentrate, easily shipped around the country and dissolved in water, warning consumers “not to let the juice sit aside in a jug for 21 days, because that would cause fermentation to occur, and that using a cork was unnecessary for non-alcoholic beverages.” That was on the warning label, according to the Register Towards the end of prohibition, not long before the 21st Amendment was ratified (repealing prohibition), Congress exercised its authority to define “intoxicating”so as to permit – even under prohibition – beer of up to 3.2% alcohol. Per Time Magazine again:  

“This was the spirit of the Hundred Days. Action, and action now. Said Will Rogers: ‘The whole country is with him, just so he does something. If he burned down the Capitol, we would cheer and say, ”Well, we at least got a fire started anyhow.“ ‘On Roosevelt's second Sunday in the White House, he remarked at dinner, ‘I think this would be a good time for beer.’ That same night, he drafted a message calling for Congress to cancel the Prohibition ban on 3.2 beer. The House approved this on Tuesday and the Senate on Thursday. (It took until Dec. 5 before Utah became the 36th state to ratify the 21st Amendment to the Constitution, repealing Prohibition in its entirety.)”  

During prohibition, alcohol was lawfully sold (often with a wink and a nod) at pharmacies – strictly for medicinal purposes. Casual off-market manufacture was common (even FDR is said to have indulged in moonshine) and, of course, organized crime around illicit alcohol became a notorious problem. The legal and enforcement landscape was ambiguous on its surface – but unambiguously led straight to the 21st Amendment, repealing prohibition and returning alcohol to a “tax and regulate” status.  

It is difficult to imagine how today’s wrangling around marijuana does not end similarly – ending in some form of tax and regulate legalization. If California’s Prop. 19 is successful, that day of legalization may come very quickly.  

cannabusiness 

The perspectives sketched above show a remarkable alignment of interests: 

Our city governments, assuming marijuana will be bought and sold no matter what they do, prefer a tax and regulate regime. 

Our federal government, finding marijuana prohibition unenforceable and, worse, a boost to the worst kind of organized crime, shows signs of preferring a tax and regulate regime. 

The roughly half of Californians who poll in favor of Proposition 19 prefer tax and regulate. 

If history is any indication, the end of marijuana prohibition is very likely, soon. Prohibition will be replaced by various forms of regulation and taxation.  

There are two concerns emerging from within the medical marijuana industry (including its customers) and, oddly enough, from economic conservatives: 

First, there is the concern of excessive and inappropriate taxation. While it is a widely acknowledged open secret that a great number of medical marijuana users are, by most estimations, recreational or spiritual users with dubious medical needs, it is equally unambiguous that there are many patients for  

whom medical marijuana is absolutely vital to survival or to any semblance of a quality of life. 

While budget-challenged cities stand to collect a lot of tax revenue over wholesale and retail marijuana transactions – especially if Prop. 19 passes – there is concern among care providers that high taxes will hurt many of the patients that are most in authentic need. Sometimes, it seems, “for medicinal purposes” is not a metaphor or polite obfuscation but rather a literal truth. For those in need but of limited means, the gold rush stampede towards legalization in the form of tax and regulate is at once welcome and threatening.  

Second, there is concern for the competitive marketplace. While grow operations, and, to a lesser extent, unadvertised dispensaries, are tolerated with a blind eye rather than heavily regulated, competition quietly flourishes. If but a few large grow operations and but a few busy retail outlets are legally favored, a monopoly or oligopoly may result.  

The Insidious Impact on Youth 

Berkeley and the region generally have some of the highest rates anywhere of teenage abuse of marijuana. Some argue that “tax and regulate” or any similar liberalization can only add to the problems experienced by teens. While this rhetoric can still be found in the political debate, readers can easily verify for themselves that numerous studies have shown the opposite to be true: legalized but regulated marijuana tends to dampen, not amplify, the level of abuse by youth.  

The Extreme Scenarios 

Richmond, Berkeley, and Oakland are operating on the assumption that marijuana legalization – in tax and regulate form – is just around the corner. Should Prop. 19 pass in November, it is not as though existing dispensaries will open, the day after, to the general public (insiders tell me), but that is their likely evolution. Similarly, authorized commercial medical grow operations will have both opportunity and motive to grow for the 21-and-over public.  

By leaping ahead of other jurisdictions in preparing for a Prop. 19 victory, these East Bay cities have the opportunity to become true destination spots for pot tourism and legitimate exporters of marijuana.  

On the other hand, there is no guarantee at all that the federal government will quietly retreat from the mandates of the Controlled Substances Act. It may well be that the federal government challenges either or both of our recent local ordinances and Prop. 19. 

This article deliberately offers no synthesis or sweeping conclusion beyond the maps given above and by analogy to this morsel from Maureen Ogle, writing for the L.A. Times in 2008: 

“Today, we look back on Prohibition as an exercise in temporary insanity, but the 13-year experiment in sobriety was rooted in our quintessentially American faith that we can perfect the world. A broad cross section of people -- men and women, urban and rural, young and old -- supported the ban on alcohol because they believed that it would reduce crime, alleviate poverty, strengthen the family and nurture a more perfect union.” 

An observation that deserves to be toasted. 

A judge issued a preliminary injunction today against AC Transit overturning a new contract that the bus agency imposed on its employees on July 18 after contract negotiations collapsed. 

The old contract expired on June 30 after three months of talks failed to result in an agreement.  

The board of directors at AC Transit, which serves parts of Alameda and Contra Costa counties, voted to impose a new contract on members of Amalgamated Transit Union Local 192, which represents the bus agency's 1,750 employees, including 1,200 bus drivers. 

The new contract took effect July 18. 

Today's ruling by Alameda County Superior Court Judge Judith Ford means the bus agency will have to honor the old contract while the union and management engage in binding arbitration. 

On July 16, Alameda County Superior Court Judge Frank Roesch ordered AC Transit to enter into binding arbitration with ATU Local 192 to try to reach an agreement on a new contract. The two sides have agreed on an arbitrator, but no new talks have been scheduled so far. 

AC Transit's management said it imposed the contract to save $15.7 million in labor costs to help close a projected $56 million funding gap for the two-year period ending in June 2011. 

The district said it has taken other steps to reduce its budget gap in recent years, including raising fares, reducing service and cutting management positions. 

After Judge Ford held a hearing on the union's preliminary injunction request last Friday, ATU Local 192 lead negotiator Claudia Hudson said the union believes the terms of the old contract must remain in place until the arbitration is completed. 

Margot Rosenberg, an attorney for the union, said Friday that she thinks AC Transit's management "took a calculated risk" when it imposed the new contract after Roesch didn't explicitly state in his July 16 ruling that it couldn't do so. 

But Rosenberg said she believes legal precedence prevents management from imposing new contracts on employees while negotiations are continuing. 

However, the bus agency's lawyer, Raymond Lynch, argued in legal papers that, "AC Transit had no duty to maintain the terms of the expired contract." 

Sam Singer, an outside spokesman for AC Transit, said if AC Transit is forced to revert to the old contract, "It immediately puts the district in the red." 

He said the board will meet at the agency's headquarters in Oakland at 6:30 p.m. today to decide whether to appeal Ford's ruling. 

AC Transit officials allege that bus drivers have been engaging in a "sickout" since the new contract was imposed with 15 to 20 percent of the workforce absent every day. 

Hudson has denied that employees are engaging in a sickout. 

Congress shall make no law respecting an establishment of religion, or prohibiting the free exercise thereof; or abridging the freedom of speech, or of the press; or the right of the people peaceably to assemble, and to petition the government for a redress of grievances.


— The First Amendment to the US Constitution

In a democracy, how can there be such a thing as an “illegal assembly”? 

On July 8, a crowd assembled in downtown Oakland to protest the verdict in the murder trial of BART police officer Johannes Mesherle and a loud but peaceful demonstration ended in a blaze of looting and violence. Police were charged with overreacting (by arresting scores of nonviolent citizens) and under reacting (for failing to protect several businesses from wholesale looting). In the aftermath, the Oakland Police Department (OPD) has threatened to bring charges against two City Councilmembers, Jean Quan and Rebecca Kaplan. 

Quan and Kaplan stand accused of interfering with police who were on the scene to disperse troublemakers. Chan and Kaplan contend that they were, in fact, working to preserve the peace by serving as buffers between the cops and citizens who had peaceably assembled to protest what some saw as the leniency of the accused BART officer’s sentence for involuntary manslaughter in the 2009 shooting death of BART passenger Oscar Grant. 

When the police declared an “unlawful assembly” and moved to clear out the people in the immediate area, they wound up corralling and arresting 83 people. Out of those arrested, only nine were ultimately charged with felony counts involving violence and looting. Three others were charged with misdemeanor counts of “failure to disperse” and “engaging in a riot.” 

Among those arrested was Oakland School Board member Jumoke Hinton Hodge (held for “suspicion of failing to disperse”) and attorney Walter Riley, who was placed in a chokehold and slammed against a wall by a California Highway Patrol officer as Riley attempted to enter his office at 1440 Broadway. Riley was jailed overnight and ordered to appear in court to answer charges of “failure to disperse.” 

A Chokehold on the First Amendment? 

Riley has objected to his arrest, pointing out that police should not be given the power to declare when a public gathering becomes an “illegal” assembly. “Freedom of assembly requires a lot more than that,” Riley told the Chronicle. Riley, a member of the National Lawyers Guild, claimed the "police provoked a greater degree of disruption" by standing by and allowing a small number of people to vandalize businesses. Riley has suggested that the OPD may have wanted the protest to become violent to win public support to stop the cash-strapped city’s plan to lay-off 80 officers. 

Cops reportedly arrested people who were simply sitting at tables playing chess. They beat and arrested grey-haired elders, the disabled, and attorneys who were attempting to monitor the protests. The injured included former East Oakland school principal Susan Harman, who was pushed to the ground, clubbed in the back of the head and had her arm wrenched behind her back, aggravating a former broken shoulder injury. Harman, 69-years-old, was also forced to spend the night in a cell packed with 20 other arrestees. 

OPD spokesperson Holly Joshi subsequently explained the rationale behind the assaults on the innocent. Once the police issue “lawful orders to disperse,” Joshi told the press, anyone caught in the dragnet is fair game. “Whoever they are and whatever walk of life they are, they were given a chance to disperse, and once that dispersal order is given, it is now an unlawful assemble and everyone has to go. The way the law is written, it’s supposed to be equal. We’re supposed to apply it equally across the board.” 

In other words, collective punishment was now defined as a “civil rights” issue, where the goal is to mistreat everyone “equally.” The OPD’s defense was that they were legally compelled not to discriminate against anyone in the instantly criminalized crowd simply because they might happen to be old, female, or handicapped. All were equal — and equally guilty — in the eyes of the law. 

But guilty of what? What makes an assembly “illegal”? 

In an odd aberration from due process, it only takes a declaration by a single officer to declare a public gathering an “illegal assembly.” Unlike wiretaps and search warrants (which are supposed to require a judge’s review and consent before the police can act), a declaration of an “illegal assembly” requires no review. A supervising police sergeant is granted the power to act as both judge and executioner. Why is it that the Constitutional right to be secure in one’s home receives special protection while the right of peaceable assembly can be dispensed with at the wave of a nightstick? 

Why Did the Police Arrest More Citizens than Looters? 

According to a recent issue of Police: The Law Enforcement Magazine, “the city of Oakland, and especially the Oakland PD, had been preparing for possible violence for 18 months.” So why was it, as the San Francisco Chronicle reported, that during the July 8 looting, “riot-clad officers [stood] by as protesters set trash fires, smashed windows and looted shops.” 

Shop-owners watched in stunned disbelief as live TV broadcasts showed their stores being vandalized and eviscerated, despite the presence of nearly 900 uniformed police from 15 law enforcement agencies. The Foot Locker was trashed and emptied. The Green Circle mail store sustained $27,000 in losses. Looters stole $15,000 worth of wigs and hair extensions from the Grace Beauty Supply. JC Jewelry lost more than $50,000 worth of diamond rings, gold chains and grill tooth-caps. 

“Why did the police let this happen?” asked Green Circle storeowner Thillo Bramah. “Police were… everywhere, but they did nothing,” said JC Jewelry’s Tony Moeuth, who stood with family members in an unsuccessful attempt to defend the store against the onslaught of looters. What explained the failure of nearly 1,000 police to prevent wholesale looting of downtown Oakland? Moeuth told the Chronicle: “It looked like [the police] were scared themselves. Others have different theories.” 

What Went Wrong: The Police Cop a Plea 

The post-mortem in Police seems to blame the OPD for turning a raucous but peaceful assembly into a maelstrom. “The protest in front of City Hall became larger and louder, but remained peaceful,” Police reported. “The first real sign of the massive police presence was overhead TV aerial footage of a large formation of field force vehicles moving slowly in the direction of the growing City Hall demonstration…. The first reports of trouble were reported with … a number of simultaneous incidents, including at least one confrontation between demonstrators and police…. TV cameras on the ground and in the air showed massive numbers of police in riot gear methodically advancing on foot toward demonstrators.” At this point, as could have been expected, “some of [the protesters] were throwing objects at officers.” 

Police noted that the officers attacked the protesters before the looting broke out when “arrest teams of ample officers conducted forays into the mobs to arrest select targets, and then whisked them back behind the lines.” It was only later that a “splinter group” broke away and began looting. The police, meanwhile, seemed preoccupied in a “containment area,” trying to corral members of the “crowd turned mob.” The violence that broke out after the police began arresting “targets” raged for five hours. As many as 80 businesses were damaged or looted. 

What Happened? Don’t Ask the OPD 

Seventeen days after the looting, Oakland’s Assistant Police Chief Howard Johnson, told the Chronicle: “I don’t know what happened there, but the department will be looking into the incident and doing a debriefing … in the coming weeks and getting feedback.” 

Two weeks after the looting, a top Oakland police official still has no idea “what happened there”? Two weeks after the looting, no one has yet “looked into the incident”? Two weeks after the looting, the department is only considering “a debriefing… in the coming weeks”? Two weeks after the looting, the OPD is only looking forward to “getting feedback”? One last rhetorical question: Doesn’t this all sound like the working definition of “incompetence”? 

OPD’s Johnson told the Chronicle that commanders visited the vandalized storeowners and “apologized” for failing to act but concluded, “all things considered, we did a damned good job.” 

The Pro-Mehserle Rally in Walnut Creek 

On Saturday, July 19, 146 uniformed countywide officers were on hand in Walnut Creek for another demonstration — this one in support of convicted BART police officer Mehserle. Some uniformed officers were there to provide “crowd-control” services but, according to an eyewitness report from the Chronicle’s Phil Bronstein, other officers — in and out of uniform — had shown up to join the demonstrators in support of Mehserle. 

This would have put the “crowd-control” faction in a difficult position had the shouting escalated into shoving. Had the gathering been declared an “illegal assembly,” the concept of “equal justice” (as practiced against the Oakland crowd on July 8) would have compelled the 146 uniformed officers to club and disperse their fellow officers who were among those who had gathered for the rally. 

As it turned out, there was only a lot of yelling between the pro- and anti-Mehserle protestors. The bill to the taxpayers for having these officers stand by and observe the raucous but legal three-hour-long demonstration: $60,000. 

Overtime Pay: A Conflict of Interest? 

Starting pay for an OPD officer is around $71,000. (In New York, that figure is about $44,000.) With overtime and other compensation, a newly hired officer can pull down more than $100,000 a year. The San Jose Mercury News compensation database reveals that more than 71% of the OPD’s 909 employees were making in excess of $100,000 annually. A report from the Berkeley School of Journalism further notes that, “with overtime pay and various shift differentials, officers often earn more than double their base salaries.” With overtime, it’s “not atypical” to have a cop earning in excess of $244,000 — more than double the salary of Oakland’s mayor. 

Policing public protests constitutes one of the major prompts for overtime pay. So much so, that one suspects news of an impending public protest might set an officer’s pulse racing in expectation of a “combat” bonus. And it’s not just pay for policing the events: police are also paid for time spent “preparing” for deployment. In the case of the three-hour Walnut Creek rally, the police were also paid an additional three hours of overtime pay for time “preparing” for the event. 

When officers stand to be rewarded so richly for overtime hours, it should not be the police who determine when and where overtime assignments are appropriate. There is an obvious conflict of interest when officers stand to benefit from the extra pay that comes with overtime work. Civilian oversight of the nation’s military and the neighborhood police is an essential safeguard against abuse of power. Perhaps it is time to require that declarations of an “illegal assembly” — which amount to a suspension of the US Constitution’s First Amendment protections — should be made by a municipal judge and/or elected officials, be they the mayor or a committee of the City Council. 

In a sense, that is the function that Councilmembers Quan and Kaplan were attempting to fill when they put their bodies between the advancing police and the crowd that had not yet become a “mob.” 

Illegal Assembly and the Law 

Over the years, the American Civil Liberties Union has challenged unlawful assembly statutes as unconstitutional. These statutes generally make it illegal for “three or more persons” to assemble with intent to "carry out any purpose in such manner as to disturb the public peace," especially if the assembly threatens "any act tending toward a breach of the peace." These statutes provide for the instant criminalization of "every person participating therein by his presence." 

California’s “illegal assembly” statue — “2686: Refusal to Disperse: Riot, Rout, or Unlawful Assembly” — is even more rigorous. It defines an unlawful assembly as any occasion where "two or more persons assemble together to do an unlawful act, or do a lawful act in a violent, boisterous, or tumultuous manner." Two Californians don’t even have to create a “tumultuous” disturbance (in which case they could be arrested for causing a “riot”), they also can be cuffed and jailed if the police deem that they are “about to start a disturbance” — i.e., a “rout.” (The Free Speech Movement students who occupied Sproul Hall in 1969, were officially charged with being “at the scene of a rout.”) 

California law specifies: “When two or more people assemble to do a lawful act in a violent manner, the assembly is not unlawful unless violence actually occurs or there is a clear and present danger that violence will occur immediately.” (Emphasis added.) If it were only “actual violence” that could trigger a declaration, well and good. But current law also extends an interpretive wand to the police, inviting them to divine when violence is about to occur — a “pre-crime” scenario right out of the film “Minority Report.” In any event, an innocent bystander playing chess or walking to his law office retains little protection against unlawful arrest since, under California law, “The People” (which is to say, The State) “do not have to prove that the defendant participated in the (riot[,]/ [or] rout[,]/ [or] unlawful assembly.” 

There are many divisive issues before us as a nation. There will be more occasions when people will feel the need to gather in the plazas, parade in the streets and stand before the palaces of power. Under current law, the police maintain an inordinate ability to criminalize activities otherwise protected under the Bill of Rights. This authority becomes a graver threat when its execution serves the financial interests of the individuals entrusted with police powers. 

The unquestioned and unsupervised ability of any police agency to “instantly criminalize” “two or more” citizens assembled in public should be seen as a threat to civil liberties and an invitation to martial law. It is time to revisit the question of what constitutes — and who defines — an “illegal assembly.” 

Berkeley resident Gar Smith is an investigative journalist and co-founder of Environmentalists Against War.

A 19-year-old University of California at Berkeley student died in an airplane crash last week while she was traveling to a soccer tournament in her home country of Pakistan, a school spokeswoman said today. 

Misha Dawood was a student in the College of Natural Resources who completed her freshman year last spring and would have begun her sophomore year this fall, according to UC Berkeley spokeswoman Yasmin Anwar. 

Dawood was on an Airblue Ltd. jet that was traveling from Karachi to Islamabad when it crashed last Wednesday, killing all 152 passengers. 

Harry Le Grande, the UC Berkeley vice chancellor for student affairs, said, "The sudden and tragic passing of Misha Dawood is a tremendous loss to the Cal community. We extend our deepest condolences to her family and friends." 

Dawood was a coxswain on UC Berkeley's women's lightweight crew team. 

A shadow is hanging over America, the shadow of a wrecked economic system. Tens of millions of unemployed remain despondent about ever finding a job again, an entire young generation despairing of any hope for a good life, while corporate market pundits pontificate that our system creates the best of all societies, and no alternative is possible. A nationwide group gathering in Berkeley this coming weekend is putting the lie to the pundits. 

The U.S. Federation of Worker Cooperatives (USFWC), is holding its biannual conference at the Clark Kerr Center at UC August 6-8, riding an exhilarating wave of a movement that has swelled to worldwide importance over the past decade. The United Nations has recognized and encouraged this growth, and has asked all governments to form a partnership with the cooperative movement to solve the global problems of unemployment and poverty, problems that the current economic system is not structured to solve, and that are poised to engulf the world in disasters of enormous magnitudes. The UN has declared 2012 the International Year of Cooperatives. 

All around us numerous people search anxiously for a job, while numerous storefronts and workspaces lie empty. What stands in the way of these two vast resources coming together to create new businesses and jobs on a large scale? The dominant economic system controls the resources to make that happen, but full employment and economic equity were never goals of the capitalist system. On the other hand, those goals mesh well with the cooperative movement. However, while numerous unemployed people would happily take a job as co-owner of a cooperative business, there are comparatively few cooperative jobs and businesses. At the precise moment that a great influx of resources is needed, funding sources are cut back. One focus of the conference is to examine different strategies for cooperative development, creating mechanisms to organize and finance the movement, and ultimately to fulfill its mission. 

Conference workshops and speakers will also cover many other aspects and issues of the movement, some geared to the large picture while others focus on internal problem-solving on the intimate level of the democratic workplace. 

One workshop will focus on development led and funded by cooperatives themselves. Adam Trott, of the Valley Alliance of Worker Cooperatives ( VAWC), will discuss how that organization is mobilizing co-op resources in the Pioneer Valley of Western Massachusetts, to develop new worker cooperatives, cultivate university curricula related to co-ops, facilitate cross sector co-op collaboration, and work for a cooperative economy. Two of their international models are lega of the Emilia Romagna region of Italy and Mondragon in Basque Spain, which have thousands of worker co-ops in their systems. The workshop will explore how cooperative-led development differs from nonprofit- or government-led development, and why VAWC feels it is key for the growth of the movement. 

Another speaker, Ted Howard, is an architect of the Evergreen Cooperative Initiative of Cleveland, a nonprofit launched in 2008, with a mission of stabilizing and revitalizing six low-income neighborhoods in that city, with 43,000 residents and a median household income of $18,5000. Their cooperative development strategy leverages a portion of the annual procurement expenditures of anchor institutions such as local hospitals and universities, into the surrounding neighborhoods to create new co-op businesses and jobs. The first two Evergreen cooperatives, Evergreen Cooperative Laundry and Ohio Cooperative Solar, are both successfully launched, and two more co-op businesses are in their pipeline for this year. They plan an integrated network of 10 cooperatives with approximately 500 worker-owners, within 3 years. 

Last fall the United Steel Workers Union, (USW), North America’s largest labor union, and Mondragon International, the largest group of worker cooperatives in the world, announced that they are exploring a partnership “towards making union co-ops a viable business model that can create good jobs, empower workers, and support communities in the United States and Canada." A workshop led by several labor and co-op leaders will explore this growing partnership between worker cooperatives and unions as a strategy to create jobs. It will focus on how labor unions and support groups are creating successful unionized worker-owned co-ops, providing workers more control of their work and increasing union membership. A new type of “worker owner” union membership is being developed, to complement the usual collective bargaining type of membership, providing worker-owned companies with resources, and offering unions new members. Gary Holloway of the USW will give an update on the USW-Mondragon project, and others will report on projects in Oregon, Oklahoma and Maryland, followed by a discussion of ways that working people can gain control of local economic development. 

A workshop led by Jessica Gordon-Nembhard of ONE DC (a social justice group which grew out of a neighborhood development corporation in the Shaw area of Washington, DC), will explore worker co-op solutions in the “informal economy,” the “grey market,” the spontaneous, underground economic activities that people do to survive. Many of these activities operate in ways similar to cooperatives and hold similar values. Organizing into formal cooperatives has proven beneficial to many of these groups. The workshop will look at examples of informal collective activity that transformed into formal cooperatives, gaining legitimization and community benefits, and explore how the co-op structure can help women, youth, immigrants, others left out of the mainstream economy, and all people struggling to survive. 

Although no workshop specifically focuses on government relationship to co-ops, it is sure to be discussed. The Network of Bay Area Worker Cooperatives (NOBAWC), the local affiliate to USFWC, is currently proposing a worker cooperative and solidarity economy platform to the San Francisco Community Congress being held this August. The Community Congress is aimed at a vast re-envisioning of San Francisco within the global and regional economy, proposing a deeply new approach to sustainable community economic development, job creation, and affordable housing. Most of the cooperative platform is applicable to all the Bay Area cities. The current draft of the platform includes: “adopt the worker cooperative model for economic development on an equal basis with other business models; include worker cooperatives as a viable and sustainable business model in all relevant city literature; support worker cooperative incubation and technical assistance; support the inclusion of worker cooperatives in educational and vocational curricula; prioritize worker cooperatives as a preferable model of doing business; prioritize procurement of goods and services from local worker cooperatives; finance worker cooperatives through a revolving loan fund, whose capital is provided by city money through a municipal bank; encourage conversion to the worker cooperative business model as a viable option; provide assistance for worker buy-outs of struggling small manufacturing/light industry shops; consider place-based worker cooperative development as a primary way to rejuvenate a low-income neighborhood’s economy.” 

Cooperatives have a long and deep history in the world and locally, dating back to Indigenous times, the Gold Rush, the Progressive era, the Great Depression, the counterculture of the 60s and 70s. Worker cooperatives are based on the simplest of concepts—mutual aid. But the cooperative system is unfamiliar to many people, who have spent their work lives inside the boss-employee wage system and its top-down command structure, and have little experience working democratically. Does the worker cooperative system work? It has proven its viability numerous times in numerous places. With worker co-ops democracy is practiced on a daily basis, and wealth is pumped back into local economies. Worker cooperatives are a model and a strategy for empowering people to create a socially just world. A society with an expansive sector of democratically-run enterprises is a inspiring concept for an era when all the old answers have failed, and the world looks for hope to new visionary solutions.  

John Curl is author of For All The People: Uncovering the Hidden History of Cooperation, Cooperative Movements and Communalism in America. Oakland: PM Press, 2009, ISBN 978-1-60486-072-6 

Heads up! According to the pundits slavishly following the statewide races, we’re within 100 days of the November election. The question in everyone’s mind is whether two recycled female executives, one a definite loser, both with histories of ignoring the political process, can buy state and national office with the ill-gotten proceeds of a career in corporate crime? It’s a puzzlement.  

Me, I’ve been tired of Jerry Brown since about 1980, but sure, I’ll vote for him. What’a’ya’gonna’do? Barbara Boxer is a much more appealing candidate, even though she has been pumping for the Fourth Bore. 

Jobs, jobs, jobs, that’s what our Dems want, even if the work product is undesirable in light of climate change threats. This is a problem that must be solved sometime, but Not This Year. 

Locally, we might need to fasten our seatbelts—we’re going to be in for a wild ride. This will be the first city council election to explore the uncharted turf of instant runoff voting, known to its fans as IRV.  

Buzz around town among the armchair pols is a recent New Yorker article reviewing books about novel voting methods. Novel here means anything except the traditional first-past-the-post format we’ve taken as the norm in this country—everyone votes, and the guy (usually) with the most votes wins. Political parties and run-offs have made things a bit more complex, but basically simple majorities rule. 

Here in Berkeley this November we’ll be guinea pigs for an experimental scheme which will let every voter rank up to three choices by preference. (The limit of three candidates is imposed by the voting machine technology currently approved by the California Secretary of State.) If none of the three candidates gets a majority of first place votes in the initial count, the second and third choice votes of those whose first place candidate came in third will be redistributed to the two leaders to produce a winner. 

At least I think that’s how it works. In preparation for writing this, I read a whole lotta stuff online, including articles pro and con, web sites ditto, and the Wikipedia article on IRV, but despite more than 50 years avidly following and participating in politics, a law degree, and a very smart computer scientist partner and various mathematician friends who’ve tried to explain it to me, I’m still confused. Anyone who’s not confused just isn’t paying attention. 

What I have gleaned from all this research is that the system works best when the voter has more than one acceptable choice. Ideally, if my district has four people running and I think three of them might do a fine job, I could vote for all three, secure in the knowledge that anyone who wins would suit me. 

Which is why I’ve signed the petition to get on the ballot which is being circulated by one candidate in my district (District 8) already. Some quirk in the law seems to indicate that I’m only allowed to sign one petition, even though I personally know at least two other people who’d make good councilmembers. But I’ve told two more that I’ll also endorse them, so when I vote in November my ballot will offer genuine one-two-three choices that I won’t be unhappy with.  

And this is why we should all encourage anyone we know who wants to run to give it a shot. This election will definitely be an experiment, but it will be more interesting if there are more candidates.  

Sad to say, incumbents have always had a huge advantage, just from name recognition alone, regardless of how bad their record might be. In my district the incumbent, retired UC bureaucrat Gordon Wozniak, has always functioned as a spokesperson for the University of California administration, even though the students, UC Berkeley employees and other residents who live in his south of campus district have had many bones to pick with UC in the last 8 years. I know we don’t need any more of him—maybe one of the other three can win with IRV. 

The other potent force in Berkeley elections is the power of the Bates/Hancock machine. The last time I referred to that organization as a machine, I got a stinging letter from an old friend who thought that self-styled progressives didn’t have machines, but face it, they do. How else can you analyse the fact that this district’s representation in Sacramento has been limited to husband and wife Bates and Hancock, plus his former staff manager and her hand-picked successor, for more than 20 years?  

If more proof is needed, Bates’ endorsement of not one but two candidates running against independent progressive Kriss Worthington, who has an impeccable track record on issues important to his district, should provide it. Worthington had the chutzpah to run in the Democratic primary against Hancock’s anointed Assembly successor Nancy Skinner, and now he’s paying the price. Skinner’s endorsement, very early in the District 6 race, has followed Bates’ dictum—no surprise here. Why do Berkeleyans need Skinner to tell us how to vote, anyhow? 

In Jesse Arreguin’s district, rumor has it that architect Jim Novosel, otherwise a nice guy, has taken out papers to run against him. First-term Councilmember Arreguin is the only young person currently on the City Council and a smart, hard-working independent progressive to boot, not to mention the only member of Berkeley’s growing Latino minority in local office. Anyone who watches the City Council meetings online (a decadent taste, to be sure) will quickly figure out that Arreguin and Worthington are the only councilmembers who reliably read and understand their packets, and the city needs them for that reason alone. Novosel should back off and find other ways to serve the city. 

In other rumors, a varied group is supposed to be taking on District 1 councilmember Linda Maio. She’s a sad case, because in discussion of contested issues she always seems to understand the progressive point of view, but she always ends up voting with the Mayor, who’s long since given up the pretense that he works for anyone but developers. 

Which brings us to the other Berkeley item on the November ballot, the Giant Greenwash masquerading as some sort of Berkeley Downtown Plan advisory, or perhaps as a “lite” plan. For the full pitch, signed by my incumbent councilmember but undoubtedly authored by whatever consultant has been retained by the B/H organization to push the ballot measure, see this op-ed which appeared in the Daily Cal. 

The Bates-hatched so-called Green Vision hides a few pernicious provisions which will make it easier to build big new buildings and demolish old ones in a sea of green rhetoric. Between now and the campaign there will be enough time for opponents to deconstruct the deceptive language adequately for experienced local voters, but if the main target voters in the November election will be well-meaning students from elsewhere who don’t know much about the city of Berkeley it might be hard to get the message out. 

Bottom line: for the next 100 days anyone who cares about what will become of Berkeley needs to participate actively in the political process. In the council elections in Districts 1,4,6 and 8, that might even mean running yourself so that the voters will have three independent progressives to fill out their ballots. All such candidates would be well advised to endorse one another to make this easier for the voters to understand. And all such candidates (it would add up to 12 if enough independent progressives stepped up to the plate) could share the job of explaining to voters what a sham the Giant Greenwash really is. 

Filing for the council races closes on Friday unless an incumbent chooses not to run. If that happens, filing will be possible for some longer period—not likely, but we’ll keep you informed. 

If nothing else, IRV has given new meaning to the old Chicago machine slogan: “Vote early and often.” In November you can finally give it a shot. 

No tickets are supposed to be given for expired residential parking permits in Berkeley until October 1, according to a notice on the city of Berkeley’s web site. 

How do I know this? Because I got a ticket, of course, though my expired permit is prominently displayed on my car's bumper. 

Or more accurately, because I got a ticket on Monday despite being told by a staffer at the city’s Finance Department last Thursday that since they were “running behind” no tickets were being issued until all orders could be filled. 

And why might they be running behind? It could have something to do with the fact that Friday was one of several furlough days for City of Berkeley staff, which I suspected, which is why I called to ask.  

So let’s get this straight. In order to save money, city offices are closed, but since they haven’t completed processing the residential parking permits, uncalculated amounts are being lost in undeposited permit fees and uncollected ticket fines. 

Except, of course, that all parking control officers don’t seem to have gotten the memo, so some of them are ticketing anyway. 

Which is why I got a ticket anyway. And many people who get these tickets won’t be aware that tickets are not supposed to be given, so they’ll just mail the fine to the third party collection agency, which undoubtedly will not inform them that they don’t have to pay up. 

What’s my remedy, I asked the lady at the Finance Department? If I take the $41 ticket down to some obscure office on Folger Street someone might cancel it. That’s about an hour of work…I guess my time is worth $41 an hour. 

Thanks a lot, City of Berkeley—you’re doing a heckuva job.  

An LA Times business columnist wonders why Berkeley lets BP get away with it.

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A Note On Yiddish; Scapegoating; Syria; Meg Whitman; Spay and Neuter; The History of BP; Country or Empire; Send Them Home 

A Note On Yiddish 

A correspondent wrote asking how much money the Daily Planet receives from BP, and the editor answered "bupkes." 

Bupkes is the Yiddish word for beans. It is used to mean anything that is insignificant or negligible, but it it not strictly correct to use it to mean "nothing." 

Instead, I suggest the word gurnisht (usually pronounced goonisht). 

In German nischts means "nothing" and gurnischts means "absolutely nothing." 

In Yiddish, you almost always say gurnisht to mean "nothing." If you want to go further, you say gurnisht mit gurnisht - literally "nothing with nothing" - to mean "absolutely nothing." 

And gurnisht mit gurnisht obviously is exactly what the Daily Planet gets from BP. 

Charles Siegel 

*** 

Scapegoating 

What's new in Arizona? Scapeoating Hispanics, Latinos and Mexicans. To hear some folks describe it, Republicans and Tea Partiers and Rush Limbaugh types - America is under attack by crazed rapacious and thieving hordes that are pouring across the southern border bent on occupying the country. These illegal immigrants - or "aliens" or "invaders" in the vernacular of those who complain incessantly about them - are described as consuming vast sums of welfare and health care funds, committing countless crimes, clogging the prisons and in other ways are ruining what would be an idyllic paradise. 

During an election year, Republicans latch on to and ramp up the anti-immigration issue. The hysteria over undocumented workers is a "hot button" issue being used to stir up Tea Party Republicans around the country. 

Talking heads claim that undocumented immigrants are taking jobs away from Americans. Not true and eliminating immigrant workers would be a serious blow to the U.S. economy. 

Those who are coming to the United States illegally are, overwhelmingly coming to work and better themselves and their families. Don't believe fantasies and lies being peddled by self-serving, self-appointed patriots. 

Ron Lowe 

*** 

Syria 

Before World War 1, Lebanon was a part of Syria and had been a part of Syria for hundreds of years! Lebanon had not been independent since almost the times when Israel was independent. For hundreds of years it had been occupied by Romans, Arabs or Turks or somebody. And when World War 1 rolled around, Lebanon was a part of Syria and had been a part of Syria for hundreds of years. 

Which, of course, was the idea in the World War 1 settlement. They gave Israel or Palestine to the British, and they gave Lebanon to the French. I think they called it the Levant. Syria was one of the defeated powers because they had worked with the Germans, so they ripped off Lebanon from Syria and they ripped off Palestine from the Turks! Neither one of them had been an independent country for centuries. 

So the point is that both Israel and Lebanon are artificial countries! Palestine had been a country for generations, but it was under the Turks and the Arabs. But both were the artificial creations of the conquering powers, particularly Lebanon. They hadn't been free or independent for hundreds of years, it was a part of Syria. So when Lebanon had their big civil war, the Arabs agreed that Syria should move in to Lebanon and settle it and stop the civil war and enforce peace, and they did. Of course, this aggravated the Israelis because they didn't get a piece of the action! Well, they did move in for awhile, but then they got forced out by the UN and World opinion. So finally they just invaded Lebanon against the UN and World opinion and grabbed the bottom half anyway. 

They're all such a bunch of liars and pretenders, particularly Israel and the U.S.! 

Ted Rudow III,MA 

*** 

Meg Whitman 

It was reported that during Meg Whitman's last three years at eBay their stock lost 50 percent of its value after she bought Skype and moved eBay into Communist China. 

She then simply "retired." Now she's spent $91 million trying to buy our state's top elected office, so far bringing herself about even in the polls. 

Now, according to the Chronicle, she's giving $40 million of her own money to the Republican Party so they will start campaigning for her. 

Meanwhile, she won't discuss anything with Jerry Brown. I think I know why she's afraid to talk politics and finances with him. 

Let's see - Citizen Whitman can't be bothered to vote, but thinks we should allow her to start her political career as California's governor, and she's spending like there's no tomorrow to buy votes. Do you want someone like her to run California's finances. 

Ms. Whitman, give us a break. Californians deserve better than you. Please find another way to solve you boredom. 

Ron Lowe 

*** 

Spay and Neuter 

The California Veterinary Medical Board is sponsoring California Spay and Neuter license plates. If you love dogs and cats this is a wonderful way to support them, and let the world know how you feel by displaying the plate on your car. 

You pay $50 for a sequentially numbered plate, the words CA SPAY will be on the plate as well as a picture painted by Pierce Brosnan the actor. It depicts the dog and cat his family has adopted. 

A total of 7500 plates must be ordered before the DMV will begin making them. Your $50 will be refunded if there isn't enough interest in the project. Proceeds will be distributed to cities and counties throughout California for free and low cost spay and neuter programs through shelters, clinics and vouchers redeemable at local veterinarians. 

For complete information go to this website http://caspayplate.com/ or, call 1(800)-390-1541. 

Janet D Wilson 

*** 

The History of BP 

The history of the company we now call BP over the last hundred years has really traced the arc of global transnational capitalism. The Anglo-Persian Oil Company, guaranteed itself, or won the right to own, all of Iran’s oil. So, nobody in Iran had any right to drill for oil or extract oil or sell oil. 

Then, soon after that find was made, the British government decided to buy the company. So the Parliament passed a law and bought 51 percent of that company. And all during the 1920s and 1930s and 1940s, the entire standard of living that people in England enjoyed was supported by oil from Iran. So that became a fundamental foundation of British life. 

And then, after World War II, when the winds of nationalism and anti-colonialism were blowing throughout the developing world, Iranians developed this idea: we’ve got to take our oil back. It was Mosaddegh's desire, supported by a unanimous vote of the democratically elected parliament of Iran, to nationalize what was then the Anglo-Iranian Oil Company. They carried out the nationalization. 

The British and their partners in the United States fiercely resisted this. And when they were unable to prevent it from happening, they organized the overthrow of Mosaddegh in 1953. So that overthrow not only produced the end of the Mosaddegh government, but the end of democracy in Iran, and that set off all these other following consequences. 

Ted Rudow III,MA 

*** 

Country or Empire 

The United States now faces an economic crossroad driven to this precipice on the wheels of a fiscal train-wreck, a creation of the Bush/Cheney regime: we must now choose between country and empire. President Obama promised hope, but has delivered hypocrisy. it's time for you, our elected representatives to wholeheartedly oppose Obama's continuation of war. 

Dr. Stephen Kane 

*** 

Send Them Home 

A recent front page article in the Berkeley Daily Planet detailed the unfortunate plight of Teresa Mina who was forced to return to an impoverished town in Veracruz. As a hard-working undocumented janitor in the United States, she sent money back to her family for a period of six years. The apparent villain of the story was her employer who asked for her immigration papers. Wrong. --Both the janitor and the employer happen to be victims of short-sighted social policies. 

Approximately one-third of the 200 million Latin American citizens live in poverty. As a wealthy neighbor, United States has a moral obligation to correct this situation, and the process has begun. The total U.S. trade deficit with Latin American countries was approximately $50 billion in 2008. In the next century, it is likely that there will be a significant transfer of wealth from the United States to Latin America. 

Based on personal experience working for the World Bank in developing countries, I believe there are good and not-so-good ways to transfer wealth. Illegal immigrants sending remittances back home is one of the worse. Not only are undocumented workers subject to exploitation, but the remittances feed an underground economy in the home country. This economy goes untaxed which then deprives the government of funds necessary to support educational, medical, and social services most needed by the poor. In contrast, programs that stop illegal immigration and simultaneously support legitimate judicial systems, women's rights, private capital investment, and microenterprises in developing countries are good ways to transfer wealth. Teresa Mina was appropriately deported; now it is time to help her town. 

Robert Gable

Latest issue of the Pepper Spray Times.

As a former janitor and member of SEIU Local 87 for 19 years from 1980-1999 including my having been a shop steward, I found Teresa Mina's story "This Law is Very Unjust!" about the feds removing her from her job very heartbreaking. I am strongly opposed to immigrant bashing. I support legislation to allow undocumented immigrants to pay their fine and to become American citizens, and the process for people to become citizens must be speeded up. However I do believe that Local 87 and I suppose other unions are doing very little to encourage their members to learn English, to become American citizens, register to vote, and learn about the unions that they belong to. I certainly found this to be the case with Local 87. Why didn't the Local 87 officials help members like Teresa Mina fill out their employment applications with the contractors, and see to it that they had the documents that they needed to present? 

Here is the story of the last couple of years of my experience as an SEIU Local 87 member. In November 1997, the office building that I was working in became vacant. It was a good day job in a Blue Shield building where I enjoyed an excellent work environment. After the building was vacated, the contractor I was employed by cut my hours from full-time to 27 hours and then to 12(one of the buildings that the contractor sent me to afterwords had gone non-union). 

This particular contractor had just taken over my building(the Blue Shield building that became vacant) one year prior. Under the union contract, that contractor took over my seniority of which I had 18 years. It was a small contractor and supposedly the contractor didn't have another building to place me in. I was forced to go back to the hiring hall and get dispatches to buildings that the prior contractor whom I was employed by, cleaned. I lost all of my seniority. My pay went down from $13.75 per hour to something like $9.69 per hour. 

On several occasions, I made requests to the local to properly represent me, by arranging with the contractor to place me into a permanent position and restore my seniority and pay. I was repeatedly rebuffed in my attempts. During this time, I heard of many instances from reliable sources that there were new janitors obtaining jobs in buildings without ever having to follow the union's rules, by going to the hiring hall to obtain a dispatch. 

On one occasion, while working in a building where I had to obtain a dispatch, I found out that a 16-year-old fellow was working there without a dispatch. It was for one night. He happened to be the son of another janitor, whom the contractor allowed to come in and work. This was just one of many cases, where the Local 87 officials simply turned their heads. 

There was also a situation where a contractor, fired a foreman for sexual harassment. The local arranged for him to be hired on as a foreman for another contractor with full seniority. I heard that he even received $1.00 per hour more with the new contractor. I I also must mention that during the 1990's, it seemed to me and some other Local 87 members who I spoke with of various ethnicities that there was at least an unofficial arrangement between the union and the contractors to give jobs to new immigrants at the expense of American citizens, including those who were longtime union members. 

There were many cases where janitors faced disciplinary action including loss of income, for not being able to handle the heavy workloads. They did not receive proper representation from the local. In fact, one business agent actually told members that the problem was their fault in the presence of management. During this period, several Local 87 members concurred with me about the wrongdoing on the part of the local's leadership. Many office buildings were going non-union. While a good part of that was because of greed on the part of building owners, part of that was because of the mismanagement of the local. 

When I joined SEIU Local 87, the union was led by President Robert Parr. Under him and officials who preceded him such as Herman Eimers, Rex Kennedy, and the founders Charles and George Hardy, janitors enjoyed excellent wages, benefits, and working conditions. Unfortunately during the 1990s and the first few years of the 21st Century, workloads in many of San Francisco's high-rise office buildings drastically increased along with a deterioration of working conditions. Teresa Mina's mentioning that often because of the very heavy workloads, she didn't have time to take her lunch or breaks, sounds very familiar to me. Nothing has changed, I see. The job of a labor union, is to represent its members and among other things, to see to it that the members have decent working conditions and that the workloads are humanly possible to perform. 

As for what happened to me, I ended up going on workers comp in early 1999 due to back injuries and a hernia. I settled my case. I am retired and I'm very active in community affairs in Chico, California where I live.

As the editor of the Planet has pointed out on several occasions, the “greenest” building project is a renovation, not a replacement. This is exactly what will happen with two of Berkeley’s four branch libraries with the money from Measure FF. But two of the branches must be replaced. Here is why: 

The South Branch, at Martin Luther King Way and Russell Street, houses both a neighborhood branch and the Tool Lending Library. Both are overcrowded. Most of the meeting room has been taken over for staff functions; computer stations and shelves crowd the once handsome reading room and make wheelchair maneuvers almost impossible. Before the passage of Measure FF the Board of Library Trustees considered moving the regular branch facilities to leased space in the Ed Roberts Center, under construction at the Ashby BART station, but there was neighborhood opposition to the move and a sense among many residents that the neighborhood deserved a free-standing building like the other branch libraries. Thus the decision was made to stay in the same location, which is the smallest parcel of land of any of the branches yet contains, in essence, two libraries, the regular neighborhood library and the tool lending library. 

The library staff held four community meetings at the South Branch, where the architects worked through alternative designs for this small and crowded site, and in addition gave four public presentations before the library trustees. The architects carefully studied ways to retain some parts of the existing building. Unfortunately the concrete block structure was discovered to have significant seismic problems. Because the low wood plank roof has no inner ceiling and the concrete floor contains heating pipes there is no space for inserting modern wiring for computers. Although the Tool Lending library is used by citizens from all parts of the city, the original grant that created it was directed to South Berkeley, and it can only be expanded with Measure FF funds if it stays with the branch. It is now housed in crowded trailer-like buildings. Because some of the tools available for lending are large the city planning department insists, quite correctly, that there must be off-street parking spaces for pick-up and drop-off on this busy street. Ultimately the architects concluded that retaining a piece of the old building would be an insignificant gesture and would restrict developing a plan that could accommodate all the needs of this branch. Their design will be a handsome new facility that will match in symbolism the North Branch at the other end of Martin Luther King Way. 

In 2003 the library developed a conceptual plan for the West Branch on University Avenue near San Pablo. This plan would have removed the ugly 1970s façade and moved and restored the original building while also providing new and expanded facilities for regular library users and for this branch’s special program, Berkeley Reads, a program for adult literacy which is one of the most wonderful (there is no other adjective) things happening in Berkeley. The 2003 conceptual plan was estimated to cost $14 million. The library applied for a State grant for much of this cost and came close to receiving one, but now State money has dried up. Based on construction cost indexes the $14 million estimate in 2003 would now be $19 million, more than 70% of the amount provided by Measure FF for all four branches. As with the South Branch the architects studied the possibility of a second story as a means of preserving part of the existing structure, but the construction costs for fire stairs and an elevator and the additional operational costs for staff on two floors went well above budget. In order to accommodate the neighborhood library needs and Berkeley Reads and still keep within the budget, the architects concluded that the original building must be replaced. The design will be as green as possible, with the intent that it will be a Net Zero Energy building —meaning that it will use solar energy and natural lighting and ventilation to achieve no energy costs over a 12 month period. 

South Berkeley and West Berkeley deserve the finest branch libraries we can get with the money available from Measure FF. The library administration and the Board of Library Trustees have done the best job possible to assure this happens. 

The writer is former president of both the Berkeley Architectural Heritage Association and the Berkeley Public Library Foundation. The views expressed here are exclusively his own.

On July 27, California Watch reported that Senator Wannabe Carly Fiorina accepted $25,000 in donations from Murray Energy Corporation of Cleveland, a major coal producer, whose CEO Robert Murray called global warming "hysterical global goofiness." Murray has an economic interest in the global warming debate because global warming legislation will probably restrict the burning of coal and thus, effect his economic interests. 

Murray also donated $30,000 to Proposition 23, which would suspend AB 32's anti-global warming measure until the economy rebounds from the recession. 

Fiorina even had the audacity to suggest that the science of global warming needs to be examined. What's to examine when the overwhelming scientific consensus has concluded that global warming is happening and that it is induced by human activity? 

By association, Fiorina has aligned herself with the global warming deniers joining that eminent scientist Sarah Palin -- one of her endorsers -- who called global warming studies "snake oil science." By using her prominent position as a Republican Senatorial candidate, she helps feed the public's skepticism over global warming, which in turn provides cover for our politicians to avoid the difficult task of addressing global warming. A new Rasmussen Reports national telephone survey finds that only 40 percent of likely U.S. voters now say global warming is caused primarily by human activity, while slightly more (44 percent) say long term planetary trends are to blame. 

There is no quick fix for global warming and by doing nothing we risk great harm to our planet and its inhabitants. It has long been known that humans impact our atmosphere severely and our unrelenting production of carbon dioxide (and other greenhouse gases) increase the effects of the naturally occurring "greenhouse effect" that keeps our planet habitable. The more CO2 we pump into our atmosphere, the warmer the atmosphere gets. This is a scientific fact based on decades of scientific study. The main cause of the increase in global average temperatures in recent history is not because of any natural cycle -- although natural cycles do exist -- it is because of man. 

Global warming and its causes threatens all of humanity with slow, painful, untimely deaths. Scientists overwhelmingly agree that increasing global temperatures will cause sea levels to rise and will produce more intense weather and changes in precipitation patterns, changes in crop yields, glacier melting, extinction of species and the spread of disease. Putting our heads in the sand is not going to make global warming go away. 

Is Ms. Fiorina confused by these scientific facts? Or has she joined the dark side for $25,000, just small change for a millionaires like her? 

When Rabbi Michael Lerner started Beyt Tikkun Synagogue in San Francisco, it was a featured news story in the S.F. Chronicle. Rabbis who thought his brand of critique of Israel might be destructive to the Jewish community, while others thought it more appropriate to welcome him. 

Rabbi Lerner has been the editor of Tikkun magazine, the only national or international Jewish magazine to publicly identify itself as both pro-spirituality and opposed to the Israeli Occupation of the West Bank. Founded as the "liberal alternative to the neo-conservative voices in the Jewish world," Tikkun has become a consistent critic both of the militarism and materialism in American society and of the absence of an explicit spiritual consciousness in liberal and progressive social change movements.  

If anything, Rabbi Lerner's profile as a firebrand and public intellectual has grown since that time. His book The Left Hand of God: Taking Back Our Country from the Religious Right (HarperSanFrancisco, 2006) was a national best-seller. His ideas have been profiled in the Washington Post, NY Times, People Magazine and many other places. In the last four years he was a guest on Meet the Press, Bill Moyers' tv show, Larry King, and many others.  

Two months ago Lerner's Tikkun announced that it would give one of its Tikkun Awards to Judge Goldstone who had authored the UN's critical report on Israeli human rights violations in its attack on Gaza which left 1,600 Palestinians dead in January of 2009. Commenting in the Jerusalem Post, Alan Dershowitz (who represented OJ Simpson and is now defending Israeli actions in Gaza and "targetted assassinations" of those "suspected of being terrorists") labeled Lerner "one of the Rabbis for Hamas" and "the worst of them"--though Lerner frequently critiques Hamas as well as the Israeli government and has been a strong advocate for non-violence in his 2003 book Healing Israel/Palestine. Lerner received several death threats from those who identified themselves as "lovers of Israel" and a few days after the Dershowitz was reprinted in the Huffington Post, Lerner's house was attacked by right-wing Zionists and plastered with posters identifying him as "a self-hating Jew" and someone who embraced anyone who hated Israel. The case is still under investigation by the Berkeley police.  

Rabbi Lerner's synagogue Beyt Tikkun will hold High Holiday services at the Pacific School of Religion, 1798 Scenic Ave, a block north of the UC Campus and 2 blocks east of Oxford Street in Berkeley. Lerner has already announced that part of the focus of his High Holiday services, traditionally a time for ten days of repentance from Rosh Hashanah (the Jewish New Year) to Yom Kippur (the Day of Atonement) will be addressing the need for all Americans (not just Jews) to atone for the terrible way we have treated the Earth, most recently manifested in the oil disaster in the Gulf of Mexico after the Obama Administration broke new ground by allowing deep water drilling off the U.S. coast by British Petroleum and other oil companies. Lerner argues that this is not an isolated problem, but a manifestation of an attitude of exploitation of the earth's resources without any serious regard to the way we are destroying the environment. Rabbi Lerner believes that this, coupled with the continued funding by the Democratic Congress of the war in Afghanistan and the close to one thousand military bases of the US around the world gives every American a reason to do serious repentance, and he invites non-Jews as well as Jews to register for his services.  

Yet Beyt Tikkun's fame in San Francisco was not primarily in regard to its progressive politics but its creative spirituality. Rabbi Lerner was the author of a 1994 national best seller called Jewish Renewal: A Path to Healing and Transformation, and played a prominent role in the creation of the Jewish Renewal movement. The services he leads along with the Adama band led by Achi Ben Shalom incorporates not only traditional prayers and the traditional High Holiday melodies, but also dancing, singing, meditation, and guided visualization.  

Rabbi Lerner, 67 years old, has moved his community to the East Bay on advice of his doctors after a surgery for cancer last year.  

For more information: Contact Mike Godbe 510 644 1200 mike@tikkun.org  

There are moments that define a war. Just such a one occurred June 21 when Special Envoy Richard Holbrooke and U.S. Ambassador to Afghanistan Karl Eikenberry helicoptered into Marjah for a photo op with the locals. It was to be a capstone event, the fruit of a four-month counterinsurgency offensive by Marines, North Atlantic Treaty Organization (NATO) allies, and the newly minted Afghan National Army (ANA) to drive the Taliban out of the area and bring in good government. 

As the chopper swung around to land, the Taliban opened up, sending journalists scrambling for cover and Marines into full combat mode. According to Matthew Green of the Financial Times, “The crackle of gunfire lasted about 20 minutes and continued in the background as a state department official gave a presentation to Mr. Holbrooke about U.S. and U.K [United Kingdom] efforts to boost local government and promote agriculture in the town.” 

The U.S. officials were then bundled into armored cars and whisked back to the helicopter. As the chopper took off an enormous explosion shook the town’s bazaar. 

When it was launched in March, the Marjah operation was billed as a “turning point” in the Afghan War, an acid test for the doctrine of counterinsurgency, or “COIN,” a carefully designed strategy to wrest a strategic area from the Taliban and win the “hearts and minds” of the local people. And in a sense Marjah has indeed defined COIN, just not quite in the way its advocates had hoped for. 

In his bible for counterinsurgency, Field Manuel 3-24, General David Petraeus argues, “The cornerstone of any COIN effort is establishing security for the civilian population.” As one village elder that attended the Holbrooke meeting—incognito for fear of being recognized by the Taliban—told Green, “There is no security in Marjah.” 

Nor in much of the rest of the country. The latest U.S. assessment found five out of 116 areas “secure,” and in 89 of the areas the government was “non-existent, dysfunctional or unproductive.” 

That the war in Afghanistan is a failure will hardly come as news to most people. Our NATO allies are preparing to abandon the endeavor—the Dutch, Canadians and Poles have announced they are bailing—and the British, who have the second largest contingent in Afghanistan, are clamoring for peace talks. Opposition to the war in Britain is at 72 percent. 

But there is a tendency to blame the growing debacle on conditions peculiar to Afghanistan. There are certainly things about that country that have stymied foreign invaders: it is landlocked, filled with daunting terrain, and populated by people who don’t cotton to outsiders. But it would be a serious error to attribute the current crisis to Afghanistan’s well-earned reputation as the “graveyard of empires.” 

The problem is not Afghanistan, but the entire concept of COIN, and the debate around it is hardly academic. Counterinsurgency has seized the high ground in the Pentagon and the halls of Washington, and there are other places in the world where it is being deployed, from the jungles of Columbia to the dry lands that border the Sahara. If the COIN doctrine is not challenged, Americans may well find themselves debating its merits in places like Somalia, Yemen, or Mauritania.  

“Counterinsurgency aims at reshaping a nation and its society over the long haul,” says military historian Frank Chadwick, emphasizing “infrastructure improvements, ground-level security, and building a bond between the local population and the security forces.” 

In theory COIN sounds reasonable. In practice it almost always fails. Where it has succeeded—the Philippines, Malaya, Bolivia, Sri Lanka, and the Boer War—the conditions were very special: island nations cut off from outside support (the Philippines and Sri Lanka), insurgencies that failed to develop a following (Bolivia), or were based in a minority ethnic community (Malaya, the Boer War). 

COIN is always presented as politically neutral, a series of tactics aimed at winning hearts and minds. But in fact, COIN has always been part of a strategy of domination by a nation(s) and/or socio/economic class. 

The threat of “Communism” and its companion, the “domino theory,” sent soldiers to countries from Grenada to Lebanon, and turned the Vietnamese civil war into a Cold War battleground. If we didn’t stop the communists in Vietnam, went the argument, eventually the Reds would storm the beaches at San Diego. 

Replace communism with “terrorism” and today’s rationales sound much the same. U.S. Defense Secretary Robert Gates describes Afghanistan as “the fountainhead of terrorism” and, when asked to explain why Germany was sending troops to Afghanistan, then German Defense Minister Peter Strock argued that Berlin’s security would be “ defended in the Hindu Kush.” British prime ministers Tony Blair and Gordon Brown routinely said that confronting “terrorism” in Afghanistan would protect the home front. 

But as counterterrorism expert Richard Barrett points out, the Afghan Taliban have never been a threat to the West, and the idea that fighting the Taliban would reduce the threat of terrorism is “complete rubbish.” In any case, the al-Qaeda operatives who pulled off the attack on the World Trade Center and the Pentagon got their training in Hamburg and south Florida, not Tora Bora. 

The U.S. has strategic interests in Central Asia and the Middle East, and “terrorism” is a handy excuse to inject military power into these two energy-rich regions of the world. Whoever holds the energy high ground in the coming decades will exert enormous influence on world politics. 

No, it is not all about oil and gas, but a lot of it is. 

Winning “hearts and minds” is just a tactic aimed at insuring our paramount interests, and/or the interests of the “friendly” governments that we fight for. Be nice to the locals unless the locals decide that they don’t much like long-term occupation, don’t trust their government, and might have some ideas about how they should run their own affairs. 

Then “hearts and minds” turns nasty. U.S. Special Operations Forces carry out as many as five “kill and capture” raids a day in Afghanistan and have assassinated or jailed more than 500 Afghans in the past few months Thousands of others languish in prisons. 

The core of COIN is coercion, whether it is carried out with a gun or truckloads of money. If the majority of people accept coercion—and the COIN supported government doesn’t highjack the trucks—then it may work 

And then maybe not. Tufts University recently researched the impact of COIN aid and found little evidence that such projects win locals over. According to Tufts professor, Andrew Wilder, “Many of the Afghans interviewed for our study identified their corrupt and predatory government as the most important cause of insecurity, and perceived international aid security contracts as enriching a kleptocratic elite.” 

This should hardly come as a surprise. Most regimes the U.S. ends up supporting against insurgents are composed of narrow elites who rule through military power and political monopoly. Our backing of the El Salvador and Guatemalan governments during the 1980s come to mind. Both were essentially death squads with national anthems. 

The U.S. doesn’t care if a government is corrupt or democratic—if it did, would countries like Egypt and Honduras be recipients of U.S. aid, and would we be cuddling up with Saudi Arabia and Kuwait? The only thing the U.S. cares about is whether the local elites will serve Washington’s interests by giving it bases, resources, or commercial access. 

Afghanistan is no different. The government of Hamid Karzi is a kleptocracy with little support or presence outside Kabul. 

In many ways COIN is the most destructive and self-defeating strategy a country can employ, and its toxicity is long-term. Take what didn’t get reported in the recent firing of former Afghan War commander General Stanley McChrystal. 

McChrystal cut his COIN teeth running Special Operations death squads in Iraq, similar to the Vietnam War’s “Operation Phoenix” that killed upwards of 60,000 “Viet Cong cadre” and eventually led to the Mai Lai massacre. The success of Phoenix is best summed up by photos of desperate South Vietnamese soldiers clinging to U.S. helicopter skids as the Americans scrambled to get out before Saigon fell. 

But COIN advocates read history selectively and the loss in Vietnam was soon blamed on backstabbing journalists and pot-smoking hippies. The lessons were re-written, the memories expunged, and the disasters re-interpreted. 

So COIN is back. And it is working no better than it did in the 1960s. Take the counterterrorism portion of the doctrine. 

Over the past several years, the U.S. Central Intelligence Agency has been carrying out a sort of long-distance Phoenix program, using armed drones to assassinate insurgent leaders in Pakistan. The program has purportedly snuffed out about 150 such “leaders.” But it has also killed more than 1,000 civilians and inflamed not only the relatives of those killed or wounded in the attacks, but Pakistanis in general. According to an International Republican Institute poll, 80 percent of Pakistanis are now anti-American, and the killer drones are a major reason. 

“Hearts and minds” soldiers like Petraeus don’t much like the drone attacks because they alienate Pakistan and dry up intelligence sources in that country. 

But McChrystal’s Phoenix program of killing Taliban “leaders” in Afghanistan is no better. As author and reporter Anne Jones notes, “Assassinating the ideological leaders, the true believers and organizers—those we call the ‘bad Taliban’—actually leaves behind leaderless, undisciplined gangs of armed rent-a-guns who are more interested in living off the population we’re supposed to protect than being peeled off into abject Afghan poverty.”  

The “hearts and minds” crew have their own problems. McChrystal and Petraeus have long stressed the counterproductive effect of using airpower and artillery against insurgents, because it inevitably produces civilian casualties. But this means that the war is now between two groups of infantry, one of which knows the terrain, speaks the local language, and can turn from a fighter to a farmer in a few minutes. 

As the recent Rolling Stone article found, McChrystal was unpopular because his troops felt he put them in harm’s way. Firefights that used to be ended quickly by air strikes go on for hours, and the Taliban are demonstrating that, given a level playing field, they are skilled fighters. 

In his recent testimony before Congress, Petraeus said he would “employ all assets” to insure the safety of the troops and “re-examine” his ban on air power. But if he does, civilian casualties will rise, increasing local anger and recruits for the Taliban. 

The war in Afghanistan is first about U.S. interests in Central Asia. It is also about honing a military for future irregular wars and projecting NATO as a worldwide alliance. And once the U.S. endorsed Karzi’s recent fraudulent election, the Afghans know it isn’t about democracy. 

One of the key ingredients in COIN is a reliable local army, but U.S. soldiers no longer trust the ANA because they correctly suspect it is a conduit to the Taliban. “American soldiers in Kandahar report that, for their own security, they don’t tell their ANA colleagues when and where they are going on patrol,” says Jones. Somebody told those insurgents that Holbrook and Eikenberry were coming to Marjah. 

Afghanistan is ethnically divided, desperately poor, and finishing its fourth decade of war. Morale among U.S. troops is plummeting. A U.S. officer told the Washington Times, “We are a battle-hardened force but eight years in Afghanistan has worn us down.” As one Sergeant told Rolling Stone, “We’re losing this f---ing thing!” 

The sergeant is right, though the Afghans are the big losers. But as bad as Afghanistan is, things will be considerably worse if the U.S. draws the conclusion that “special circumstances” in Afghanistan are to blame for failure, not the nature of COIN itself. 

There was a time when the old imperial powers and the U.S. could wage war without having to bank their home fires. No longer. The U.S. has spent over $300 billion on the Afghan War, and is currently shelling out about $7 billion a month. In the meantime, 32 states are sliding toward insolvency, and 15 million people have lost their jobs. As House Speaker Nancy Pelosi told the Huffington Post, “It just can’t be that we have a domestic agenda that is half the size of the defense budget.” 

Empires can choose to step back with a certain grace, as the Dutch did in Southeast Asia. Or they can stubbornly hang on, casting about for the right military formula that will keep them on top. That fall is considerably harder. 

The choice is ours. 

---30---  

The summer of 2010 found most of the US wilting from a blistering heat wave and the Obama Administration withering from bad news about Afghanistan. Writing in Rolling Stone Michael Hastings concludes: “There is a reason that President Obama studiously avoids using the word ‘victory’ when he talks about Afghanistan. Winning, it would seem, is not really possible.” 

Reading these sobering articles I was reminded of the advice proffered by a seasoned Silicon Valley software developer: “good projects may go bad, but bad projects almost never get better.” A few examples: No matter how much money Microsoft pours into “Windows Mobile,” they’re unlikely to capture significant market share. No matter how many coaches give him a try, Terrell Owens isn’t going to become a team player. No matter how many movies she makes, Jennifer Aniston isn’t going to win an Oscar. No matter how many speeches she gives, Sarah Palin isn’t going to acquire wisdom. And, no matter how many billions the US spends, the situation in Afghanistan isn’t going to improve. 

Why do decision makers stick with bad projects? It’s easy to write this off as human nature, as the same twisted logic that keeps battered women living with their abusive partners: the alternative is a fearful unknown. But the reasons are more complex. In Silicon Valley it’s often difficult to kill losing efforts because the people who initially authorized the project and received a series of disappointing status reports are reluctant to admit they made a mistake. And, no matter how feeble their efforts, Jennifer Aniston and Sarah Palin make money for their sponsors. Inexplicably, Terrell Owens has fan appeal. 

While there is a growing list of reasons for the US to leave Afghanistan – the Afghans don’t want us there, the government of Hamid Karzai is fatally corrupt, despite our best efforts the Taliban are gaining support, our so-called ally Pakistan is secretly funding our enemies – there are important reasons to stay. The one most frequently used by the Obama Administration is that the 9/11 attacks were planned in Al Qaida bases located in Afghanistan and we need to eliminate this threat. But, in the face of mounting costs is this sufficient? 

In his December 1, 2009, speech defining his Afghanistan policy, President Obama searched for middle political ground. Conservatives wanted the President to commit to being in Afghanistan for as long as it takes to root out Al Qaida and the Taliban. Liberals, arguing that the US needed to redirect its priorities, wanted our troops withdrawn immediately. President Obama chose a third path: “As President, I refuse to set goals that go beyond our responsibility, our means, or our interests,” by sending 30 thousand more troops, expending an additional $30 billion, and setting a withdrawal deadline of July 2011. 

Obama didn’t specify a Plan B, in the event his Afghanistan policy failed, but he did leave us with three metrics by which to measure the success of his Plan A. “First, we will pursue a military strategy that will break the Taliban's momentum and increase Afghanistan's capacity over the next 18 months.” This doesn’t appear to be happening. Michael Hastings’ ROLLING STONE article contained numerous military opinions that the US is losing the war (and resulted in Obama’s firing his top Afghanistan commander, Stanley McChrystal). 

“Second, we will work with our partners, the United Nations, and the Afghan people to pursue a more effective civilian strategy, so that the government can take advantage of improved security.” But our partners are bailing and there are vast areas of the country that are in the control of the Taliban. Hamid Karzai, the ostensible President of Afghanistan is actually the Mayor of Kabul, as his influence does not extend outside the capitol. 

“Third, we will act with the full recognition that our success in Afghanistan is inextricably linked to our partnership with Pakistan.” Perhaps the Obama Administration has forged a new relationship with Pakistan. However, the avalanche of military documents released on July 25th by WikiLeaks contains numerous indications of the treacherous relationship between Pakistani security officials and the Taliban. And Michael Hastings’ article describes a huge rift in the Obama Administration, not merely between the Pentagon and the State Department, but also between Secretary of State Hillary Clinton and Richard Holbrooke, Obama’s special envoy to Afghanistan and Pakistan. 

The US effort in Afghanistan has become a failed project. We may follow Obama’s plan and tough it out for another 11 months, but there’s no reason to expect the situation to improve. We should cut our losses now; go to plan B. 

Unfortunately, the US doesn’t have a plan B. Microsoft may bail out of the cell phone market but they still have other green software pastures. Jennifer Aniston may quit making movies but she’ll still be in demand for commercials. Terrell Owens and Sarah Palin will graduate to talk radio. Battered women sometimes leave their abusive husbands and check into shelters. But there’s no refuge for the US. Other than the truth. 

Bob Burnett is a retired Silicon Valley Executive – he was one of the founding executives at Cisco Systems – turned writer. He can be reached at bobburnett@comcast.net

Next Friday I'm going to be the plaintiff in a small claims court trial — at least that's the plan. But according to a judge who recently spoke before the Berkeley-Albany Bar Association, there's a rather good chance that I might show up for the trial but there might not be a courtroom left to hold it in. 

Over a delicious luncheon menu of pan-seared salmon, sauteed asparagus, fruit tarts and Peet's coffee at La Rose Bistro on Shattuck Avenue, a judge from the Alameda County court system spent an hour and a half laying out a series of hard facts and cold realities with regard to courtroom availability in California in general and in Alameda County in particular. "Currently," said the judge, "we are even considering holding trials in broom closets." I think she was joking, er, at least I'm hoping that she was. 

"The status of Alameda County's courtrooms is abysmal," stated the judge. "The search for courtrooms has become desperate here. They are currently using the grand jury room, which has posts running down the middle of it. They've also been looking at hallways, a library and the probate examiner's office since the Broussard building has been mostly shut down. They are even moving people from Oakland courthouses down to Fremont and Hayward. There have been 23 moves in all." Fremont is a long freaking distance away from Oakland. It's closer to San Jose than it is Berkeley. 

And courtrooms aren't the only thing now being 86ed in the CA court system. People are disappearing too. "As for money, 72 people have been laid off. Statewide, court personnel funding has just taken a 100 million dollar hit. There was a 2.6 million dollar budget hit for Alameda County alone. Courts are now being closed on the third Wednesday of every month. That's twelve days a year that we can never make up." 

Then there's the mandatory furlough days. "In order to avoid more lay-offs, we've had to cut down people's hours. And next year's state and county budgets will be worse that this year's. Judges are considering voluntary salary cuts."  

And California's court security needs are being affected as well. "We are trying to get enough sheriff's deputies to cover the courts. By consolidating courts, we have managed to free up two deputies however. But the Sheriff's office has also been financially hit. And then there was the cost of the Oscar Grant trial. And that has taken up a lot of sheriff's deputies as well." 

So far, the number of judges has not been affected by the budget cuts, but who knows how long that will last. "And we need more self-help centers, not less. As the economy goes down, there will be a much greater need for self-help centers," and that need will not be met either. "California's unemployment is currently the highest in the nation." 

By this time in the presentation, I had finished my salmon and was starting to hanker for dessert — while the judge continued her sad litany of judicial wants and needs that were not going to get met. "We need more courtrooms. We're not going to get them. And we're not going to get any more judges either. And small claims court commissioners are being reduced for 16 to ten. Plus filing fees are going to be increased because we can't increase taxes." 

As I finished up my berry tart and was vaguely considering the etiquette-related pros and cons of licking my plate, the judge continued. "This county's judicial system is definitely economy-driven. We want a courthouse out in the Pleasanton-Dublin area but realistically we don't have the money. We need more judges and more support staff. We are looking at every single dime being spent. Alameda County saw this coming and prepared for it but we are still running tight." Then the waiter served coffee. Yummers! 

"We may be forced to move toward having regional courts instead of county courts," the judge concluded. "We've already consolidated the municipal courts with the superior courts. And court administration has already been centralized — even its janitorial services." 

So. What will be the answer to this immense problem? I wanted to suggest to the speaker that we might be able to use Judge Judy's courtroom when her court wasn't in session, but that probably wouldn't work out so well for her. 

It appears that a goodly amount of taxpayer money that used to fund Alameda County's court and prison systems is being used to fund cool new court and prison systems in places like Baghdad, Kabul and Tel Aviv instead of here in Berkeley. Does this mean that the Middle East has all the money they want for their courtrooms — whereas California courtrooms have become neglected and derelict? Yeah. 

You cannot fund a trillion dollars worth of war in the Middle East and expect that money to come out of nowhere. And as a result of short-sighted congressional decisions to spend our taxes on the luxury of war in the Middle East instead of here in America for the last ten years, we no longer can afford to buy basic necessities here at home — such as courtrooms. 

It appears that the criminals of Baghdad, Kabul and Tel Aviv have a pretty good ride — while the criminals of Oakland and Berkeley, due to our sad lack of courtrooms and judiciary personnel, are either having to wait for their trials in overcrowded jails that taxpayers must pay for or else are running around free in the streets. 

I'd much rather spend our hard-earned money here at home and have criminals running free in the streets of Iraq, Afghanistan and Israel-Palestine — instead of having criminals running free in the streets of Oakland and Berkeley. 

It just seems such a shame to spend a trillion dollars to tinker around with the Rule of Law in the Middle East — at the risk of losing the Rule of Law here at home. 

But enough about lamenting the loss of our courtrooms into the money pit of the Middle East. Let's think about other places where all our court-funding money has been drained off to in the last ten years — into the pockets of bankers, Wall Street gamblers, global out-sourcers who have systematically destroyed America's manufacturing base, and, of course, those ever-present and greedy weapons manufacturers who trick us into paying them to kill strangers by the millions. Isn't it time to plug up those money sink-holes as well?  

PS: Regarding my upcoming small claims court case this Friday, I may or may not be able to tell you what its outcome will be — depending on whether or not there is still a courtroom available to hear my case in. Who knows? We may end up having to try my case in Kabul.

This week: Two nifty blogs on opposite sides of some spectrum or other: 

Once again, the official purpose of this column (that is to say, the flimsy excuse) is to send you away to read something else. We scour the InterWeb so that you don’t have to! That’s a motto. Not ours, but it is a motto. Today’s edition of the column is brief, to the point, and mostly given over to a blogger from Richmond to whom I’d like to draw some attention. And to some other bloggers who have plenty of attention but who YOU have never heard of. Well, most of you. 

The Straight 

Ok, fine. Here. Go browse this: http://blogs.berkeley.edu/ 

It’s a collective blog of many of UCB’s finest minds. Serious. Topical. Timely. Lots of good reads. 

The Marrow 

I’d long hoped but was never previously certain that there was such a thing as “gonzo blogging”. Hunter Thompson, for all of his pathetic flaws and moral failings, at least popularized gonzo reporting. The problem with translating that literary form to the blogosphere is that it’s too easy to fake. It is too easy to “sound gonzo” yet be void of content or interest. Getting gonzo stuff into a nationally distributed newspaper takes some real hustle – so there is a kind of quality filter there. Tossing ersatz gonzo off on your free blog is about as easy as searching Google for links to bad porn. 

To my great delight there comes to my attention some quality gonzo blogging that is topical, timely, and more than merely style. Incidentally, her watercolors are really quite lovely and I do encourage you to consider making a purchase from her art offerings on the way out. A few words, if you will, from Jean Womack on medical marijuana legislation in Richmond from her piece “A Surrealistic Vision of Richmond CA, City Government”:  

“No one knows what they are pushing, only that they want it really badly. And they think people will get sick without it. My dad, who was a chemist, said that when people try to steal the patents of patented medicines and make it themselves, sometimes they make things that get people high. I guess that's because of the way the patent is written, with some extra ingredient in it. I have asked Kaiser to prescribe brand name medicine for me, not generic medicine, but they go on giving me generic medicine anyway. Probably my husband countermanded the request and he belongs to such a bad gang that people tend to do what he wants. So his gang can order me to be drugged with generic drugs that make me high and I cannot do anything to stop them. I can still complain about it here on my blog. In this case the drug is Simvastatin. Because they gave me Nystatin powder a few years ago and I got such a rush from it that I complained about it and now they say I am allergic to it, which I think it is not true, but that's what they are saying. “

Now, you might think from that brief excerpt that I’m taking advantage of or poking fun at some crazy lady but read the whole post and then many more of her blog entries. There ain’t no crazy there, ‘cept what crazy is all around anyway. Lovely artwork – did I mention? 

Do be in touch: lord@emf.net

Most Americans seem to view those who are mentally ill as a bit less than real human beings. After all, people with mental illnesses seem to lack basic social skills, may have poor grooming, and may come across to you as not having the same basic awareness that seems to make a person a whole person. That person smoking in front of a building and talking to himself might be one of them. That person sitting on a bench eating a sandwich while rocking her upper body forward and back also might be one of them. Mentally ill people might seem like a crude and ill-formed version of our species, a defect. 

Mentally ill people sometimes look and act differently from the un-afflicted. This is a catalyst for the myth that they don’t have basic emotions, including the capacity for suffering, and even the sentience, that is the birthmark of human beings. I’m here to say this is wrong. When people perceive other people as freaks, people get hurt. 

You may have seen a person on the street or elsewhere in the midst of experiencing psychosis. Such a person could be behaving in ways that people don’t understand, and may even be acting threatening. People may comment that such a person is dangerous and needs to be “put away.” The perspective of the one who has the illness never seems to be taken into account, especially by uninformed people who often don’t credit the mentally ill person as having a perspective. 

Some psychiatrists are among those with the least compassion for people with mental illnesses. Those few hurtful psychiatrists seem to assume the following: that the people they are treating aren’t capable of advanced thought; also that mentally ill people are stuck in perpetual psychological infancy; and that mentally ill people aren’t sentient. 

Living through a psychotic episode is a hellish experience. It is an experience that not all afflicted people survive, and one that’s just as difficult for family members as it is for the ill person. 

A young adult may suffer a psychotic episode at the onset of schizophrenic illness and may experience repeat episodes triggered by stress or by stopping anti-psychotic medication. 

The human brain is the organ in our bodies that allows a grasp of the environment. During a psychotic episode, the brain is literally out of order. A psychotic episode makes human consciousness disconnect from the actual environment, and creates a false, paranoid, and splintered pseudo-environment; generated internally. The afflicted person’s memory, both retrieval and storage, usually remains intact and functional. 

When I experienced psychotic episodes, to me it was as if the world had gone insane. My mind was playing tricks on me, to say the least. It is as if I had lived through nuclear Armageddon, or at times as if I had become “the devil” himself, at times believing I had become the successor of Jesus; at other times I believed I was an astronaut; at times I believed I was the subject of a giant experiment; at times I believed I was in telepathic communication with extraterrestrials. 

You might think that going through all of this fantasy would be a lot of fun. Yet, on the contrary, for me, a psychotic episode entailed massive and very deep pain. While it would be fun to watch all of that material on a movie screen, the belief that it was “for real,” generated by my malfunctioning brain, eliminated any enjoyment and made it a terrible ride. 

The above two paragraphs describe the most intense part of a psychotic episode. The beginning of a psychotic episode can be less intense and can include being more paranoid than usual. The subject begins to lose the insight that would otherwise make him or her question the reality of the delusional thoughts. At the beginning of the psychotic episode, the subject may still behave in a fairly “normal” way. 

When the subject returns to reality, and this may happen after being put into inpatient treatment, he or she begins to realize that he or she had just had a psychotic episode and that none of the “crazy events” were real after all. This can be a huge relief, and can also be a disappointment if some of the delusions were “false positives.” 

When I say “false positives” I am referring to someone falsely believing that they had won the lottery, or to the false belief that a romantically desired person also wanted the subject, or the belief the subject had that he or she was about to do something very important. 

During a psychotic episode, the subject’s behavior can appear crazy to other people. The person’s actions are guided by a false and disconnected version of reality, and as a result, a psychotic person’s actions are often strange and sometimes dangerous. If parts of the person’s brain are still “tracking” reality, it can serve as somewhat of a failsafe mechanism. 

(FYI: When I use the term “the subject,” or “a psychotic person,” it refers to either myself or to the millions of people who suffer from the same mental disease as I and who have gone through similar experiences. Use of detached terms can make the experiences easier to describe.) 

After recovery from a psychotic episode, most people who are afflicted with this disease will still suffer low-level symptoms, including delusions. These low level delusions can persist for decades, and can make attempts at having a normal life much more difficult. The low level delusions, which can often be hard to fully fix with medication, can often respond to other therapies. This can include things like “reality checking,” and other forms of cognitive therapy. 

The cognitive insight that I am capable of a delusion and my ability to pinpoint and correct delusions are traits that I have cultivated, and are my best protections from the disastrous results that are possible from acting on one. 

The tendency to have delusions is quite disabling and so are the medications that are used to reduce them. Delusions impair a person’s day-to-day grasp of their environment. The medications slow down the brain while making the body sluggish. This is part of the reason why it is very hard for a schizophrenic person to succeed in life. Living with this disease and its social stigma requires bravery.

“If you want peace, work for justice.” 

Henry Louis Mencken (1880-1956) 

Thanks to my colleague and friend, California Senior Legislator 

Joanna Kim-Selby, for checking the following Elder justice update.  

In July 2010, the United States Department of Health and Human Services announced the establishment of the Advisory Board on Elder Abuse, Neglect and Exploitation. Creation of this Board was part of the Elder Justice Act passed earlier in 2010. The Advisory Board will be creating both short and long-term multidisciplinary strategic plans for the development of the field of elder justice in the U.S. It will examine relevant research and identify best practices and make recommendations to the Elder Justice Coordinating Council and to Congress regarding improving and enhancing federal, state, and local elder justice programs, research, training and coordination.  

If you would like to be recommended for this Board by the EJC, send a brief bio to the Council at once. Nominations (including self-nominations) should be submitted to Edwin Walker, Deputy Assistant Secretary for Program Operations, Department of Health and Human Services, Administration on Aging, Washington, DC 20201, no later than August 15, 2010.  

The Congressional Report on the Feasibility of Establishing a Uniform National Database on Elder Abuse was recently released, the result of the passage by Congress of a small portion of the Elder Justice Act in 2006. The study was to develop a system of elder abuse data collection that produces accurate and easily accessible data and therefore ensure an appropriate systematic legislative response to the overall problem. The major points include: 

• Current research indicates that the problem of elder abuse is largely unreported.  

• Little progress has been made and data continue to be collected via numerous agencies using inconsistent definitions for the data.  

• The two primary options for the study are 1) a national prevalence study to determine how many older adults are abused, and 2) a nationally coordinated administrative dataset to examine the outcomes of services and interventions after abuse is reported.  

• Some technical considerations for establishing a national data collection effort are: 1) there must be a uniform national or benchmark definition for elder abuse, 2) whether reporting should be mandatory or voluntary, 3) what data elements to include, 4) how to ensure confidentiality, and 5) data systems issues.  

• This data collection effort will likely require some level of federal funding.  

Key recommendations and conclusions include: 

• Addressing systematic weaknesses in existing elder abuse data collection systems  

• Compiling a national database of state APS (adult protective services) data  

• Planning to build a comprehensive cross-disciplinary national database of administrative data on elder abuse by combining sources incrementally  

• Investing in a national data collection effort could build upon the existing systems. 

xxxx 

The California Elder Economic Security Standard Index (The Elder Index) is a new tool that quantifies how much income is needed for a senior with a given living arrangement and geographic location in order adequately to meet his or her basic needs living in the community. It is the only elder-specific financial measure of its kind, based on credible, publicly-available sources and has been calculated for all 58 California Counties. Using it makes it is possible to identify, as of 2007, each California County’s Annual Comparisons and Basic Monthly Expenses for Selected Household Types.  

xxxx 

For your consideration: 

If you have been issued, prescribed, or provided a cane, while transitioning from surgery>walker>cane for example, be sure to have the physical therapist adjust it to “your height.” And apply a stickum label with your phone number or email address. 

Chondroitin appears to be useless. Whether glucosamine is useful is conflicted, but some well-designed studies are negative. 

August 14th is Social Security’s 75th Birthday –  

I have learned of several persons diagnosed with pneumonia. To the “Who should receive one-time vaccination for pneumococcal pneumonia?” question, Medicare responds: “The groups at higher risk for invasive pneumococcal disease include those over 64 years old and others with increased susceptibility to this infection, such as patients with HIV, splenectomy, sickle cell disease, diabetes mellitus, chronic disorders of the lungs or heart, and cirrhosis. You can receive this vaccination on the same day that you get the flu shot, and for those covered under Medicare Part B, it is also free when ordered by a physician. However, the pneumococcal vaccine can be given at any time of year and is a once-in-a-lifetime vaccination for most people.” 

I am occasionally asked about “affordable housing” construction-related requirements in Berkeley. So I asked Steve Barton of the Berkeley Rent Stabilization Board staff, and he provided the following: “The City has an “inclusionary zoning” ordinance that requires that 20% of the units in such developments [I had mentioned Gaia, Library Gardens, New Californian, etc.] have their rents or in the case of condominiums their sales prices set according to a formula based on the area median income, typically that it be affordable to people with incomes at 80% of area median or be rented to tenants with Section 8 vouchers. Unfortunately, a recent court decision (Palmer v. Los Angeles) has invalidated all local ordinances in California that require inclusionary rental units on the grounds that it is a prohibited form of rent control. The decision does not change the requirement for existing buildings and does not change requirements for condominium projects but at the moment there are no more local inclusionary requirements in California. Many developments still provide below-market rate rental units in return for concessions from the locality, such as additional density, but it’s now voluntary and based on incentives rather than on requirements. State law requires that local governments provide these “density bonuses” in return for below-market rate units following a fairly complex formula that gives more additional density based on the degree of affordability and the percentage of units made affordable. Affordable housing advocates are hoping that with a new governor they could get the state legislature to change the law to make it clear that it does not apply to inclusionary ordinances in this way.” 

!SINGLE PAYER, UNIVERSAL HEALTH CARE IN CALIFORNIA! 

### 

Helen Rippier Wheeler can be reached at pen136@dslextreme.com. 

No email attachments; PLEASE USE “Senior Power” FOR SUBJECT. 

A tip of the hat to John Westlake for alerting me to the recent publication of the 51^st Supplement to the American Ornithologists’ Union checklist, essential reading for any active or recovering birder. As happens every year, the AOU has voted to accept or reject a number of proposed changes in bird nomenclature for the Western Hemisphere and Hawai’i. This includes the recognition of new species (splits), the demotion of old ones (lumps), taxonomic reshufflings at various levels, and changes in common and Latin names, sometimes just to correct the gender of the Latin. The process is an incidental boon to publishers, who can justify new editions of Peterson, Sibley, National Geographic and the other standard field guides. 

The splits and lumps are the main focus of attention. This is when birders learn that their life lists have increased overnight, even if they haven’t been out in the field for months. Or, conversely, shrunk, although that doesn’t happen much these days. The splitters seem to be firmly in the saddle. This year’s supplement includes four species-level splits for North American and Hawai’ian birds, and no lumps at all. 

The full text of the supplement is only available at this point to subscribers to The Auk, but a birder named Michael L. Retter has posted the gist of the changes on his website. 

So what’s new? The black scoter, a sea duck that winters along the California coast, is now recognized as a distinct species from the common scoter of Eurasia; it retains its old name. I believe the British birding authorities adopted this change some year back. 

I don’t know if the common scoter has ever shown up here. 

The whip-poor-will has been split into two species: the broadly ranging eastern whip-poor-will and the Mexican whip-poor-will, which reaches the mountains of southeastern Arizona. These are both cryptic nocturnal birds, far more often heard than seen. Fortunately their voices are distinctive: the eastern says “Whip-poor-will,” while the Mexican’s call is described in one guide as “a burry pwurr-p’wium,” lower and slower than the eastern’s. Either would be unlikely in California. 

Not as unlikely, though, as the newly recognized species of ‘elepaio, Old World flycatchers endemic to the Hawai’ian islands. 

The Hawai’i (Big Island), Kaua’i, and Oahu subspecies have been promoted to full species status. Plumages differ from island to island, but range is sufficient to identify a species; these sedentary birds don’t make interisland flights. If you see an ‘elepaio on Kaua’i (which takes a bit of work these days), you can bank on it being a Kaua’i ‘elepaio. I will admit to having been skunked by the Oahu form a few years ago. Since the three forms never have the opportunity to interbreed, how do we know they’re valid species? Good question. Maybe the genetics were persuasive. 

The big deal for most mainland birders will be the wren decision, another three-way deal: winter wren (the old name for the species) in Eastern North America, Pacific wren in the West, and Eurasian—the unmodified wren of British birdlore—in Europe and Asia. I don’t know where the geographic boundary has been drawn between winter and Pacific. According to Sibley, plumage differences between the two forms are subtle. But the songs of the males are distinctive, and female preferences for the “right” song type keep the species reproductively separated even where the two forms nest side by side. 

Other species-level changes were proposed, but rejected as unjustified or premature. These included splitting our own western scrub-jay into coastal and interior species, dividing the curve-billed thrasher into western (Arizona) and eastern (Texas) species, and separating the South Hills crossbill, a bird endemic to a single mountain range in Idaho, from the widespread red crossbill. Apparently there are votes, a little like the process the astronomers went through in downgrading Pluto. More than likely there’s lobbying, armtwisting, backroom deals. 

I’m not sure why the jay and thrasher proposals failed, but I think I understand the decision on the crossbill. Most likely the AOU just didn’t want to go there. Once you start messing with the crossbills, you’ve opened Pandora’s box. The “red crossbill” may actually be a complex of at least nine species, best distinguished by flight call and mostly nomadic, so you can’t sort them out by range. The chronic uncertainty would really bother a lot of birders. 

At higher taxonomic levels, the longspurs and snow buntings were moved from the sparrow family to their own family; the wrentit, an anomalous California bird which was formerly in a family of its own and then placed with the babblers, is now considered an Old World warbler; and the osprey is now the sole member of a new family. Typical hawks (like the redtail and Cooper’s) and eagles were placed in a separate order from the falcons. Herons, ibises, and spoonbills were transferred to the pelican order, which lost the gannets, frigatebirds, cormorants, anhingas, and tropicbirds to two new orders. 

That’s this year. Give it time and maybe new tools for genetic analysis, and it’s all subject to change. Some of us are still waiting for the terrible revenge of the lumpers. 

Washington DC is a swamp in more ways than one. But an estimated 30,000 desperate homeowners have or will be coming to DC in the middle of a heat wave to attend the Neighborhood Assistance Corporation of America’s Save the Dream event. (NACA is one of many HUD-approved housing counseling agencies trying to help homeowners modify their mortgages under HAMP.) These events bring together housing counselors and representatives from lenders and mortgage servicers in one place so homeowners can meet face to face and attempt to work out a modification and avoid foreclosure. Homeowners started lining up Thursday night outside the Convention Center, though the event didn’t open till Friday morning. 

I didn’t get there till Friday at 6 a.m., having flown from Oakland the day before and not having camping equipment on me. That put my place in line about two blocks from the door. NACA estimated there were 3500 people attending the first day. This was my second attempt to modify my mortgage after my income tanked in the Second Great Depression. On my first attempt they were kind enough to offer me a three month forbearance- a suspension of mortgage payments for three months, which does nothing but ruin your credit and put you in an even deeper hole. When I refused the forbearance, my entire application was summarily rejected by my servicer (GMAC) via the internet with the cryptic comment "cannot reach an affordable payment." 

Before leaving, I had spent two days making copies of every document I could imagine they might possibly want in triplicate, and carefully placing them into divided binders: self-employment worksheets, six months of pay stubs, 72 pages of bank statements (including, of course, the pages that say “This page intentionally left blank”), copies of my entire tax return, copies of IRS Form 4506-T( which allows them to order a copy of my tax return from the IRS, since clearly on the one I am providing I would probably have whited out the numbers and replaced them with something that would look better), my mortgage statement, my property tax statement, my HELOC statement, the declaration from my homeowner’s insurance, rental agreements for my three housemates, a copy of my budget statement from NACA, and even a copy of the complaint I recently filed about all this with the Office of the Comptroller of the Currency. (When I got home today there was a letter from them- GMAC isn’t a national bank and so not under their jurisdiction, so they referred it to the Federal Trade Commission, which, they explained, tracks complaints but does not investigate them. That’s helpful.) 

And because I am apparently a masochist, I even included a Profit and Loss statement from my Quickbooks file. Those who have been following this series will know that NACA, at least, has consistently refused to even look at this, because I am so clever that I could have been keeping a completely false set of books this whole time, even though I can barely manage to operate Quickbooks at all. 

Since everything went to hell in 2008, I have taken a part-time retail job, tried to rent out more rooms in my house (I had to evict a deadbeat tenant the end of last year, but that’s a whole other story. Let’s just say it didn’t help my income…), cut out everything I could think of, tried to increase my self-employment income (so easy when you’re a writer who writes mainly about fixing up houses when no one has money to fix up their house),etc. Even renting out a room takes six months of advertising it on Craigslist. But I digress. Which I do often. 

HAMP was promoted as something that would reduce your mortgage payment to 31% of your income. They just didn’t mention the fine print. 

From the FAQ’s at www.makinghomeaffordable.gov: 

26. What will my servicer do to determine if I qualify for HAMP? 

* Determine whether your loan meets the minimum eligibility criteria (i.e., owner- occupied; originated on or before January 1, 2009; unpaid principal balance equal to or less the loan limit for the number of units involved, mortgage payment greater than 31% of gross income; and financial hardship). 

* If your loan meets the minimum eligibility criteria, the servicer will ask about current income, assets and expenses, as well as any specific hardship circumstances to determine if you are unable to make your mortgage payment. Your servicer may initially accept verbal income and expense information; however, you will need to provide verifying documentation before a final modification is approved. 

* Determine if your monthly first lien mortgage payment is greater than 31% of your gross or pre-tax monthly income. 

* Apply a Net Present Value (NPV) test to determine whether the value of the loan to the investor will be greater if the loan is modified (factoring in the government’s incentive payments). If the modified loan is not of greater value, the investor and servicer may still modify the loan. However, modification in such cases is not required. Please note: Your servicer may re-run the NPV test before the modification becomes official if they receive new information that could affect your NPV score. 

* If the modified loan is of greater value, the servicer must offer you a modification under HAMP, and, if you accept the offer, will put you on a trial modification (typically three months) at the new payment level. 

* If you successfully make all of the required trial payments during the trial period and the income and expense information you provided is determined to be accurate, your servicer will execute an official modification agreement. 

It all sounds just swell, doesn’t it? 

In reality, if reducing your interest rate to 2%, extending the loan term to 40 years, and even doing a "principal reduction" (in which they theoretically reduce the principal but really simply add that amount on as a balloon payment at the end of the loan) isn’t enough, they don’t have to eat the principal. They can tell you to take a flying leap- either you somehow increase your income (by taking a third non-existent job?) or prepare to lose your house. Because, as it turns out, it’s often a better deal for the investor, and invariably a better deal for the servicer, to foreclose. They run a calculation called NPV (net present value): 

# Apply a Net Present Value (NPV) test to determine whether the value of the loan to the investor will be greater if the loan is modified (factoring in the government’s incentive payments). If the modified loan is not of greater value, the investor and servicer may still modify the loan.However, modification in such cases is not required.  

I’m not even going into trial modifications lasting far longer than three months, refusals to make modifications permanent, or the up-and-coming scam of rescinding permanent modifications after the fact based on technicalities (they apparently have taken a page from the health insurance industry playbook on rescissions). 

I spent my three and a half hours in line talking to the people around me. Others had come from as far away as Florida and Georgia, though most were from nearer DC. Their stories were of varied hardships, but it was clear they had played by the rules and now were getting screwed. Their anger at the financial industry was palpable. Discussions about whether Bank of America was worse than Chase (or substitute bankster of your choice) abounded. 

Once we got inside, we were sorted into groups and sent to talk to counselors or servicers depending on our situations. There was a good deal of waiting. The GMAC representative was nice enough, but couldn’t really do anything except send my file to someone at Fannie Mae (the investor). Although the affordable 31% payment would have been $1147, she said it was unlikely they would go for it, because the 2%/ 40 year term extension wouldn’t be enough to get there, and they were unlikely to take $100K off my loan, even as a balloon payment. (Yeah, I’d be able to pay that off when I’m 84, using my non-existent Social Security, courtesy of President Obama’s Cat Food-oops, I mean Deficit Reduction Commission) She said maybe they could go to 38% of my income- more like $1800. Well, it ain’t great but it’s damn sight better than the $2600 I’m paying now. She said it would take about a week to get an answer- apparently they do respond a little faster to requests that come from these events. 

Even if they say yes, the Treasury Dept. has conveniently placed many land mines in the road. A temporary modification ruins your credit, so if you don’t get a permanent modification, any financial flexibility you might have had through credit cards will be over, so anyone with existing credit card debt will end up in an even deeper hole as their interest rate gets jacked up and their credit limit reduced. Not to mention their ability to get a job, since employers are now checking credit ratings before hiring. If it wasn’t all so evil, you could almost admire the beauty of their plan to sentence us all to a lifetime of indentured servitude. 

One moment at the event really brought it all home. While I was waiting, I noticed what appeared to be a vending machine on the other side of the room. Since it was well into the afternoon, and I hadn’t had anything but water since having breakfast at 5 a.m., some juice or soda would have helped. I walked over to check it out. As I got close, I could see a large sign taped to the front. It said "Bank of America employees only." 

Jane Powell writes for the Planet whenever she feels like it. Right now she feels happy to be home from the DC swamp, and you can contact her at hsedressng@aol.com.

COMMUNITY MUSIC CENTER  

"Victory, My Heart!" Aug. 15, 4 p.m. Bay Area tenor Andrew Morgan performs with pianist Charles Calhoun for a program of works of passion by composers spanning four centuries.  

544 Capp St., San Francisco. (415) 647-6015, www.sfcmc.org.< 

COWELL THEATER AT FORT MASON CENTER  

"L'Elisir d'Amore," through Aug. 8, Aug. 5-7, 8 p.m.; Aug. 8, 2 p.m. Merola Opera Program presents Gaetano Donizetti's opera. $40-$60.  

Buchanan Street and Marina Boulevard, San Francisco. (415) 345-7575, www.fortmason.org.< 

GOLDEN GATE PARK  

Golden Gate Park Band, Aug. 15, 1 p.m. A concert featuring the music of the Czech composer Antonin Dvorak. Concert takes place at the Music Concourse, located at 9th Avenue and Lincoln Way. Free. (510) 530-0814. 

Fulton at 36th Avenue, Lincoln at 41st Avenue, San Francisco. < 

LEGION OF HONOR MUSEUM DOCENT TOUR PROGRAMS -- Tours of the permanent collections and special exhibitions are offered Tuesday through Sunday. Non-English language tours (Italian, French, Spanish and Russian) are available on different Saturdays of the month at 11:30 a.m. Free with regular museum admission. (415) 750-3638.  

ONGOING CHILDREN'S PROGRAM --  

"Doing and Viewing Art," For ages 7 to 12. Docent-led tours of current exhibitions are followed by studio workshops taught by professional artists/teachers. Students learn about art by seeing and making it. Saturday, 10:30 a.m. to noon; call to confirm class. Free with museum admission. (415) 750-3658. 

ORGAN CONCERTS -- 4 p.m. A weekly concert of organ music on the Legion's restored 1924 Skinner organ. Saturday and Sunday in the Rodin Gallery. Free with museum admission. (415) 750-3624. 

$6-$10; free for children ages 12 and under; free for all visitors on Tuesdays. Tuesday-Sunday, 9:30 a.m.-5 p.m. Lincoln Park, 34th Avenue and Clement Street, San Francisco. (415) 750-3600, (415) 750-3636, www.legionofhonor.org.< 

OLD FIRST CHURCH  

John Ferguson, Aug. 6, 8 p.m. Artist performs works by Beethoven. $14-$17.  

Rudy Salvini Octet, Aug. 8, 4 p.m. Jazz and standards plus originals. $14-$17.  

1751 Sacramento Street, San Francisco. (415) 474-1608.<

FIRST COVENANT CHURCH OF OAKLAND  

"Summer Sing-ins," through Aug. 10, Tuesdays, 7 p.m. Aug. 10: Verdi's Requiem, conducted by Lynne Morrow. $10 per evening, or $50 for a series pass  

4000 Redwood Road, Oakland. (510) 531-5244, www.oaklandfcc.org.< 

JOHN HINKEL PARK  

Mozart's "Don Giovanni,'' Aug. 7 through Aug. 8 and Aug. 14 through Aug. 8, 3 p.m. Open Opera present's Mozart's classic opera work. Free.  

2 Southampton Ave., John Hinkel Park, Berkeley. < 

LESHER CENTER FOR THE ARTS  

"Diablo Symphony, 20th Anniversary of the Lesher Center," Aug. 14, 8 p.m. Joyce Johnson Hamilton conducts the orchestra and performers from the Diablo Theatre Company in a celebration of the 20th anniversary of the Lesher Center for the Arts. The concert will include music from five top Broadway shows, including "Les Miserables,'' and tributes to Steven Sondheim and Andrew Lloyd Webber. $25-$37. (925) 943-7469, www.diablosymphony.org. 

1601 Civic Drive, Walnut Creek. (925) 943-7469, www.lesherartscenter.com.< 

PERFORMING ARTS THEATER, EL CERRITO HIGH SCHOOL  

"Legend of the Ring," through Aug. 8, Jul. 31 and Aug. 6, 8 p.m.; Aug. 6, 7:30 p.m.; Aug. 8, 2 p.m. Works by Wagner. $25-$65. www.berkeleyopera.org 540 Ashbury Ave., El Cerrito. < 

ST. DAVID OF WALES CHURCH  

"First Friday Concert," Aug. 6, 11:15 a.m. Spanish baroque works for viola da gamba. Free.  

5641 Esmond Ave., Richmond. <

"BAY AREA HEART GALLERY," -- Exhibit consists of photographs of children, youth and families, accompanied by their compelling stories. The joint exhibit opens in the Alameda County Administration Building, 1221 Oak Street, Oakland and at the Eden Area Multi-Service Center, 24100 Amador Way, Hayward. 

Monday-Friday, 8:30 a.m.-5 p.m.< 

ALPHONSE BERBER GALLERY  

CLOSING -- Kamau Patton, through Aug. 7. Works by the artist.  

2546 Bancroft Way, Berkeley. < 

BEDFORD GALLERY  

"Unbound: A National Exhibition of Book Art," through Sept. 19. Works by Ed Ruscha, Andy Warhol, Sas Colby, Lisa Kokin, Francesca Patine, Maria Porges, Nancy Selvin, Richard Shaw and others.  

$3 general; $2 youth ages 12 through 17; free children ages 12 and under; free Tuesdays. Tuesday, Wednesday, and Sunday, noon-5 p.m.; Thursday-Saturday, noon-5 p.m. and 6-8 p.m. Dean Lesher Regional Center for the Arts, 1601 Civic Drive, Walnut Creek. (925) 295-1417, www.bedfordgallery.org.< 

COMPOUND GALLERY  

CLOSING -- "Compounding," through Aug. 8, Opening Reception: Saturday, August 14, 6-9 p.m. Annual group exhibition and open studios.  

"Habitual Homesteaders," Aug. 14 through Sept. 19. Works by Gina Tuzzi and Tyler Bewley. Opening reception: August 14, 6-9 p.m.  

1167 65th St., Oakland. (510) 817-4042.< 

CRAFT AND CULTURAL ARTS GALLERY  

"Celebration of Life," through Aug. 27. Works by Michael Grbich.  

Free. Monday-Friday, 10 a.m.-5 p.m. State of California Office Building, 1515 Clay St., Oakland. (510) 622-8190, www.oaklandculturalarts.org.< 

EXPRESSIONS GALLERY  

CLOSING -- "Labor and Art," through Aug. 6. Group art show features paintings, photography, sculpture, mixed media, digital art, monotypes and more.  

Free. Wednesday-Saturday, noon-5 p.m.; Sunday, noon-3 p.m. 2035 Ashby Ave., Berkeley. (510) 644-4930, www.expressionsgallery.org/.< 

FLOAT  

"Jabberwocky," through Sept. 18. Works by Cheryl Finfrock and Liz Mamorsky. Opening reception, August 14, 6-9 p.m.  

Free. Tuesday-Saturday, 10 a.m.-10 p.m.; by appointment. 1091 Calcot Place, Unit 116, Oakland. (510) 535-1702, www.thefloatcenter.com.< 

GALLERY CONCORD  

"Summertime Hues," through Sept. 25. Works by Irene Brydon and Susan Helmer.  

1765 Galindo St., Concord. (925) 691-6140.< 

HALL OF PIONEERS GALLERY  

"Oakland Chinatown Pioneers," Twelve showcases, each focusing on historic leaders and personalities of the community.  

Free. Monday-Friday, 10 a.m.-3 p.m. Chinese Garden Building, 275 Seventh St., Oakland. (510) 530-4590.< 

HEARST ART GALLERY AT SAINT MARY'S COLLEGE OF CALIFORNIA  

"Superbly Independent," through Sept. 19. Works by Annie Harmon, Mary DeNeale Morgan and Marion Kavanagh Wachtel.  

$3. Wednesday-Sunday, 11 a.m.-4:30 p.m. 1928 Saint Mary's Road, Moraga. (925) 631-4379, www.gallery.stmarys-ca.edu.< 

LAFAYETTE GALLERY  

CLOSING -- "Summer Daze," through Aug. 7. Works by Nancy Hartley and Jill Landau.  

50 Lafayette Circle, Lafayette. www.lafayettegallery.net.< 

MERCURY 20 GALLERY --  

OPENING -- "Cycles of the City," through Aug. 28. Works by Jill McLennan.  

25 Grand Ave., Oakland. (510) 701-4620, www.mercurytwenty.com.< 

OLIVE HYDE ART GALLERY  

"Domicile," through Aug. 21. Works by Carol Lawton, Sally Sellers, Mary White.  

Free. Thursday-Sunday, noon-5 p.m. 123 Washington Blvd., Fremont. (510) 791-4357, www.olivehydeartguild.org/.< 

ROWAN MORRISON GALLERY  

OPENING -- "Everything is Everything: New Work by Michael Louis Young," through Aug. 28. Works by Michael Louis Young.  

330 40th St., Oakland. (510) 384-5344, www.rowanmorrison.com.< 

SUN GALLERY  

"High Art," through Sept. 25. Works by local high school students and high school homeschoolers.  

OPENING -- "Not So Still Life," through Aug. 28. Works by Richard Bolingbroke.  

1015 E. St., Hayward. (510) 581-4050, www.sungallery.org.< 

TRAYWICK CONTEMPORARY  

"2-D/3-D," through Sept. 18. Works by Mari Andrews, Jessica Martin, David McDonald, Aurora Robson and Lucrecia Troncoso.  

895 Colusa Ave., Berkeley. (510) 527-1214.<

ALTARENA PLAYHOUSE  

CLOSING -- "Steel Magnolias," by Robert Harling, through Aug. 8, Friday and Saturday, 8 p.m.; Sunday, 2 p.m.; Jul. 29, Aug. 5, 8 p.m. Truvy's beauty salon in small-town Louisiana is the social nucleus for a close-knit circle of women. $19-$22.  

1409 High St., Alameda. (510) 523-1553, www.altarena.org.< 

BERNAL COMMUNITY PARK  

CLOSING -- "Two Gentlemen of Verona," by William Shakespeare, through Aug. 8, Saturday and Sunday, 7:30 p.m.; Jul. 31, 6 p.m. Julia conspires to win back Proteus by dressing up like a boy.  

Off Valley Ave. south of Bernal Ave., Pleasanton. < 

BRUNS AMPHITHEATER  

"MacHomer," through Aug. 7, Thursday, 8 p.m.; Friday and Saturday, 8 and 10:30 p.m. California Shakespeare Theater presents a Simpsons-inspired take on Shakespeare. 10:30 p.m. shows include pizza and beer with ticket price. $20.  

100 Gateway Blvd., Orinda. < 

CALIFORNIA SHAKESPEARE THEATER  

"Mrs. Warren's Profession," by George Bernard Shaw, through Aug. 10, Friday and Saturday, 8 p.m.; Sunday, 4 p.m.; Tuesday-Thursday, 7:30 p.m. Forthright Cambridge student Vivie Warren comes home to discover a shocking secret about her mother and the source of her family fortune.  

$112-$220 for series. Bruns Memorial Amphitheater, 100 Gateway Blvd., Orinda. (510) 548-9666, www.calshakes.org.< 

CASA PERALTA Once the home of descendants of the 19th-century Spanish soldier and Alameda County landowner Don Luis Maria Peralta, the 1821 adobe was remodeled in 1926 as a grand Spanish villa, using some of the original bricks. The casa features a beautiful Moorish exterior design and hand painted tiles imported from Spain, some of which tell the story of Don Quixote. The interior is furnished in 1920s decor. The house will be decorated for the holidays during the month of December. Call ahead to confirm hours. 

"Earth vs. Altair, Queen of Outer Space! Episode II, the Deadly Ray," by Daniel Dickinson, through Aug. 22, Saturday, 8 p.m.; Sunday, 2 p.m. San Leandro Players Theatre Company presents the saga of Pilot Craig Domer. $10-$15. www.sanleandroplayers.org. 

Free but donations accepted. Friday-Sunday, 11 a.m.-3 p.m. 384 Estudillo Ave., San Leandro. (510) 577-3474, (510) 577-3491, www.ci.sanleandro. ca.us/sllibrarycasaperalta.html.< 

CONCANNON VINEYARD  

CLOSING -- "Romeo and Juliet," by William Shakespeare, through Aug. 7, Jul. 10-11; 18, 24, Aug. 1, 6-7. Featuring Patrick Jones, Jennifer Le Blanc, Hope Mirlis, Ryan Taster, Joseph Salazar, Ashley Wickett, William Wolak and Tiffany Hoover. $25-$39.  

4590 Tesla Road, Livermore. < 

DIABLO ACTORS ENSEMBLE THEATRE  

CLOSING -- "Laughter on the 23rd Floor," through Aug. 7, Thursday-Saturday, 8 p.m.; Sunday, 2 p.m. A team of writers vie for the approval of Max Prince, the star of '50s TV variety show. $10-$25.  

1345 Locust Street, Walnut Creek. (925) 482-5110, www.diabloactors.com.< 

EAST BAY IMPROV  

"Tired of the Same Old Song and Dance?" 8 p.m. East Bay Improv actors perform spontaneous, impulsive and hilarious comedy on the first Saturday of every month. $8.  

Pinole Community Playhouse, 601 Tennent Ave., Pinole. (510) 964-0571, www.eastbayimprov.com.< 

JULIA MORGAN CENTER FOR THE ARTS  

"Disney's Aladdin," Aug. 7 through Sept. 5, Saturday, 2 and 6:30 p.m.; Sunday, Noon and 5 p.m. Berkeley Playhouse presents the tale of Disney's beloved "Aladdin.'' $15-$33. www.berkeleyplayhouse.org. 

2640 College Ave., Berkeley. (510) 845-8542, www.juliamorgan.org.< 

LIVE OAK THEATRE  

"Blithe Spirit," by Noel Coward, through Aug. 21, 8 p.m. A medium and his two wives vie for his attention. $12-$15.  

1301 Shattuck Ave., Berkeley. (510) 841-5580.<

A GREAT GOOD PLACE FOR BOOKS  

Ken Albala and Rosanna Nafziger, Aug. 6, 7 p.m. The authors discuss "The Lost Art of Real Cooking.''  

Rosemary Graham, Aug. 9, 3 p.m. The author discusses "Stalker Girl.''  

Cameron Tuttle, Aug. 11, 7 p.m. The author discusses "Paisly Hanover Kisses and Tells.''  

Mary Roach, Aug. 13, 7 p.m. The author discusses "Packing for Mars: The Curious Science of Life in the Void.''  

6120 LaSalle Ave., Oakland. (510) 339-8210, www.ggpbooks.com.< 

BOOKS INC., BERKELEY  

Robert Fischer, Aug. 8, 6 p.m. The author talks about "Plane Jane.''  

Adam Elenbaas, Aug. 9, 7 p.m. The author discusses "Fishers of Men.''  

Henry Lee, Aug. 11, 7 p.m. The author discusses "Presumed Dead.''  

1760 4th Street, Berkeley. (510) 525-7777, www.booksinc.net.< 

EASTWIND BOOKS  

Wendy Rouse Jorae, Aug. 12, 7 p.m. The author discusses "Children of Chinatown: Growing Up Chinese in San Francisco, 1850-1920.''  

2066 University Ave., Berkeley. (510) 548-2350.< 

MOE'S BOOKS  

Julie Sheehan and Robert Thomas, Aug. 12, 7:30 p.m. The authors discuss "Bar Book, Poems and Otherwise'' and "Dragging The Lake.''  

10 a.m.-11 p.m. daily. 2476 Telegraph Ave., Berkeley. (510) 849-2087, www.moesbooks.com.< 

MRS. DALLOWAY'S  

Susan Dunlap, Aug. 12, 7:30 p.m. The author discusses "Power Slide.''  

2904 College Avenue, Berkeley. (510) 704-8222.<

A440 GALLERY --  

"Experience Painting," through Aug. 30. Works by Peter Onstad.  

49 Geary St., San Francisco. www.AA40gallery.com.< 

ANDREA SCHWARTZ GALLERY  

"What?" through Aug. 27. Works by Daniel Anhorn, Seamus Conley, Eric Michael Corrigan and others.  

Free. Monday-Friday, 9 a.m.-5 p.m.; Saturday, 1-5 p.m. 525 2nd St., San Francisco. (415) 495-2090, www.asgallery.com.< 

ARTHAUS  

"The Back Yard," through Sept. 30. Works by Chris Schiavo.  

Free. Tuesday through Friday, 11 a.m. to 6 p.m. 411 Brannan St., San Francisco. (415) 977-0223, www.arthaus-sf.com.< 

ARTZONE 461 --  

Keith Gaspari, Heidi McDowell, Brian Tepper, through Aug. 22. New works by the artists.  

461 Valencia Street, San Francisco. (415) 441-8680, www.artzone461.com.< 

BRAUNSTEIN-QUAY GALLERY  

OPENING -- "Introductions: Where They Are Now," through Aug. 28.  

Free. Tuesday-Saturday, 11 a.m.-5:30 p.m. 430 Clementina St., San Francisco. (415) 278-9850, www.bquayartgallery.com.< 

BRIAN GROSS FINE ART  

"Airborne," through Sept. 10. Works by Ed Moses.  

"Gesture," through Aug. 27. Group exhibition explores various uses of gesture in abstract painting.  

Free. Tuesday through Friday, 10:30 a.m. to 5:30 p.m.; Saturday, 11 a.m. to 5 p.m. 49 Geary St., San Francisco. (415) 788-1050, www.briangrossfineart.com.< 

CHINESE CULTURE CENTER GALLERY  

"Stella Zhang," through Sept. 5. Five large scale installation pieces in the artist's first major Bay Area solo exhibition.  

Free. Tuesday-Friday, 10 a.m.-4 p.m. Hilton Hotel, Third Floor, 750 Kearny St., San Francisco. (415) 986-1822.< 

CITY ART GALLERY  

OPENING -- "San Francisco," through Aug. 28. 25 artists interpret the city in their own ways.  

Free. Wednesday through Sunday, noon to 9 p.m. 828 Valencia St., San Francisco. (415) 970-9900, www.cityartgallery.org.< 

CREATIVITY EXPLORED GALLERY  

"Spectrum," through Aug. 11. Exhibition features psychedelic-style art.  

Monday-Friday, 10 a.m.-3 p.m.; Thursday, 10 a.m.-7 p.m.; Saturday, 1-6 p.m. 3245 16th St., San Francisco. (415) 863-2108, www.creativelyexplored.org.< 

DOLBY CHADWICK GALLERY  

"Renaissance," through Aug. 28. Works by Bill Armstrong.  

"The Long Year, New Paintings," through Aug. 28. Works by Gary Edward Blum.  

Free. Tuesday-Friday, 10 a.m.-6 p.m.; Saturday, 11 a.m.-5 p.m. 210 Post St., Suite 205, San Francisco. (415) 956-3560, www.dolbychadwickgallery.com.< 

GALLERY 645 AND MICHAEL THOMPSON FRAMING --  

CLOSING -- "Etchings," through Aug. 6. Works by Beth Weintraub.  

645 7th St., San Francisco. (415) 861-5717.< 

GALLERY PAULE ANGLIM  

Gary Lapow, through Aug. 14. Works by the artist.  

James Drake, through Aug. 14. New works by the artist.  

Free. Tuesday-Friday, 10 a.m.-5:30 p.m.; Saturday, 10 a.m.-5 p.m. 14 Geary St., San Francisco. (415) 433-2710, www.gallerypauleanglim.com.< 

GEORGE KREVSKY GALLERY  

"Summer Reading," through Oct. 2. Works by Lawrence Ferlinghetti, Helen Berggruen, Ken Kalman, Rockewell Kent, Clifford Odets, Man Ray, Raymond Saunders, Ben Shahn and others.  

Free. Tuesday through Saturday, 11 a.m. to 5:30 p.m. 77 Geary St., San Francisco. (415) 397-9748, www.georgekrevkygallery.com.< 

GREGORY LIND GALLERY  

"Cooler Heads Prevail," through Aug. 21. Works by Thomas Campbell, Jim Gaylord, Chris Gentile, Jake Longstreth and others.  

49 Geary Street, Fifth Floor, San Francisco. www.gregorylindgallery.com.< 

HAINES GALLERY  

"Wildfires," through Aug. 21. Works by Youngsuk Suh.  

49 Geary St., Suite 540, San Francisco. www.hainesgallery.com.< 

HOSFELT GALLERY  

"Seascapes and Surf Works," through Aug. 14. Works by Russell Crotty.  

430 Clementina St., San Francisco. (415) 495-5454, www.hosfeltgallery.com.< 

JENKINS JOHNSON GALLERY  

"Summertime," through Sept. 3. Works by Nicolas Africano, Ben Aronson, Katherine Chang Liu and many others.  

Free. Tuesday-Friday, 10 a.m.-8 p.m.; Saturday, 10 a.m.-5 p.m. 464 Sutter St., San Francisco. (415) 677-0770, www.jenkinsjohnsongallery.com.< 

LOST ART SALON  

OPENING -- "Adine Stix: A Retrospective," Aug. 6 through Oct. 31. An extensive survey of paintings from the 1960s.  

245 S. Van Ness Ave., San Francisco. (415) 861-1530, www.lostartsalon.com.< 

MARX & ZAVATTERO --  

"Tilt," through Aug. 21. Works by Timothy Nolan.  

Tuesday-Friday, 10:30 a.m.-5:30 p.m.; Saturday, 11 a.m.-5 p.m. 77 Geary Street at Grant Avenue, 2nd Floor, San Francisco. (415) 627-9111, www.marxzav.com/index.php.< 

MICAELA GALLERY  

"Cold and Hot 2010," through Aug. 28. Works by Peter Bremers, Kathleen Elliot, Michael Janis, Michelle Knox, Weston Lambert and others.  

Free. Tuesday-Saturday, 11 a.m.-7 p.m.; Sunday, noon-5 p.m. 333 Hayes St., San Francisco. (415) 551-8118, www.micaela.com.< 

MODERNISM  

"Asymmetrical Chromachords," through Aug. 28. Works by James Hayward.  

"Paradise Lost," through Aug. 28. Works by Michael Dweck.  

"Photographs," through Aug. 28. Works by Michael Dweck.  

Free. Tuesday-Saturday, 10 a.m.-5:30 p.m. 685 Market St., San Francisco. (415) 541-0461, www.modernisminc.com.< 

PAUL THIEBAUD GALLERY  

"Cigar Box Paintings," through Aug. 21. Works by Ed Musante.  

"Recent Paintings," through Aug. 21. Works by Eileen David.  

Free. Tuesday through Saturday, 10 a.m. to 6 p.m. 718 Columbus Ave., San Francisco. (415) 434-3055, www.paulthiebaudgallery.com.< 

ROBERT KOCH GALLERY  

"Photographs," through Aug. 21. Works by Miroslav Tichy.  

Free. Tuesday-Saturday, 10:30 a.m.-5:30 p.m. 49 Geary St., Fifth Floor, San Francisco. (415) 421-0122, www.kochgallery.com.< 

SAN FRANCISCO WOMEN ARTISTS GALLERY  

"Reflections," through Aug. 7. Juried exhibition features sculpture, jewelery, paintings and photography.  

Free. Wednesday through Saturday, 1 p.m. to 6 p.m. 3489 Sacramento St., San Francisco. (415) 440-7392, www.sfwomenartists.org.< 

SANDRA LEE GALLERY  

OPENING -- "Recent Works," through Aug. 28. Works by Jeffrey Palladini.  

251 Post St., Suite 310, San Francisco. (415) 291-8000, www.sandraleegallery.com.< 

SHOOTING GALLERY  

CLOSING -- "ILL Romantic," through Aug. 7. Works by Casey Gray.  

839 Larkin Street, San Francisco. (415) 931-8035.< 

TOOMEY TOURELL GALLERY  

CLOSING -- "Recap," through Aug. 7. Works by Clinton Fein.  

Free. Tuesday through Friday, 11 a.m. to 5:30 p.m.; Saturday, 11 a.m. to 5 p.m. 49 Geary St., San Francisco. (415) 989-6444, www.toomeytourell. com.< 

TRIANGLE GALLERY  

"49th Anniversary Show -- The Past," through Sept. 11. Works by gallery artists.  

47 Kearny St., San Francisco. (415) 392-1686, www.triangle-sf.com.<

ASIAN ART MUSEUM OF SAN FRANCISCO The Asian Art Museum-Chon-Moon Lee Center for Asian Art and Culture recently unveiled its new building in San Francisco's Civic Center. The building, the former San Francisco Public Library, has been completely retrofitted and rebuilt to house San Francisco's significant collection of Asian treasures. The museum offers complimentary audio tours of the museum's collection galleries.  

ONGOING EXHIBIT --  

"In a New Light," There are some 2,500 works displayed in the museum's new galleries. They cover all the major cultures of Asia and include Indian stone sculptures, intricately carved Chinese jades, Korean paintings, Tibetan thanksgas, Cambodian Buddhas, Islamic manuscripts and Japanese basketry and kimonos.  

ONGOING FAMILY PROGRAMS --  

Storytelling, Sundays and the first Saturday of every month, 1 p.m. This event is for children of all ages to enjoy a re-telling of Asian myths and folktales in the galleries. Meet at the Information Desk on the Ground Floor. Free with general admission.  

"Target Tuesday Family Program," first Tuesday of every month. Free with general admission.  

"Family Art Encounter," first Saturday of every month, 1 p.m. to 4 p.m. Drop in to make art related to the museum's collection. Children must be accompanied by an adult. In the Education Studios. Free with admission.  

DOCENT-LED ART TOURS -- The museum's docents offer two types of tours: a general introduction to the museum's collection and a highlight tour of specific areas of the collection. Free with museum admission.  

ARCHITECTURAL GUIDES -- Tuesday through Sunday at noon and 2:30 p.m., Thursday at 6:30 p.m. Learn about the former Main Library's transformation into the Asian Art Museum on this 40-minute tour. Free with museum admission.  

RESOURCE CENTER -- Tuesday through Sunday, 12:30 p.m. to 4:30 p.m. Watch a video, or learn more about Asian art with slide packets, activity kits and books. Free with museum admission. 

SPECIAL EVENTS -- Free with general admission unless otherwise noted.  

"Shanghai," through Sept. 5. Exhibition features more than 130 artworks including oil paintings, Shanghai Deco furniture, revolutionary posters, works of fashion and more.  

"Japan's Early Ambassadors to San Francisco, 1860-1927," through Nov. 21. Timed to coincide with the 150th anniversary of the arrival of the ship Kanrin Maru and the first Japanese embassy to the United States, this thematic exhibit focuses on some of the first Japanese diplomats and cultural emissaries in San Francisco, and how they responded to the experience of being in America.  

$7-$12; free children under age 12; $5 Thursday after 5 p.m.; free to all first Sunday of each month. Tuesday, Wednesday, and Friday through Sunday, 10 a.m.-5 p.m.; Thursday, 10 a.m.-9 p.m. 200 Larkin St., San Francisco. (415) 581-3500, www.asianart.org.< 

BEAT MUSEUM Formerly located on the California coast in Monterey, the Beat Museum now sits in historic North Beach. The Museum uses letters, magazines, pictures, first editions and more to explore the lives of leading beat figures such as Jack Kerouac, Lawrence Ferlinghetti, Allen Ginsberg, Neal Cassady and many others. A gift shop and bookstore are open to the public free of charge. 

SPECIAL EVENTS --  

"North Beach Walking Tour,", A 90-minute walking tour of North Beach with Beat Museum curator Jerry Cimimo. See the bars, coffeehouses, homes, and other Beat-related highlights of North Beach. Call for info. $15. 

SPECIAL EXHIBITS --  

$4-$5. Monday-Sunday, 10 a.m.-7 p.m. CLOSED MONDAY. 540 Broadway, San Francisco. (800) KER-OUAC, www.kerouac.com.< 

CABLE CAR MUSEUM The museum is located in the historic Cable Car Barn and Powerhouse. Visitors can see the actual cable winding machinery, grips, track, cable and brakes, as well as three historic cable cars, photo displays and mechanical artifacts. The best way to get to this museum is by cable car; street parking is practically non-existent. 

SPECIAL EVENTS --  

Free. April 1-Sept. 30: daily, 10 a.m.-6 p.m. Oct. 1-March 31, 10 a.m.-5 p.m. 1201 Mason St., San Francisco. (415) 474-1887, www.cablecarmuseum.org.< 

CALIFORNIA ACADEMY OF SCIENCES  

"Nightlife," Thursdays, 6 p.m. Every Thursday night, the Academy transforms into a lively venue filled with provocative science, music, mingling and cocktails, as visitors get a chance to explore the museum.  

"Where the Land Meets the Sea," Exhibition features sculpture by Maya Lin.  

BENJAMIN DEAN LECTURE SERIES --  

"Extreme Mammals," through Sept. 12. Exhibition features a far-reaching survey of members of the mammal family.  

$14.95-$24.95. Daily, 9:30 a.m.-5 p.m. Golden Gate Park, San Francisco. (415) 379-8000, www.calacademy.org.< 

CALIFORNIA HISTORICAL SOCIETY  

HISTORY WALKABOUTS -- A series of monthly walking tours that explore the history, lore and architecture of California with veteran tour guide Gary Holloway. Walks take place rain or shine so dress for the weather. Reservations and prepayment required. Meeting place will be given with confirmation of tour reservation. Tour price includes admission to the Museum.  

"Happy Valley," Aug. 6 and Aug. 7, Saturday, 11 a.m.; Sunday, 10 a.m. Explore this lost neighborhood located south of Market, which was destroyed in the great fire that followed the 1906 earthquake. Find the original street pattern, and pass by the Palace Hotel, Yerba Buena Center and St. Patrick's Catholic Church. $25-$40. 

MUSEUM -- The museum's permanent collection is made up of the Fine Arts Collection, consisting of 5,000 works of art that represent the history of California from pre-Gold Rush days to the early decade of the 20th century; and The Photography Collection, containing nearly a halfmillion images in an array of photographic formats documenting the history of California in both the 19th and 20th centuries. The Library and Research Collection contain material relating to the history of California and the West from early exploration time to the present including texts, maps, and manuscripts.  

"Landscape and Vision: Early California Painters from the Collections of the California Historical Society," open-ended. An exhibit of oil paintings including a large number of early landscapes of California, from the museum's collection.  

"Think California," through Feb. 5. Exhibition features artworks, artifacts and ephemera exploring California's colorful history.  

$1-$3; free children under age 5. Wednesday-Saturday, noon-4:30 p.m. 678 Mission St., San Francisco. (415) 357-1848 X229, www.californiahistoricalsociety.org.< 

CARTOON ART MUSEUM  

ONGOING EXHIBIT --  

"An Exploration of Cartoon Art," This exhibit explores the history of cartoon art including works from the most renowned and creative cartoonists of the last century. The exhibit traces the evolution of cartooning through its many forms including animation, comic strips, comic books, editorial cartoons and underground cartoons.  

CARTOONING CLASSES FOR KIDS -- Saturday, 1 p.m. to 3 p.m. For children ages 6 to 14. Call for schedule. Free with admission. 

"60 Years of Beetle Bailey," through Sept. 19. Exhibition showcases the comics of Mort Walker.  

$2-$6; free children ages 5 and under; the first Tuesday of the month is paywhat-you-wish day. Tuesday-Sunday, 11 a.m.-5 p.m. 655 Mission St., San Francisco. (415) 227-8666, www.cartoonart.org.< 

CHINESE HISTORICAL SOCIETY OF AMERICA The CHSA Museum and Learning Center features a permanent exhibition, "The Chinese of America: Toward a More Perfect Union'' in its Main Gallery, and works by Chinese-American visual artists in its Rotating Galleries.  

ONGOING EXHIBIT --  

"Leaders of the Band," An exhibition of the history and development of the Cathay Club Marching Band, the first Chinese American band formed in 1911. 

SPECIAL EXHIBITS --  

$1-$3; free children ages 5 and under; free for all visitors first Thursday of every month. Tuesday-Friday, noon-5 p.m.; Saturday-Sunday, noon-4 p.m. 965 Clay St., San Francisco. (415) 391-1188, www.chsa.org.< 

CONTEMPORARY JEWISH MUSEUM The museum, formerly known as the Jewish Museum San Francisco, has a new addition designed by Daniel Libeskind and is dedicated to exploring the richness and diversity of Jewish thought and culture.  

GALLERY TOURS -- Sunday and Wednesday, 12:30 p.m. Free. 

"Jews on Vinyl," through Aug. 22. Exhibition showcases the history of Jewish recorded music from the 1940s to the 1980s.  

"As It Is Written: Project 304,805," through Oct. 3. Exhibition centers around a soferet (a professionally trained female scribe) who writes out the entire text of the Torah, at the Museum, over the course of a full year. She will be one of the few known women to complete an entire Torah scroll, an accomplishment traditionally exclusive to men.  

"Reinventing Ritual: Contemporary Art and Design for Jewish Life," through Oct. 3. The first major international exhibition to examine the reinvention of Jewish ritual in art and design.  

"Maira Kalman: Various Illuminations (of a Crazy World)," through Oct. 26. The first major museum survey of the award-winning illustrator, author and designer.  

$4-$5; free for children under age 12; free third Monday of every month. Sunday -Thursday, noon-6 p.m. DEC. 25, NOON TO 4 P.M.; CLOSED JAN. 1. 736 Mission St., San Francisco. (415) 655-7800, www.thecjm.org.< 

DE YOUNG MUSEUM The art museum has now reopened in a new facility designed by Swiss architecture firm Herzog and de Meuron and Fong and Chan Architects in San Francisco. It features significant collections of American art from the 17th through the 20th centuries; modern and contemporary art; art from Central and South America, the Pacific and Africa; and an important and diverse collection of textiles. 

ARTIST STUDIO PROGRAM -- Wednesday-Sunday, 1-5 p.m. A monthly interactive program during which the public can meet and work with a featured artist. Demonstrations take place in the Kimball Education Gallery, which does not require paid admission. (415) 750-7634. 

CHILDREN'S ACTIVITIES --  

"Children's Workshops: Doing and Viewing Art and Big Kids-Little Kids," Saturdays, 10:30 a.m.-noon and 1:30-3 p.m. Family tour and art activity for ages 4-12. 

LECTURES AND SYMPOSIA --  

LECTURES BY DOCENTS -- These lectures are free and are held in the Koret Auditorium unless otherwise noted.  

SPECIAL EVENTS --  

"Friday Nights at the de Young: Cultural Encounters," 5-8:45 p.m. The de Young stays open until 8:45 p.m. each Friday night and hosts special events including live music, dance, film, lectures and artist demonstrations.  

Aug. 22: "Cultural Encounters presents Hot Brazilian Nights.''  

Event features music by Forro for All and art-making for the entire family.  

Aug. 29: "Cultural Encounters.''  

Event features live music by the Scott Amendola Trio. Free with admission. 

"Poetry Series," 7-8:30 p.m. $8-$12. (415) 750-7634. 

"Photo/Synthesis," through Oct. 3. Exhibition highlights the dynamic trend in the field of contemporary photography, collages, assemblages, and other multi-part or composite photo-based projects.  

"Birth of Impressionism: Masterpieces from the Musee d'Orsay," through Sept. 6. Exhibition puts forth nearly 100 works by the famous masters who called France their home during the mid-19th century and from whose midst arose one of the most original and recognizable of all artistic styles, Impressionism.  

"Pat Steir: After Hokusai, after Hiroshige," through Jan. 30. Exhibition shows the continued influence of the Japanese print on Western artists into the late twentieth century.  

OPENING -- "To Dye For: A World Saturated in Color," through Jan. 9. Exhibition features over 50 textiles and costumes from the Fine Arts Museums' comprehensive collection of textiles from Africa, Asia and the Americas.  

$6-$10; free for children ages 12 and under; free for all visitors the first Tuesday of every month. Tuesday-Thursday and Saturday-Sunday, 9:30 a.m.-5:15 p.m.; Friday, 9:30 a.m.-8:45 p.m. Golden Gate Park, 50 Hagiwara Tea Garden Drive, San Francisco. (415) 863-3330, www.deyoungmuseum.org.< 

EXPLORATORIUM A hands-on museum of science, art and human perception.  

ONGOING EXHIBITS --  

"Tactile Dome," ongoing installation. The dome is composed of many chambers, which are pitch black inside and full of different tactile sensations. The only way to find one's way through is by using the sense of touch. Reservations required. $12 includes museum admission.  

"Distorted Room," Watch your friends inside the room grow to twice their size by walking left to right or shrink to half their size by walking in the opposite direction. A series of geometric tricks and optical illusions in the room makes the brain think that people shrink and grow before one's eyes.  

"Play Lab," An area for children ages 4 and under, designed to help them develop their motor skills and exercise their imaginations and social skills.  

"Listen: Making Sense of Sound," This "ears-on'' exhibit helps visitors focus on subtle and profound aspects of hearing, experiment with new ways of listen deeply and carefully, and think about how others hear the world. 

"Geometry Playground," through Sept. 6. Explore giant 3d shapes, curved mirrors and more.  

"Geometric Threads," through Aug. 22. Experience geometry as found in traditional handicrafts and contemporar design as artisans demonstrate the mathematics in crafts across the globe.  

$9-$14; free children ages 4 and under. Tuesday-Sunday, 10 a.m.-5 p.m.; Dec. 24, 10 a.m.-3 p.m.; CLOSED DEC. 25. 3601 Lyon St., San Francisco. (415) EXP-LORE, (415) 563-7337, (415) 561-0360, www.exploratorium.edu.< 

GLBT HISTORICAL SOCIETY AND MUSEUM The museum is a project of the GLBT (Gay, Lesbian, Bisexual, Transgender) Historical Society. 

EVENTS --  

EXHIBITS --  

$2-$4. Tuesday-Saturday, 1-5 p.m. 657 Mission St., Suite 300, San Francisco. (415) 777-5455, www.glbthistory.org.< 

INTERNATIONAL MUSEUM OF WOMEN  

EVENTS --  

101 Howard Street, Suite 480, San Francisco. (415) 543-4669, www.imow.org/home/index.< 

LEGION OF HONOR MUSEUM DOCENT TOUR PROGRAMS -- Tours of the permanent collections and special exhibitions are offered Tuesday through Sunday. Non-English language tours (Italian, French, Spanish and Russian) are available on different Saturdays of the month at 11:30 a.m. Free with regular museum admission. (415) 750-3638.  

ONGOING CHILDREN'S PROGRAM --  

"Doing and Viewing Art," For ages 7 to 12. Docent-led tours of current exhibitions are followed by studio workshops taught by professional artists/teachers. Students learn about art by seeing and making it. Saturday, 10:30 a.m. to noon; call to confirm class. Free with museum admission. (415) 750-3658. 

ORGAN CONCERTS -- 4 p.m. A weekly concert of organ music on the Legion's restored 1924 Skinner organ. Saturday and Sunday in the Rodin Gallery. Free with museum admission. (415) 750-3624. 

SPECIAL EVENTS -- In the Gould Theater unless otherwise noted. $4 after museum admission unless otherwise noted. (415) 682-2481. 

"Sunday Jazz Brunch," 11 a.m.-3 p.m. $21-$53. 

"Very Postmortem: Mummies and Medicine," Oct. 31. Exhibition explores the modern scientific examination of mummies providing new insights into the conditions under which the Egyptians lived, bringing us closer to understanding who they were.  

"Impressionist Paris: City of Light," through Sept. 26. Exhibition explores various aspects of life in and around the city in which artists came of age. Visitors to the exhibition are transported to Impressionist Paris as represented in over 150 prints, drawings, photographs, paintings, and illustrated books from the Fine Arts Museums of San Francisco and several distinguished private collections.  

$6-$10; free for children ages 12 and under; free for all visitors on Tuesdays. Tuesday-Sunday, 9:30 a.m.-5 p.m. Lincoln Park, 34th Avenue and Clement Street, San Francisco. (415) 750-3600, (415) 750-3636, www.legionofhonor.org.< 

MARKET STREET RAILWAY MUSEUM The museum will permanently display a variety of artifacts telling the story of San Francisco's transportation history, including dash signs, fare boxes, a famed Wiley "birdcage'' traffic signal and more. 

Free. Wednesday-Sunday, 10 a.m.-6 p.m. 77 Steuart St., San Francisco. (415) 956-0472, www.streetcar.org.< 

MEXICAN MUSEUM  

THE MEXICAN MUSEUM GALLERIES AT FORT MASON CENTER ARE CURRENTLY CLOSED --  

The Mexican Museum holds a unique collection of 12,000 objects representing thousands of years of Mexican history and culture within the Americas. The permanent collection, the Museum's most important asset and resource, includes five collecting areas: Pre-Conquest, Colonial, Popular, Modern and Contemporary Mexican and Latino, and Chicano Art. The Museum also has a collection of rare books and a growing collection of Latin American art. 

Fort Mason Center, Building D, Buchanan Street and Marina Boulevard, San Francisco. (415) 202-9700, www.mexicanmuseum.org.< 

MUSEO ITALOAMERICANO The museum, dedicated to the exhibition of art works by Italian and Italian-American artists, has a small permanent collection of paintings, sculptures, photographs and works on paper by such renowned artists as Beniamino Buffano, Sandro Chia, Giorgio de Chirico and Arnaldo Pomodoro.  

DOCENT TOURS -- Wednesdays, 1 p.m. to 3 p.m. Free. 

$2-$3; free children under age 12; free to all first Wednesday of the month. Wednesday-Sunday, noon -4 p.m.; first Wednesday of the month, noon-7 p.m. Fort Mason Center, Building C, Buchanan Street and Marina Boulevard, San Francisco. (415) 673-2200, www.museoitaloamericano.org.< 

MUSEUM OF ANCIENT CIVILIZATIONS AT SAN FRANCISCO STATE UNIVERSITY  

EXHIBITS --  

Free. Monday through Friday, 11 a.m. to 4 p.m. Humanities Building, Room 510, SFSU, Font Boulevard and Tapia Drive, San Francisco. (415) 405-0599, www.sfsu.edu/~museumst/.< 

MUSEUM OF CRAFT AND FOLK ART The museum, now open at a new downtown location, features craft and folk art from various cultures, both past and present, and includes styles ranging from utilitarian objects to contemporary art. 

"Clare Rojas: We They, We They," through Aug. 22. Where neo-folk meets contemporary art, artists operate as "authors'' of the collective voice. The new exhibition showcases the first solo exhibition of the Bay Area artist who identifies and inserts herself in the folk art continuum. MOCFA is proud to present new work that has yet to be seen by the public.  

$4-$5; free for youths under age 18. Tuesday-Friday, 11 a.m.-6 p.m.; Saturday-Sunday, 11 a.m.-5 p.m. 51 Yerba Buena Lane, Mission Street between Third and Fourth streets, San Francisco. (415) 227-4888, www.mocfa.org.< 

MUSEUM OF PERFORMANCE AND DESIGN  

EXHIBITS --  

Free. Wednesday-Saturday, noon-5 p.m. Veterans Building, 401 Van Ness Avenue at McAllister, 4th Floor, San Francisco. (415) 255-4800, www.mpdsf.org.< 

MUSEUM OF THE AFRICAN DIASPORA A new museum exploring and celebrating the influence of the African Diaspora on global art and culture through interactive, permanent and changing exhibits and special programs. The museum occupies the first three floors of the new St. Regis Hotel at Third and Mission streets.  

PERMANENT EXHIBITS --  

"Celebrations: Rituals and Ceremonies," "Music of the Diaspora,'' "Culinary Traditions,'' 'Adornment,'' "Slavery Passages,'' and "The Freedom Theater.'' 

SPECIAL EVENTS --  

"Urban Kidz Film Series," Noon-3 p.m. An offshoot of the San Francisco Black Film Festival, featuring a striking assemblage of short and feature films designed to spark the imaginations of the 5-to-12-year-old set. $10 adults; children free. (415) 771-9271. 

SPECIAL EXHIBITS --  

$5-$8; free children age 12 and under. Monday, Wednesday, Friday and Saturday, 10 a.m.-6 p.m.; Thursday, 10 a.m.-9 p.m.; Sunday, noon-5 p.m.; CLOSED MARCH 13 THROUGH MARCH 21. 685 Mission St., San Francisco. (415) 358-7200, www.moadsf.org.< 

NATIONAL MARITIME MUSEUM LIBRARY (THE J. PORTER SHAW MARITIME LIBRARY) Closed on federal holidays. The library, part of the San Francisco Maritime National Historic Park, focuses on sail and steam ships on the West Coast and the Pacific Basin from 1520 to the present. The museum library holdings include a premiere collection of maritime history: books, magazines, oral histories, ships' plans and the San Francisco Maritime National Historical Park's 250,000 photographs. 

Free. By appointment only, Monday-Friday, 1-4 p.m., and the third Saturday of each month 10 a.m.-5 p.m. Fort Mason Center, Building E, Third Floor, Buchanan Street and Marina Boulevard, San Francisco. (415) 560-7080, (415) 560-7030, www.nps.gov/safr.< 

PACIFIC HERITAGE MUSEUM The museum presents rotating exhibits highlighting historical, artistic, cultural and economic achievements from both sides of the Pacific Rim. The museum features a permanent display documenting the history and significance of the Branch Mint and Subtreasury buildings. 

Free. Tuesday-Saturday, 10 a.m.-4 p.m. 608 Commercial St., San Francisco. (415) 399-1124.< 

RANDALL MUSEUM  

ONGOING EXHIBITS --  

"Earthquake Exhibit," Learn about plate tectonics. Make a small quake by jumping on the floor to make a "floor quake'' that registers on the seismometer in the lobby. See the basement seismometer that registers quakes around the world. Walk through a full-size earthquake refugee shack that was used to house San Franciscans after the 1906 earthquake that destroyed so many homes.  

"Creativity and Discovery Hand in Hand," A photography exhibit that gives visitors a look into the wide variety of programs the Museum offers in the way of classes, workshops, school field trips, and special interest clubs.  

"Toddler Treehouse," Toddlers may comfortably climb the carpeted "treehouse'' and make a myriad of discoveries, from the roots to the limbs.  

"Live Animal Exhibit," Visit with more than 100 creatures including small mammals, amphibians, reptiles, raptors and small birds, insects, spiders and tide pool creatures.  

ONGOING EVENTS --  

"Saturdays Are Special at the Museum," Saturdays, 10 a.m. to 4 p.m. A series of drop-in ceramics and art and science workshops. All ages are welcome, though an adult must accompany children under age 8. $3 per child, $5 per parent-child combination.  

"Bufano Sculpture Tours," first and third Saturdays of the month, 10:15 a.m. A tour of the giant animal sculptures of Beniamino Bufano. The sculptures were carved out of stone in the 1930s and include a giant cat and a mother bear nursing her cubs.  

"Animal Room," Visit some of the animals that live at the museum, including reptiles, raptors, tide pool creatures and small mammals.  

"Meet the Animals" Saturdays, 11:15 a.m. to noon. See the Randall's animals close-up and in person.  

"Animal Feeding," Saturdays, noon. Watch the animals take their meals.  

"Golden Gate Model Railroad Exhibit," Saturdays, 11 a.m. to 4 p.m. 

DROP-IN ART AND SCIENCE WORKSHOPS -- 1-4 p.m. $3-$5.  

SPECIAL EVENTS --  

"Film Series for Teenagers," Fridays, 7 p.m. 

"Meet the Animals," Saturdays, 11:15 a.m. Learn about the animals that live at the Randall Museum. 

"Golden Gate Model Railroad Exhibit," Saturday, 11 a.m.-4 p.m. 

"Third Friday Birders," 8 a.m. The hike through Corona Heights Park allows participants to enjoy the early morning views and learn more about the feathered inhabitants of the area. Children aged 10 and older if accompanied by adult. 

"Drop-in Family Ceramics Workshop," Saturday, 1:15-2:15 p.m. 

"Animal Feeding," Saturday, noon. 

"Meet the Animals," 11:15 a.m.-noon. 

"Drop-in Family Ceramics Workshop," Saturday, 10:15-11:15 a.m. $5. 

Free. All ages welcome; an adult must accompany children under age 8. Tuesday-Saturday, 10 a.m.-5 p.m.; CLOSED ON CHRISTMAS. 199 Museum Way, San Francisco. (415) 554-9600, www.randallmuseum.org.< 

SAN FRANCISCO CABLE CAR MUSEUM The museum is located in the historic Cable Car Barn and Powerhouse. Visitors can see the actual cable winding machinery, grips, track, cable and brakes, as well as three historic cable cars, photo displays and mechanical artifacts. The best way to get to this museum is by cable car; street parking is practically non-existent. 

Free. October 1-March 31: Daily, 10 a.m.-5 p.m.; April 1-September 3-: 10 a.m.-6 p.m.; Closed on New Year's Day, Easter Sunday, Thanksgiving and Christmas. 1201 Mason St., San Francisco. (415) 474-1887, www.cablecarmuseum.com.< 

SAN FRANCISCO MARITIME NATIONAL HISTORICAL PARK One of only a few "floating'' national parks, the San Francisco Maritime National Historical Park includes four national landmark ships, a maritime museum, a maritime library and a World-War-II submarine named the USS Pampanito.  

HYDE STREET PIER -- Demonstrations, ship tours, programs, music and special events offered throughout the day. Check ticket booth for schedule. At the foot of Hyde Street, Hyde and Jefferson streets.  

Entering the Pier is free but there is a fee to board the ships.  

HISTORIC SHIPS AT THE HYDE STREET PIER -- The historic ships at the Pier are the 1886 square-rigger "Balclutha,'' the 1890 steam ferryboat "Eureka,'' the 1895 schooner "C.A. Thayer'' (not available at this time due to restoration), the 1891 scow schooner "Alma,'' the 1907 steam tug "Hercules,'' and the 1914 "Eppleton Hall,'' a paddlewheel tug.  

"Balclutha." This historic ship, a three-mast square-rigger, has undergone extensive repairs and preservation work. She now contains more original materials and fittings than any other historic merchant square-rigger in the United States. The Balclutha is a designated National Historic Landmark. At Hyde Street Pier.  

"Eureka." Explore this 1890 ferryboat with a 40-foot walking-beam engine. The boat once carried passengers and autos across the San Francisco Bay. At Hyde Street Pier. Daily, call for times of boat tour.  

"C.A. Thayer." A three-mast schooner used in the lumber and cod fishing trades. At Hyde Street Pier.  

"Alma." Between 1850 and the early 1900s, the best highways around the San Francisco Bay area were the waterways and the delivery trucks and tractortrailer rigs of the time were the flat-bottomed scow schooners. Able to navigate the Sacramento/San Joaquin Delta region's shallow creeks, sloughs and channels, the scows' sturdy hulls could rest safely and securely on the bottom providing a flat, stable platform for loading and unloading. Made of inexpensive Douglas fir, scow's designs were so simple they could be built by eye or without plans.  

"Hercules." Tugs in the early part of the 20th century towed barges, sailing ships and log rafts between Pacific ports. Because prevailing north/west winds generally made travel up the coast by sail both difficult and circuitous, tugs often towed large sailing vessels to points north of San Francisco. In 1916 Hercules towed the C.A. Thayer to Port Townsend, Wash., taking six days to make the trip. At the end of the sail era, the Hercules was acquired by the Western Pacific Railroad Company and shuttled railroad car barges back and forth across San Francisco Bay until 1962.  

"Eppleton Hall." Built in England, the steam side-wheeler plied the Wear and Tyne rivers of Northeast England. Designed to tow ocean-going colliers (coal-carrying sail vessels) the tugs saved transit time getting the sail vessels upriver to load. The side-wheelers were also used to tow newly built ships out to sea. From 1969 to 1979, the Eppleton Hall served as a private yacht. She was modified for an epic steam via the Panama Canal to San Francisco, passing through the Golden Gate in March of 1970.  

HISTORIC SHIP AT FISHERMAN'S WHARF --  

"USS Pampanito." This World-War-II-era submarine is berthed at Fisherman's Wharf. The submarine celebrated her 50th anniversary in November of 1993 and is perhaps best known for her participation in a "wolf pack'' attack on a convoy of enemy ships during World War II. The entrance fee includes a taped audio tour that describes what life on this submarine was like. At Pier 45, near foot of Taylor Street. Monday through Thursday, Sunday and holidays, 9 a.m. to 6 p.m.; Friday and Saturday, 9 a.m. to 8 p.m. $9 general; $5 seniors, $4 active duty military, $4 youth ages 6 to 12; free children under age 6. (415) 775-1943.  

ONGOING EVENTS --  

"Historic Ship Volunteer Work Party," Saturday, 9 a.m. Become part of an effort to preserve four of the park's nautical treasures. Work on a different ship each Saturday. Bring work clothes, work shoes and lunch. Call for meeting place. (415) 332-8409.  

Unless noted otherwise, events take place on the Hyde Street Pier, located at the foot of Hyde Street on Jefferson Street. 

EXHIBITS -- Current Exhibits at the Visitor Center:  

"What's Your Pleasure? Recreational Boats of California's Past," openended. This exhibit includes 1940s Sacramento Hydroplanes, a Russian River launch from the 19th century, classic wooden motor launches and motor boats, and other smaller crafts.  

"Hydroplanes and Racing Boats," open-ended. A small exhibit showcasing 1930s racing engines and hydroplane boats.  

"Frisco Bound," an exhibition about immigration to San Francisco, clipper ships, and the Gold Rush era.  

"Hyde Street Ship Models," an exhibit of models of the historic ships at the Hyde Street Pier.  

"Discovery Room," a preview of the Maritime Library where visitors can look up documents and photographs.  

(415) 447-5000. 

SPECIAL EVENTS --  

"Adventures at Sea: Life Aboard a 19th century Sailing Ship," Daily, 2:15 p.m.-3 p.m. Take a guided tour of the sailing ship Balclutha and learn about the hardships and awards of the sailors show fought for survival during the treacherous Cape Horn passage. Vessel admission. 

VISITOR CENTER -- Daily, 9:30 a.m.-5 p.m.  

Entering the Pier is free but there is a fee to board the ships. The fee allows access to all ships and is good for seven days. $5; free children under age 16. May 28-Sept. 30: daily, 9:30 a.m.-7 p.m.; Oct. 1-May 27: Daily, 9:30 a.m.-5 p.m. Foot of Hyde Street, San Francisco. (415) 561-7100, www.nps.gov.< 

SAN FRANCISCO MUSEUM OF CRAFT AND DESIGN A museum celebrating and promoting the art of contemporary craft and design. The museum showcases diverse exhibitions from regional, national and international artists, working in mediums such as wood, clay, fiber, metal and glass. 

EVENTS --  

"FourSite: 4 Artists, 4 Materials, 4 Sites," through Sept. 18. Artists Tanya Aguiniga, Paul Hayes, Tom Hill and Christine Lee transform the museum space with four distinct, large-scale installations of fiber, paper, metal and wood.  

$2-$4; free youths under age 18. Tuesday-Saturday, 10 a.m.-5 p.m. 550 Sutter St., San Francisco. (415) 773-0303, www.sfmcd.org.< 

SAN FRANCISCO MUSEUM OF MODERN ART  

ONGOING EXHIBITS --  

"Matisse and Beyond: The Painting and Sculpture Collection," This newly reconceived exhibition of SFMOMA's modern art collection features paintings, sculptures and works on paper from the first 60 years of the 20th century. Featured artists include: Joseph Cornell, Ellsworth Kelly, Yves Klein, Salvador Dali, Frida Kahlo, Piet Mondrian, Pablo Picasso, Diego Rivera, Andy Warhol and Paul Klee.  

"Between Art and Life: The Contemporary Painting and Sculpture Collection," This new presentation of the SFMOMA collection features works from the past five decades by Louise Bourgeois, Robert Gober, Eva Hesse, Anish Kapoor, Sherrie Levine, Brice Marden, Gordon Matta-Clark, Barry McGee, Bruce Nauman, Robert Rauschenberg and Kara Walker.  

"The Art of Design: Selections from the Permanent Collection of Architecture and Design," The exhibit will feature 100 selections from their architecture, graphic design and industrial design collections on a rotating basis. It features classic works plus new designs by up-andcoming artists.  

"Picturing Modernity: Photographs from the Permanent Collection," Photography is possibly the quintessential modern art medium because its 160-year history corresponds almost exactly with Modernism's duration as a cultural movement. This exhibit looks at the photograph's unique pictorial ability and its ever-growing pervasiveness in modern culture, putting the medium in dialogue with paintings and other kinds of art.  

KORET VISITOR EDUCATION CENTER -- This facility includes multimedia display technology, "Pick Up and Go'' guides for adults and children, art videos, and a community art gallery created by participants in school, teen and family programs. Thursday, 6 p.m. to 8:30 p.m.; Friday and Saturday, 11 a.m. to 5:30 p.m. 

SPECIAL EVENTS --  

"Tony Labat's I Want You," The latest installment in the newly launched program series "Live Art at SFMOMA.'' The artist invites denizens of the Bay Area to make their own demands of the public which riffs on the iconic "I Want You'' army recruitment campaigns of World Wars I and II, he asks you what you would do if you had only one minute to seize the voice of authority, to be the finger-pointing Uncle Sam. 

"Calder to Warhol," through Sept. 19. Exhibition showcases the quality of the Fisher Collection, much of which has never been seen by the public.  

Jesse Hazelip, through Nov. 13. Artists Gallery showcases the work of the Oakland-based artist.  

$7-$12.50; half price on Thursdays after 6 p.m.; free for all visitors on the first Tuesday of every month. Monday, Tuesday and Friday through Sunday, 10 a.m.-5:45 p.m.; Thursday, 10 a.m.-8:45 p.m. 151 Third St., San Francisco. (415) 357-4000, www.sfmoma.org.< 

SAN FRANCISCO PERFORMING ARTS LIBRARY AND MUSEUM  

ONGOING EXHIBITS --  

"Dance in California: 150 Years of Innovation," This permanent exhibit traces the history and artistic range of modern dance in California, with photographs and documents highlighting the achievements of Lola Montez, Isadora Duncan, Ruth St. Denis, Martha Graham, the Christensen brothers, the Peters Wright School, the company of Lester Horton, Anna Halprin and Lucas Hoving.  

"Maestro! Photographic Portraits by Tom Zimberoff," This permanent exhibit is a comprehensive study of a generation of national and international conductors. In Gallery 5.  

"San Francisco 1900: On Stage," In Gallery 4.  

"San Francisco in Song," In Gallery 3. 

Free. Tuesday-Friday, 11 a.m.-5 p.m.; Saturday, 1-5 p.m. San Francisco War Memorial Veteran's Building, 401 Van Ness Ave., Fourth Floor, San Francisco. (415) 255-4800, www.sfpalm.org.< 

SEYMOUR PIONEER MUSEUM The museum, owned by The Society of California Pioneers, houses a permanent research library, art gallery and history museum. Exhibits include a photography collection documenting California history. 

$1-$3. Wednesday-Friday and the first Saturday of the month, 10 a.m.-4 p.m. Society of California Pioneers, 300 Fourth St., San Francisco. (415) 957-1859, www.californiapioneers.org.< 

TREGANZA ANTHROPOLOGY MUSEUM AT SAN FRANCISCO STATE UNIVERSITY The museum, founded in 1968, houses collections of archaeological and ethnographic specimens from Africa, Oceania, Asia, and North America as well as small collections from Central and South America. There are also collections of photographs, tapes and phonograph records from Africa and Europe. In addition, there is an archive of field notes and other materials associated with the collections. The museum also houses the Hohenthal Gallery that is used for traveling exhibits as well as exhibits mounted by students and faculty. 

Free. Museum office: Monday-Friday, 8 a.m.-noon and 1 p.m.-4 p.m.; Hohenthal Gallery, SCI 388: Monday through Friday, 10 a.m.-4 p.m. Science Building, SFSU, 1600 Holloway Ave., San Francisco. (415) 338-2467, www.sfsu.edu/~treganza/.< 

ZEUM Zeum is a technology and arts museum for children and families featuring exhibits and workshops that cover a variety of fascinating subjects. 

EVENTS --  

$6-$8. 11 a.m.-5 p.m., Wednesday-Sunday. 221 Fourth St., San Francisco. (415) 820-3220, www.zeum.org.<

AFRICAN AMERICAN MUSEUM AND LIBRARY AT OAKLAND The Oakland Public Library's museum is designed to discover, preserve, interpret and share the cultural and historical experiences of African Americans in California and the West. In addition, a three-panel mural is on permanent display. 

Free. Tuesday-Saturday, noon-5:30 p.m. 659 14th St., Oakland. (510) 637-0200, www.oaklandlibrary.org.< 

ALAMEDA MUSEUM The museum offers permanent displays of Alameda history, the only rotating gallery showcasing local Alameda artists and student artwork, as well as souvenirs, books and videos about the rich history of the Island City. 

Free. Wednesday-Friday and Sunday, 1-4 p.m.; Saturday, 11 a.m.-4 p.m. 2324 Alameda Ave., Alameda. (510) 521-1233, www.alamedamuseum.org.< 

BADE MUSEUM AT THE PACIFIC SCHOOL OF RELIGION The museum's collections include the Tell en-Nasbeh Collection, consisting of artifacts excavated from Tell en-Nasbeh in Palestine in 1926 and 1935 by William Badh, and the Howell Bible Collection, featuring approximately 300 rare books (primarily Bibles) dating from the 15th through the 18th centuries. 

"Tell en-Nasbeh," This exhibit is the "heart and soul" of the Bade Museum. It displays a wealth of finds from the excavations at Tell en-Nasbeh, Palestine whose objects span from the Early Bronze Age (3100-2200 BC) through the Iron Age (1200-586 BC) and into the Roman and Hellenistic periods. Highlights of the exhibit include "Tools of the Trade" featuring real archaeological tools used by Badh and his team, an oil lamp typology, a Second Temple period (586 BC-70 AD) limestone ossuary, and a selection of painted Greek pottery.  

"William Frederic Bade: Theologian, Naturalist, and Archaeologist," This exhibit highlights one of PSR's premier educators and innovative scholars. The collection of material on display was chosen with the hopes of representing the truly dynamic and multifaceted character of William F. Badh. He was a family man, a dedicated teacher, a loving friend, and an innovative and passionate archaeologist.  

Free. Tuesday-Thursday, 10:30 a.m.-3 p.m. Holbrook Hall, Pacific School of Religion, 1798 Scenic Ave., Berkeley. (510) 848-0528, www.bade.psr.edu/bade.< 

BERKELEY ART MUSEUM AND PACIFIC FILM ARCHIVE  

"Thom Faulders: BAMscape," through Nov. 30. This commissioned work, a hybrid of sculpture, furniture, and stage, is the new centerpiece of Gallery B, BAM's expansive central atrium. It is part of a new vision of the gallery as a space for interaction, performance, and improvised experiences.  

"Perpetual and furious refrain / MATRIX 232," through Sept. 12. Exhibition features works by Brent Green.  

"Marisa Olson: Double Bind," through Aug. 31. With a pair of provocative YouTube videos, Olson unravels the promise and pitfalls of online participatory culture.  

"Himalayan Pilgrimage," through Dec. 19. Exhibition features sculpture and painting dating from the ninth to the eighteenth centuries and drawn from a private collection on long-term loan to the Berkeley Art Museum and Pacific Film Archive.  

"Hauntology," through Dec. 5. Drawn primarily from the museum's recent acquisitions of contemporary art, this exhibition explores a wide range of art through the lens of the concept of "hauntology,'' a term coined by the French philosopher Jacques Derrida in 1993 to refer to the study of social, psychological, and cultural conditions in the post-Communist period.  

2626 Bancroft Way, Berkeley. < 

BLACKHAWK MUSEUM  

AUTOMOTIVE MUSEUM -- The museum's permanent exhibition of internationally renowned automobiles dated from 1897 to the 1980s. The cars are displayed as works of art with room to walk completely around each car to admire the workmanship. On long-term loan from the Smithsonian Institution is a Long Steam Tricycle; an 1893-94 Duryea, the first Duryea built by the Duryea brothers; and a 1948 Tucker, number 39 of the 51 Tuckers built, which is a Model 48 "Torpedo'' four-door sedan.  

ONGOING EXHIBITS --  

"International Automotive Treasures," An ever-changing exhibit featuring over 90 automobiles.  

"A Journey on Common Ground," An exhibit of moving photographs, video and art objects from around the world exploring the causes of disability and the efforts of the Wheelchair Foundation to provide a wheelchair for every person in need who cannot afford one.  

ONGOING EVENT --  

Free Public Tours, Saturday and Sunday, 2 p.m. Docent-led guided tours of the museum's exhibitions. 

$5-$8; free for children ages 6 and under. Wednesday-Sunday, 10 a.m.-5 p.m. 3700 Blackhawk Plaza Circle, Danville. (925) 736-2280, (925) 736-2277, www.blackhawkmuseum.org.< 

CALIFORNIA HISTORICAL SOCIETY  

HISTORY WALKABOUTS -- A series of walking tours that explore the history, lore and architecture of California with veteran tour guide Gary Holloway. Walks are given on specific weekends. There is a different meeting place for each weekend and walks take place rain or shine so dress for the weather. Reservations and prepayment required. Meeting place will be given with confirmation of tour reservation. Call for details.  

678 Mission St., San Francisco. (415) 357-1848, www.californiahistoricalsociety.org.< 

CHABOT SPACE AND SCIENCE CENTER State-of-the-art facility unifying science education activities around astronomy. Enjoy interactive exhibits, hands-on activities, indoor stargazing, outdoor telescope viewing and films. 

"Beyond Blastoff: Surviving in Space," An interactive exhibit that allows you to immerse yourself into the life of an astronaut to experience the mixture of exhilaration, adventure and confinement that is living and working in space.  

"Chabot Observatories: A View to the Stars," Explore the history of the Chabot observatories and how its historic telescopes are used today. Daytime visitors can virtually operate a telescope, experiment with mirrors and lenses to understand how telescopes create images of distant objects and travel through more than a century of Chabot's history via multimedia kiosks, historical images and artifact displays.  

EVENTS --  

"Daytime Telescope Viewing," Saturday and Sunday, 11 a.m.-5 p.m. View the sun, the moon and the planets through the telescopes during the day. Free with general admission. 

"Galaxy Explorers Hands-On Fun," Saturday, noon-4 p.m. The Galaxy Explorers lead a variety of fun, hands-on activities, such as examining real spacesuits, creating galaxy flipbooks, learning about telescopes, minerals and skulls and making your own comet. Free with general admission. 

"Live Daytime Planetarium Show," Saturdays, 2:30 p.m. Ride through real-time constellations, stars and planets with Chabot's full-dome digital projection system. 

Center Admission: $14.95; $10.95 children 3-12; free children under 3; $3 discount for seniors and students. Telescope viewing only: free. Wednesday-Thursday, 10 a.m.-5 p.m.; Friday-Saturday, 10 a.m.-10 p.m.; Sunday, 11 a.m.-5 p.m.; Also open on Tuesdays 10 a.m.-5 p.m. after June 29. 10000 Skyline Blvd., Oakland. (510) 336-7300, www.chabotspace.org.< 

HABITOT CHILDREN'S MUSEUM A museum especially for children ages 7 and under. Highlights include "WaterWorks,'' an area with some unusual water toys, an Infant Tree for babies, a garden especially for toddlers, a child-scale grocery store and cafe, and a costume shop and stage for junior thespians. The museum also features a toy lending library.  

ONGOING EXHIBITS --  

"Waterworks." A water play gallery with rivers, a pumping station and a water table, designed to teach about water.  

"Little Town Grocery and Cafe." Designed to create the ambience of shopping in a grocery store and eating in a restaurant.  

"Infant-Toddler Garden." A picket fence gated indoor area, which includes a carrot patch with wooden carrots to be harvested, a pretend pond and a butterfly mobile to introduce youngsters to the concept of food, gardening and agriculture.  

"Dramatic Arts Stage." Settings, backdrops and costumes coincide with seasonal events and holidays. Children can exercise their dramatic flair here.  

"Wiggle Wall." The floor-to-ceiling "underground'' tunnels give children a worm's eye view of the world. The tunnels are laced with net covered openings and giant optic lenses. 

"Architects at Play," This hands-on, construction-based miniexhibit provides children with the opportunity to create free-form structures, from skyscrapers to bridges, using KEVA planks.  

SPECIAL EXHIBITS --  

$6-$7. Wednesday and Thursday, 9:30 a.m.-1 p.m.; Friday and Saturday, 9:30 a.m.-4:30 p.m.; Closed Sunday-Tuesday. 2065 Kittredge St., Berkeley. (510) 647-1111, www.habitot.org.< 

HAYWARD AREA HISTORICAL SOCIETY MUSEUM The museum is located in a former post office and displays memorabilia of early Hayward and southern Alameda County. Some of the features include a restored 1923 Seagrave fire engine and a hand pumper from the Hayward Fire Department, founded in 1865; a Hayward Police Department exhibit; information on city founder William Hayward; and pictures of the old Hayward Hotel. The museum also alternates three exhibits per year, including a Christmas Toys exhibit and a 1950s lifestyle exhibit. 

EVENTS --  

50 cents-$1. Tuesday-Saturday, 11 a.m.-4 p.m. 22701 Main St., Hayward. (510) 581-0223, www.haywardareahistory.org.< 

JUDAH L. MAGNES MUSEUM The museum's permanent collection includes objects of Jewish importance including ceremonial art, film and video, folk art and fine art, paintings, sculptures and prints by contemporary and historical artists. 

"Projections," Multimedia works from the museum's extensive collections of archival, documentary and experimental films. Located at 2911 Russell Street.  

SPECIAL EXHIBITS --  

$4-$6; free for children under age 12. Sunday-Wednesday, 10 a.m.-4 p.m.; Thursday, 11 a.m.-8 p.m. CLOSED APRIL 3-4 AND 9-10; MAY 23-24 AND 28; JULY 4; SEPT. 3, 13 AND 27; OCT. 4; NOV. 22; DEC. 24-25 AND 31. 2911 Russell St., Berkeley. (510) 549-6950, www.magnes.org.< 

LAWRENCE HALL OF SCIENCE  

ONGOING EXHIBITS --  

"NanoZone," Discover the science of the super-small: nanotechnology. Through hands-on activities and games, explore this microworld and the scientific discoveries made in this area.  

"Forces That Shape the Bay," A science park that shows and explains why the San Francisco Bay is the way it is, with information on water, erosion, plate tectonics and mountain building. You can ride earthquake simulators, set erosion in motion and look far out into the bay with a powerful telescope from 1,100 feet above sea level. The center of the exhibit is a waterfall that demonstrates how water flows from the Sierra Nevada Mountains to the Bay. Visitors can control where the water goes. There are also hands-on erosion tables, and a 40-foot-long, 6-foothigh, rock compression wall.  

"Real Astronomy Experience," A new exhibit-in-development allowing visitors to use the tools that real astronomers use. Aim a telescope at a virtual sky and operate a remote-controlled telescope to measure a planet.  

"Biology Lab," In the renovated Biology Lab visitors may hold and observe gentle animals. Saturday, Sunday and holidays, 1:30 p.m. to 4 p.m.  

"The Idea Lab," Experiment with some of the basics of math, science and technology through hands-on activities and demonstrations of magnets, spinning and flying, puzzles and nanotechnology.  

"Math Around the World," Play some of the world's most popular math games, such as Hex, Kalah, Game Sticks and Shongo Networks.  

"Math Rules," Use simple and colorful objects to complete interesting challenges in math through predicting, sorting, comparing, weighing and counting.  

"Animal Discovery Room,,' 1:30-4 p.m. Visitors of all ages can hold and touch gentle animals, learn about their behavior and habitats and play with self-guided activities and specimen models.  

"Forces That Shape the Bay," This science park shows and explains why the San Francisco Bay is the way it is, with information on water, erosion, plate tectonics and mountain building.  

"Ingenuity in Action," Summer 2010. Enjoy the best of the Ingenuity Lab. Engage your creative brain and use a variety of materials to design, build and test your own innovations.  

"Kapla," Play with simple, versatile building blocks that can be used to build very large, high and stable structures.  

"KidsLab," This multisensory play area includes larger-than-life blocks, a crawl-through kaleidoscope, the Gravity wall, a puppet theater and a reading area.  

"NanoZone," Discover the science of nanotechnology through handson activities and games.  

"Planetarium," Explore the skies in this interactive planetarium.  

"Science on a Sphere," Catch an out-of-this-world experience with an animated globe. See hurricanes form, tsunamis sweep across the oceans and city lights glow around the planet.  

EVENTS --  

"Scream Machines -- The Science of Roller Coasters, through Jan. 2. This head-spinning, stomach-churning exhibition for thrill-seekers features interactive exhibits, artifacts and images to explore.  

"Summer Fun Days," through Aug. 18. Become a raptor expert, learn the science of the trapeze, engineer the perfect boat or test the ice cream that you yourself make.  

$6-$12; free children ages 2 and under. Daily, 10 a.m.-5 p.m. University of California, Centennial Drive, Berkeley. (510) 642-5132, www.lawrencehallofscience.org.< 

LINDSAY WILDLIFE MUSEUM This is the oldest and largest wildlife rehabilitation center in America, taking in 6,000 injured and orphaned animals yearly and returning 40 percent of them to the wild. The museum offers a wide range of educational programs using non-releasable wild animals to teach children and adults respect for the balance of nature. The museum includes a state-of-the art wildlife hospital which features a permanent exhibit, titled "Living with Nature,'' which houses 75 non-releasable wild animals in learning environments; a 5,000-square-foot Wildlife Hospital complete with treatment rooms, intensive care, quarantine and laboratory facilities; a 1-acre Nature Garden featuring the region's native landscaping and wildlife; and an "Especially For Children'' exhibit.  

WILDLIFE HOSPITAL -- September-March: 9 a.m. to 5 p.m. The hospital is open daily including holidays to receive injured and orphaned animals. There is no charge for treatment of native wild animals and there are no public viewing areas in the hospital. 

EXHIBITS --  

SPECIAL EVENTS --  

$5-$7; free children under age 2. Wednesdays-Sundays, 10 a.m.-5 p.m. 1931 First Ave., Walnut Creek. (925) 935-1978, www.wildlife-museum.org.< 

MEYERS HOUSE AND GARDEN MUSEUM The Meyers House, erected in 1897, is an example of Colonial Revival, an architectural style popular around the turn of the century. Designed by Henry H. Meyers,the house was built by his father, Jacob Meyers, at a cost of $4000.00. 

EXHIBITS --  

$3. Fourth Saturday of every month. 2021 Alameda Ave., Alameda. (510) 521-1247, www.alamedamuseum.org/meyers.html.< 

MUSEUM OF AFRICAN-AMERICAN TECHNOLOGY SCIENCE VILLAGE A science museum with an African-American focus promoting science education and awareness for the underrepresented. The science village chronicles the technical achievements of people of African descent from ancient ties to present. There are computer classes at the Internet Cafi, science education activities and seminars. There is also a resource library with a collection of books, periodicals and videotapes. 

$4-$6. Monday-Friday, 10 a.m.-5 p.m.; Saturday, noon-6 p.m.; Sunday, 2 p.m.-6 p.m. 630 20th St., Oakland. (510) 893-6426, www.ncalifblackengineers.org.< 

MUSEUM OF CHILDREN'S ART A museum of art for and by children, with activities for children to participate in making their own art.  

ART CAMPS -- Hands-on activities and engaging curriculum for children of different ages, led by professional artists and staff. $60 per day.  

CLASSES -- A Sunday series of classes for children ages 8 to 12, led by Mocha artists. Sundays, 2 p.m. to 4 p.m.  

OPEN STUDIOS -- Drop-in art play activities with new themes each week.  

"Big Studio." Guided art projects for children age 6 and older with a Mocha artist. Tuesday through Friday, 4 p.m. to 5 p.m. $5.  

"Little Studio." A hands-on experience that lets young artists age 18 months to 5 years see, touch and manipulate a variety of media. Children can get messy. Tuesday through Friday, 10 a.m. to 4 p.m. $5.  

"Family Weekend Studios." Drop-in art activities for the whole family. All ages welcome. Saturday and Sunday, noon to 4 p.m. $5 per child.  

FAMILY EXTRAVAGANZAS -- Special weekend workshops for the entire family.  

"Sunday Workshops with Illustrators," Sundays, 1 p.m. See the artwork and meet the artists who create children's book illustrations. Free. 

EVENTS --  

"Saturday Stories," 1 p.m. For children ages 2-5. Free. 

Free gallery admission. Tuesday-Friday, 10 a.m.-5 p.m.; Saturday-Sunday, noon-5 p.m. 538 Ninth St., Oakland. (510) 465-8770, www.mocha.org.< 

OAKLAND MUSEUM OF CALIFORNIA  

ONGOING EVENTS --  

"Art a la Carte," Wednesdays, 12:30 p.m. Art docents offer a variety of specialized tours focusing on one aspect of the museum's permanent collection. Free with museum admission.  

"Online Museum," Thursdays, 1 p.m. to 4 p.m. Explore the museum's collection on videodisks in the History Department Library.  

Docent Gallery Tours, Saturday and Sunday, 1:30 p.m. 

"Explore our New Gallery," through Dec. 2. The new Gallery of California Art showcases more than 800 works from OMCA's collection-one of the largest and most comprehensive holdings of California art in the world.  

"Gallery of California History," through Dec. 2. This new gallery is based on the theme of Coming to California.  

OPENING -- "Pixar: 25 Years of Animation," through Jan. 9. Exhibition presents an unprecedented look at the Emeryville-based animation company.  

$5-$8; free for children ages 5 and under; free to all on the second Sunday of the month. Special events are free with museum admission unless noted otherwise. Wednesday-Saturday, 10 a.m.-5 p.m.; Sunday, noon-5 p.m.; first Friday of the month, 10 a.m.-9 p.m. 1000 Oak St., Oakland. (510) 238-2200, www.museumca.org.< 

PARDEE HOME MUSEUM The historic Pardee Mansion, a three-story Italianate villa built in 1868, was home to three generations of the Pardee family who were instrumental in the civic and cultural development of California and Oakland. The home includes the house, grounds, water tower and barn. Reservations recommended. 

EVENTS --  

$5; free children ages 12 and under. House Tours: Monday-Saturday, 10 a.m.-4 p.m.; Sundays by appointment. 672 11th St., Oakland. (510) 444-2187, www.pardeehome.org.< 

SAN LEANDRO HISTORY MUSEUM AND ART GALLERY The museum showcases local and regional history and serves as a centerpiece for community cultural activity. There are exhibits on Ohlone settlements, farms of early settlers, and contributions of Portuguese and other immigrants. There will also be exhibits of the city's agricultural past and the industrial development of the 19th century.  

ONGOING EXHIBIT --  

"Yema/Po Archeological Site at Lake Chabot," An exhibit highlighting artifacts uncovered from a work camp of Chinese laborers, featuring photomurals, cutouts and historical photographs. 

Free. Thursday-Sunday, 11 a.m.-3 p.m. 320 West Estudillo Ave., San Leandro. (510) 577-3990, www.ci.sanleandro. ca.us/sllibrarymuseum.html.< 

SHADELANDS RANCH HISTORICAL MUSEUM Built by Walnut Creek pioneer Hiram Penniman, this 1903 redwood-framed house is a showcase for numerous historical artifacts, many of which belonged to the Pennimans. It also houses a rich archive of Contra Costa and Walnut Creek history in its collections of old newspapers, photographs and government records. 

EXHIBITS --  

$1-$3; free-children under age 6. Wednesday and Sunday, 1 p.m.-4 p.m.; Closed in January. 2660 Ygnacio Valley Road, Walnut Creek. (925) 935-7871, www.ci.walnut-creek.ca.us.< 

SMITH MUSEUM OF ANTHROPOLOGY AT CALIFORNIA STATE UNIVERSITY, HAYWARD The museum houses significant collections of archaeological and ethnographic specimens from Africa, Asia and North America and small collections from Central and South America. The museum offers opportunities and materials for student research and internships in archaeology and ethnology. 

SPECIAL EXHIBITS --  

Free. Monday-Friday, 10 a.m.-4 p.m. Meiklejohn Hall, Fourth Floor, 25800 Carlos Bee Blvd., Hayward. (510) 885-3104, (510) 885-7414, www.isis.csuhayward.edu/cesmith/acesmith.html.< 

UNIVERSITY OF CALIFORNIA, BERKELEY HEARST MUSEUM OF ANTHROPOLOGY  

ONGOING EXHIBITS --  

"Native California Cultures," This is an exhibit of some 500 artifacts from the museum's California collections, the largest and most comprehensive collections in the world devoted to California Indian cultures. The exhibit includes a section about Ishi, the famous Indian who lived and worked with the museum, Yana tribal baskets and a 17-foot Yurok canoe carved from a single redwood.  

"Recent Acquisitions," The collection includes Yoruba masks and carvings from Africa, early-20th-century Taiwanese hand puppets, textiles from the Americas and 19th- and 20th-century Tibetan artifacts.  

"From the Maker's Hand: Selections from the Permanent Collection," This exhibit explores human ingenuity in the living and historical cultures of China, Africa, Egypt, Peru, North America and the Meditteranean. 

$1-$4; free for children ages 12 and under; free to all on Thursdays. Wednesday-Saturday, 10 a.m.-4:30 p.m.; Sunday, noon-4:30 p.m. 103 Kroeber Hall, Bancroft Way and College Avenue, Berkeley. (510) 643-7648, www.hearstmuseum.berkeley.edu.< 

UNIVERSITY OF CALIFORNIA, BERKELEY MUSEUM OF PALEONTOLOGY  

"Tyrannosaurus Rex," A 20-foot-tall, 40-foot-long replica of the fearsome dinosaur. The replica is made from casts of bones of the most complete T. Rex skeleton yet excavated. When unearthed in Montana, the bones were all lying in place with only a small piece of the tailbone missing.  

"Pteranodon," A suspended skeleton of a flying reptile with a wingspan of 22 to 23 feet. The Pteranodon lived at the same time as the dinosaurs.  

"California Fossils Exhibit," An exhibit of some of the fossils that have been excavated in California. 

Free. During semester sessions, hours generally are: Monday-Thursday, 8 a.m.-10 p.m.; Friday, 8 a.m.-5 p.m.; Saturday, 10 a.m.-5 p.m.; Sunday, 1 p.m.-10 p.m. Hours vary during summer and holidays. Lobby, 1101 Valley Life Sciences Building, #4780, University of California, Berkeley. (510) 642-1821, www.ucmp.berkeley.edu.< 

USS HORNET MUSEUM Come aboard this World War II aircraft carrier that has been converted into a floating museum. The Hornet, launched in 1943, is 899 feet long and 27 stories high. During World War II she was never hit by an enemy strike or plane and holds the Navy record for number of enemy planes shot down in a week. In 1969 the Hornet recovered the Apollo 11 space capsule containing the first men to walk on the moon, and later recovered Apollo 12. In 1991 the Hornet was designated a National Historic Landmark and is now docked at the same pier she sailed from in 1944. Today, visitors can tour the massive ship, view World War II-era warplanes and experience a simulated aircraft launch from the carrier's deck. Exhibits are being added on an ongoing basis. Allow two to three hours for a visit. Wear comfortable shoes and be prepared to climb steep stairs or ladders. Dress in layers as the ship can be cold. Arrive no later than 2 p.m. to sign up for the engine room and other docent-led tours. Children under age 12 are not allowed in the Engine Room or the Combat Information Center.  

ONGOING EVENTS --  

"Limited Access Day," Due to ship maintenance, tours of the navigation bridge and the engine room are not available. Tuesdays.  

"Flight Deck Fun," A former Landing Signal Officer will show children how to bring in a fighter plane for a landing on the deck then let them try the signals themselves. Times vary. Free with regular Museum admission.  

"Protestant Divine Services," Hornet chaplain John Berger conducts church services aboard The Hornet in the Wardroom Lounge. Everyone is welcome and refreshments are served immediately following the service. Sundays, 11 a.m. 

SPECIAL EVENTS -- Closed on New Year's Day.  

"Living Ship Day," Experience an aircraft carrier in action, with simulated flight operations as aircraft are lifted to the flight deck and placed in launch position. Some former crewmembers will be on hand. 

"Flashlight Tour," Receive a special tour of areas aboard the ship that have not yet been opened to the public or that have limited access during the day. 

"Family Day," Discounted admission for families of four with a further discount for additional family members. Access to some of the areas may be limited due to ship maintenance. Every Tuesday. $20 for family of four; $5 for each additional family member. 

"Living Ship: 65th Anniversary of the end of World War II," Aug. 14. Commemorate the end of the second world war and learn about the USS Hornet's contribution's to the Pacific Theater and VJ day. 

$6-$14; free children age 4 and under with a paying adult. Daily, 10 a.m.-4 p.m. Pier 3 (enter on Atlantic Avenue), Alameda Point, Alameda. (510) 521-8448, www.uss-hornet.org.<

COUNTERPULSE  

"'Hot Wings' and 'Tell Them That You Saw Me'," through Aug. 8, Thursday-Saturday, 8 p.m.; Sunday, 3 p.m. New works by Laura Arrington and Jesse Hewit/Strong Behavior.  

1310 Mission St., San Francisco. (415) 626-2060, www.counterpulse.org.< 

PENA PACHAMAMA  

"Flamenco Thursdays" with Carola Zertuche, Thursdays, 8:30 p.m. Music and dance with performers of traditional flamenco. $10.  

Georges Lammam Ensemble, Sundays, 8:30 p.m. Event features music and dancing from the Middle East. $10.  

For ages 21 and older. 1630 Powell St., San Francisco. (415) 646-0018, www.penapachamama.com.< 

STERN GROVE FESTIVAL The annual summer performing arts festival takes place in the outdoor amphitheater of Sigmund Stern Grove and features popular and classical music by Bay Area, national and international performers. 

"San Francisco Ballet," Aug. 8, 2 p.m. The San Francisco Ballet, led by Artistic Director Helgi Tomasson, will perform highlights from the current season's repertory. Free.  

Free. Sundays, 2 p.m. Sigmund Stern Grove, 19th Avenue and Sloat Boulevard, San Francisco. (415) 252-6252, www.sterngrove.org.<

ACTORS THEATRE OF SAN FRANCISCO  

"Cat on a Hot Tin Roof," through Sept. 4, Wednesday-Saturday, 8 p.m. A wealthy Southern family deals with a shocking revelation. $26-$38.  

855 Bush St., San Francisco. (415) 345-1287, (866) 468-3399, www.actorstheatresf.org or www.ticketweb.com.< 

BEACH BLANKET BABYLON This long-running musical follows Snow White as she sings and dances her way around the world in search of her prince. Along the way she encounters many of the personalities in today's headlines, including Nancy Pelosi, Condoleezza Rice, Arnold Schwarzenegger, Harry Potter, Tiger Woods, Oprah Winfrey, Britney Spears, Dianne Feinstein, Barbara Boxer, Hillary Clinton, George and Laura Bush, Michael Jackson, Martha Stewart, Tom Cruise, Angelina, characters from Brokeback Mountain and Paris Hilton. Persons under 21 are not admitted to evening performances, but are welcome to Sunday matinees. 

"Steve Silver's Beach Blanket Babylon," Wednesday and Thursday, 8 p.m.; Friday and Saturday, 6:30 p.m. and 9:30 p.m.; Sunday, 2 p.m. and 5 p.m.  

$25-$78. Club Fugazi, 678 Beach Blanket Babylon Blvd. (formerly Green Street), San Francisco. (415) 421-4222, www.beachblanketbabylon.com.< 

CHANCELLOR HOTEL UNION SQUARE  

"Eccentrics of San Francisco's Barbary Coast," Friday and Saturday, 8 p.m. Audiences gather for a 90-minute show abounding with local anecdotes and lore presented by captivating and consummate conjurers and tale-tellers. $30.  

433 Powell St., San Francisco. (877) 784-6835, www.chancellorhotel.com.< 

CLIMATE THEATRE  

"The Clown Cabaret at the Climate," First Monday of the month, 7 and 9 p.m. Hailed as San Francisco's hottest ticket in clowning, this show blends rising stars with seasoned professionals on the Climate Theater's intimate stage. $10-$15.  

285 Ninth St., Second Floor, San Francisco. www.climatetheater.com.< 

EUREKA THEATRE  

CLOSING -- "Piaf: Love Conquers All," through Aug. 7, Tuesday-Friday, 8 p.m.; Saturday, 3 and 8 p.m. Naomi Emmerson stars in this musical tribute. $25-$36.  

215 Jackson St., San Francisco. (415) 255-8207, (415) 978-2787, www.42ndstmoon.org/42newweb/finding/eureka.htm or www.ticketweb.com/.< 

EXIT THEATRE  

"Obscura -- A Magic Show," through Aug. 14, Thursday-Saturday, 8 p.m. Featuring illusionist Christian Cagigal. $15-$25.  

"Agnes the Barbarian," by Jason Harding, through Aug. 14, Thursday-Sunday, 8 p.m. Thunderbird Theatre Company presents an original play that is part homage, part lampoon of the sword and sorcery genre. $20-$25.  

156 Eddy St., San Francisco. (415) 673-3847, www.theexit.org.< 

KIMO'S BAR  

"Fauxgirls," Every third Saturday Drag cabaret revue features San Francisco's finest female impersonators.  

1351 Polk St., San Francisco. (415) 885-4535, www.denkitiger. com/.< 

THE MARSH  

"The Mock Cafe," Stand-up comedy performances. Saturday, 10 p.m. $7.  

"The Monday Night Marsh," An ongoing series of works-in-progress. Monday, 8 p.m. $7.  

EXTENDED -- "The Real Americans," by Dan Hoyle, through Sept. 25, Thursday and Friday, 8 p.m.; Saturday, 5 p.m.; Sunday, 3 p.m. Hoyle connects liberal city life with small-town America. $18-$50.  

1062 Valencia St., San Francisco. (415) 826-5750, www.themarsh.org.< 

OFF-MARKET THEATER  

"City Solo," through Aug. 22, Sunday, 7 p.m. Aug. 1 show features Mary Samson's "Bedside Drawer,'' Thao P. Nguyen "Fortunate Daughter,'' Howard Petrick's "Rambo: The Missing Years'' and Zahra Noorbahksh's "All Atheists Are Muslim.'' $15-$20.  

965 Mission St., San Francisco. < 

OUR LITTLE THEATER  

"What Mama Said About Down There," through Aug. 28, Thursday-Saturday, 8 p.m. An "educational show'' for ages 18 and up. $15.  

287 Ellis St., San Francisco. (415) 928-4060.< 

PHOENIX THEATRE  

"This World is Good," by J.C. Lee, through Aug. 28, Thursday-Saturday, 8 p.m. Sleepwalkers Theatre presents part one of their three-part apocalypse series. $18-$24.  

414 Mason St., Sixth Floor, San Francisco. (800) 838-3006, www.offbroadwaywest.org.< 

RRAZZ ROOM AT HOTEL NIKKO  

Marilu Henner, Aug. 6 through Aug. 8, 7 p.m. Henner performs a one-woman show. $40.  

222 Mason St., San Francisco. (415) 394-1111, www.therrazzroom.com.< 

SAN FRANCISCO COMEDY COLLEGE CLUBHOUSE (800) 838-3006, www.clubhousecomedy.com.  

"Hump Day Comedy," Host Rich Stimbra and a variety of stand-up comics will get you over the Wednesday work hump. BYOB for 21 and over. Wednesday, 8 p.m. $5. 

"Naked Comedy," A comedy showcase featuring some of the best comedians in San Francisco. BYOB for 21 and over. Saturdays, 9 p.m. $10. 

414 Mason St., Suite 705, San Francisco. (415) 921-2051, www.sfcomedycollege.com.< 

SAN FRANCISCO PUBLIC LIBRARY, NORTH BEACH BRANCH Program is held and DiMaggio Clubhouse. 

The Sit-Down Readers' Theatre Presents: "Ah, Wilderness!'' Aug. 7, 2 p.m. Join us for a reading of Eugene O'Neill's comedy which first premiered in 1933. Choose a part to read, if you like.  

Free. Monday, noon to 6 p.m.; Tuesday, 10 a.m. to 9 p.m.; Wednesday, 1 p.m. to 9 p.m.; Thursday, 10 a.m. to 6 p.m.; Friday and Saturday, 1 p.m. to 6 p.m. DiMaggio Clubhouse, 661 Lombard Street, San Francisco. (415) 355-5626, www.sfpl.org.< 

SHELTON THEATER  

"Shopping! The Musical," by Morris Bobrow, A quick-paced musical about those obsessed with buying things. Friday-Saturday, 8 p.m. $27-$29. www.shoppingthemusical.com. 

Big City Improv, Friday, 10 p.m. $20. (510) 595-5597, www.bigcityimprov.com. 

533 Sutter St., San Francisco. (415) 433-1227, www.sheltontheater.com or www.sheltontheater.com.< 

STAGE WERX THEATRE  

"Nymph O' Mania," by Morgan Ludlow, through Aug. 15, Thursday-Saturday, 8 p.m. Willy West Productions presents a modern twist on "A Midsummer Night's Dream.'' $12-$24.  

533 Sutter Street, San Francisco. < 

VICTORIA THEATRE  

OPENING -- "Sex Tapes for Seniors," by Mario Cossa, through Aug. 22, August and September: Friday, 8 p.m., Saturday, 7 p.m. A group of retirees produces educational sex videos for seniors despite protests from their families and the community.  

2961 16th St., San Francisco. www.victoriatheatre.org.< 

YERBA BUENA GARDENS  

"San Francisco Theater Festival," Aug. 8. An annual event that promotes the region's many live stage theaters to a broad and diverse audience, with performances taking place indoors and outdoors at the Yerba Buena Gardens arts complex, as well as the Metreon, YBCA, SPUR and the California Historical Society. Check website for full details. Free. www.sftheaterfestival.org. 

701 Mission St., Mission St. between 3rd and 4th streets, San Francisco. (415) 543-1718, www.ybgf.org.<

924 GILMAN ST. -- All ages welcome. 

The Body, Agrimonia, Alaric, Earslaughter, Aug. 6, 7:30 p.m. Performance. $8.  

Skank Agents, Handlebarz, Crucial Point, Rodents of Unusual Size, Seduce The Dead, Aug. 7, 7 p.m. Performance. $8.  

Fang, Oppressed Logic, Sex Offenders, Hewhocannotbenamed, Gutwrench, Aug. 13, 7:30 p.m. $10.  

$5 unless otherwise noted. Shows start Friday and Saturday, 8 p.m.; Sunday, 5 p.m. unless otherwise noted. 924 Gilman St., Berkeley. (510) 525-9926, www.924gilman.org.< 

ALBATROSS PUB  

Whiskey Brothers, First and third Wednesdays, 9 p.m. Free.  

Larry Stefl Jazz Quartet, Aug. 7, 9:30 p.m. $3.  

Free unless otherwise noted. Shows begin Wednesday, 9 p.m.; Saturday, 9:30 p.m. unless otherwise noted. 1822 San Pablo Ave., Berkeley. (510) 843-2473, www.albatrosspub.com.< 

ARMANDO'S  

Curios, Aug. 6, 8 p.m. $10.  

Elite Jazz Band, Aug. 7, 8 p.m. $10.  

Blues Jam, Aug. 9, 7-10 p.m. $3; 21+  

West Coast Songwriter's Association Competition, Aug. 11, 7-10 p.m. Songwriters Competition. $5; 21+  

Duo Gadjo and Friends, Aug. 12, 8-10 p.m. Performance. $10; 21+  

Tippy Canoe and Mikie Lee Prasad, Aug. 13, 8-11 p.m. Performance. $10; 21+ 

The Steve Freund Duo, Aug. 14, 8-11 p.m. Performance. $10; 21+  

The Lowell Trio, Aug. 15, 3-6 p.m. Performance. $10; 21+  

707 Marina Vista Ave., Martinez. (925) 228-6985, www.armandosmartinez.com.< 

ASHKENAZ  

Great American Taxi, The Congress, Aug. 6, 9:30 p.m. $15.  

Tito y Su Son de Cuba, Aug. 7, 9:30 p.m. $10-$13.  

Riffat Sultana and Party, Aug. 8, 8 p.m. $10-$12.  

Andrew Carriere and the Zydeco/Cajun Allstars, Aug. 10, 8:30 p.m. Show at 8:30; Cajun/Zydeco dance lesson at 8 p.m. $10.  

Dedicated Maniacs and Howdy, Aug. 12, 9 p.m. Performance. $8-$10.  

Swingthing, Aug. 13, 9 p.m. Show at 9 p.m.; Swing dance lesson at 8 p.m. $10-$13.  

Don Carlos and The Reggae Angels, Aug. 14. $20-$25.  

1317 San Pablo Ave., Berkeley. (510) 525-5054, www.ashkenaz.com.< 

BECKETT'S IRISH PUB  

3 Shots of Whiskey, Aug. 6 and Aug. 7, 10 p.m. Performance. Free.  

SpearCracker, Aug. 8, 10 p.m. Performance. Free.  

Fun With Finnoula, Aug. 11, 10 p.m. Performance. Free.  

Roger Rocha and the Goldenhearts, Aug. 12, 10 p.m. Performance. Free.  

Justin Anchetta, Aug. 13, 10 p.m. Performance. Free.  

Feelosophy, Aug. 14, 10 p.m. Performance. Free.  

Free. Shows at 10 p.m. unless otherwise noted. 2271 Shattuck Ave., Berkeley. (510) 647-1790, www.beckettsirishpub.com.< 

BLAKE'S ON TELEGRAPH  

Moksha, Jennifer Hartswick, through Aug. 7, 9 p.m. $15-$20.  

Shake Me!, Punk Funk Mob, Mama Hagglin', Dan Eagan, Aug. 14, 9 p.m. $8-$10; 18+  

For ages 18 and older. Music begins at 9:30 p.m. unless otherwise noted. 2367 Telegraph Ave., Berkeley. (510) 848-0886, www.blakesontelegraph.com.< 

CRANEWAY PAVILION  

"Global Sol," Aug. 6 and Aug. 7, 7 p.m. Festival features Arrested Development, Hamsa Lila, EOTO, Ernest Ranglin, Afrolicious and more. $35-$130.  

1414 Harbour Way South, Richmond. (510) 735-1133, www.craneway.com.< 

ERA ART BAR AND LOUNGE  

Carne Cruda, Aug. 6, 7 p.m. $5.  

19 Grand Ave., Oakland. (510) 832-4400, www.oaklandera.com.< 

FOX THEATER  

Crystal Castles, Rusko, Sinden, Proxy, Aug. 6, 7 p.m. $29.50-$35.  

Natalie Merchant, Aug. 11, 8 p.m. $45-$59.50.  

1807 Telegraph Ave., Oakland. (510) 452-0438.< 

FREIGHT AND SALVAGE  

"Freight Open Mic," Tuesdays. $4.50-$5.50.  

Anais Mitchell, Aug. 6. $18.50-$19.50.  

49 Special, Aug. 7. $18.50-$19.50.  

Renold and Caution Shonhai, Erica Azim, Aug. 8. $18.50-$19.50.  

Cindy Combs, Stephen Inglis, Aug. 12, 8 p.m. Performance. $18.50-$19.50.  

Livingston Taylor, Aug. 13, 8 p.m. Performance. $22.50-$23.50.  

New Directions, Jody Stecher, Aug. 14, 8 p.m. Indian classical double bill: ensemble exploring acoustic ecstatic edge. $18.50-$19.50.  

Music starts at 8 p.m. unless otherwise noted. 2020 Addison St., Berkeley. (510) 548-1761, www.freightandsalvage.org.< 

GREEK THEATRE  

Phish, through Aug. 7, Friday, 6:30 p.m.; Saturday and Sunday, 7 p.m.  

$50.  

Hearst Avenue and Gayley Road, Berkeley. (510) 548-3010, www.apeconcerts.com.< 

JACK LONDON SQUARE  

"Lunchtime Live," through Aug. 27, Noon. August 6: Pulama  

August 10: Midlife Crisis  

August 13: Girl Talk  

Jonathan Stein Quartet, Aug. 6, 8 p.m.  

free. Foot of Broadway, Oakland. (866) 295-9853, www.jacklondonsquare.com.< 

JUPITER  

"Americana Unplugged," Sundays, 5 p.m. A weekly bluegrass and Americana series.  

"Jazzschool Tuesdays," Tuesdays, 8 p.m. Featuring the ensembles from the Berkeley Jazzschool. www.jazzschool.com. 

8 p.m. 2181 Shattuck Ave., Berkeley. (510) 843-8277, www.jupiterbeer.com.< 

KIMBALL'S CARNIVAL  

"Monday Blues Legends Night," 8 p.m.-midnight. Enjoy live blues music every Monday night. Presented by the Bay Area Blues Society and Lothario Lotho Company. $5 donation. (510) 836-2227, www.bayareabluessociety.net. 

522 2nd St., Jack London Square, Oakland. < 

LA PENA CULTURAL CENTER  

Slammin' Aug. 7, 8 p.m. $20-$25.  

"Annette A. Aguilar & StringBeans, " Aug. 13, 8 p.m. Performance. $15-$20.  

Copywrite, The Understudies, Aug. 14, 8 p.m. Performance. $7; $5 with RSVP on Facebook.  

free. 3105 Shattuck Ave., Berkeley. (510) 849-2568, www.lapena.org.< 

LOS CENZONTLES MEXICAN ARTS CENTER  

Laurie Lewis and Tom Rozum, Aug. 14, 7 p.m. Third concert in Roots music series. $5.  

13108 San Pablo Ave., San Pablo. (510) 233-8015, www.loscenzontles.com.< 

OAKLAND PUBLIC LIBRARY, GOLDEN GATE BRANCH  

Faye Carroll and Kito, Aug. 8. Free; donations welcome.  

Terry Hilliard Quartet, Aug. 15. Performance. Free; donations welcome.  

Free. Tuesday, 12:30 p.m. to 8 p.m.; Wednesday, Thursday and Saturday, 10 a.m. to 5:30 p.m.; Friday, noon to 5:30 p.m. 5606 San Pablo Ave., Oakland. (510) 597-5023, www.oaklandlibrary.org.< 

ROUND TABLE PIZZA  

East Bay Banjo Club, Tuesdays, 7:30-9:30 p.m. Free.  

1938 Oak Park Blvd., Pleasant Hill. (925) 930-9004.< 

SHATTUCK DOWN LOW  

"Live Salsa," Wednesdays. An evening of dancing to the music of a live salsa band. Salsa dance lesson from 8:30-9:30 p.m. $5-$10.  

"Thirsty Thursdays," Thursday, 9 p.m. Featuring DJ Vickity Slick and Franky Fresh. Free.  

Kraddy, Lazer Sword, J Tonal, Majitope, Aug. 6, 9 p.m. $10-$15.  

Sotaque Baiano, DJ Reuben Kroy, Eder, Abel Damaceno, Aug. 7, 9 p.m. $10.  

King of Kings, Aug. 8, 9 p.m. Roots, Rock, Reggae. $5-$10.  

Azabache, Aug. 11, 8 p.m. Live salsa and dance lessons from 8:30 p.m. -9:30 p.m. $10.  

The Grouch, Aug. 12, 9 p.m. Live hip-hop performances. $15-$20.  

DJ Smoke One, DJ Serg, DJ Jah Kno, Aug. 14, 9 p.m. Only the classics from the 80's and 90's. $5.  

DJ Smoke One, Element, Aug. 15, 9 p.m. Roots, Rock, Reggae. $5-$10.  

For ages 21 and older. 2284 Shattuck Ave., Berkeley. (510) 548-1159, www.shattuckdownlow.com.< 

SLEEP TRAIN PAVILION AT CONCORD  

"Mount Diablo Jazz Festival," Aug. 14, 4 p.m. Festival features Tower of Power, George Benson, Natalie Cole, Brian Culbertson, Lucy Woodward and more.  

2000 Kirker Pass Road, Concord. www.livenation.com/.< 

STARRY PLOUGH PUB  

The Starry Irish Music Session led by Shay Black, Sundays, 8 p.m. Sliding scale.  

For ages 21 and over unless otherwise noted. Sunday and Wednesday, 8 p.m.; Thursday-Saturday, 9:30 p.m. unless otherwise noted. 3101 Shattuck Ave., Berkeley. (510) 841-2082, www.starryploughpub.com.< 

UPTOWN NIGHTCLUB  

The Frail, Stripmall Architecture, Buddy Akai, Ted Nessith, Aug. 6, 9 p.m.  

Free.  

Hunx and his Punx, Tropical Sleep, Wrong Words, Aug. 7, 9 p.m. $8.  

Oakland Active Orchestra, Aug. 10, 9 p.m. Experimental/Jazz. Free.  

Soul Clap, Aug. 12, 9 p.m. Dance Competition with host DJ Jonathan Toubin. $5.  

House of Usher, Aug. 13 and Aug. 14, 8 p.m. Gothic/Industrial/EBM. $10-$15.  

1928 Telegraph Ave., Oakland. (510) 451-8100, www.uptownnightclub.com.< 

YOSHI'S  

Gerald Albright, Aug. 6 through Aug. 8, Friday and Saturday, 8 and 10 p.m.; Sunday, 2 and 7 p.m. Smooth jazz saxophonist. $5-$28.  

Toumani Diabate and the Symmetric Orchestra, Aug. 13 through Aug. 15, Friday and Saturday, 8 and 10 p.m.; Sunday, 2 and 7 p.m. A group mixing African tradition and modern sounds. $5-$30.  

Shows are Monday through Saturday, 8 and 10 p.m.; Sunday, 2 and 7 p.m., unless otherwise noted. 510 Embarcadero West, Oakland. (510) 238-9200, www.yoshis.com.< 

ZELLERBACH HALL AT THE UNIVERSITY OF CALIFORNIA, BERKELEY  

Orquesta Aragon, Aug. 13, 8 p.m. $35-$65.  

UC Berkeley campus, Bancroft Way and Telegraph Avenue, Berkeley. (510) 642-9988.<

"Nobody would ever call you the ethereal sort!" An arch gathering of English types, intent on having fun at a medium's expense—while one hopes to pick up a few quotable mannerisms for his book—prove the conduit from the beyond, as author Charles Condomine (Stanley Spenger) finds himself a flesh-and-blood bigamist when his late wife Elvira (Erin J. Hoffman) is summoned by Madame Arcati (Chris Macomber), making an unwitting menage-a-trois that seriously challenges his second marriage to Ruth (Shannon Veon Kase), in Noel Coward's preternaturally funny Blithe Spirit by Actors Ensemble of Berkeley at Live Oak Theater (1301 Shattuck at Berryman), Fridays and Saturdays at 8 through August 21. ($12-$15; 649-5999; aeofberkeley.org) 

Not so serious a thing for the audience, which finds itself throughout in stitches. Blithe Spirit, along with Hay Fever and Private Lives, is not only among his favorite plays, but is a perennial for community theater, too. Director Hector Correa has his own slant on Coward's signature trick, conjuring humor from a stream of seemingly innocuous words issuing forth over some not-so-innocent conundrum. That slight shift of perspective is enough to refresh an old chestnut that's nonetheless a very funny one, in the right hands. 

And A. E. of Berkeley has cast the show just right: Stan Spenger shines—or rather shimmers—in his portrayal of a privileged, rather complaisant fellow, till he's double-henpecked in the flesh by both astral and terrestrial brides. Erin Hoffman, as Elvira, is either a girlishly charming ghost or spoiled brat apparition, with a deadly scheme up her sleeve to reunite with Charles. ("I may be an illusion, but I'm most definitely here!") Shannon Veon Kase, all business and sympathy as Ruth, till Elvira dances into the scene from the Other Side, delineates a meltdown very nicely. 

There's a kind of second threesome superimposed on the first, Charles caught in the middle of both: bicycling medium Madame Arcati, usually performed as pleasantly dotty, is rendered as imperious by Chris Macomber in quite a turn, feet planted firmly on the ground, though of which world it's never certain. At the other end of the scale, Edith, the eccentrically martial maid, portrayed by Jody Christian, who syncopates the action with her own delightfully nutty physical comedy, reveals a strange sensitivity that undercuts the upper crust's game-playing with life-after-death. Like many a murder mystery, but funnier, the question remains: Did the maid do it? 

John F. Hurst as Dr. Bradman and Jeanette Sarmiento as his wife Violet provide fine thespic balance as the "normal" Brits-Next-Door, invited into a seance—and a whole lot more. 

With Helen Slomowitz's always-illuminating costuming, and a fine set by Rose Anne Raphael perfectly lit by Alecks Rundell, Blithe Spirit proceeds to the strains of "Always"—"Don't play 'Always'!"—on the gramphone, with the audience roaring, unlikely to complain, "You won't let me have a hallucination!"  

A group of current and former UCLA students, living locally during the summer, provided Berkeley with a most charming and vigorous dramatic interlude this past week. 

The two dozen thespians staged several free performances of their own interpretation of “A Midsummer Night’s Dream” at John Hinkel Park. We saw the Thursday, July 29, show. 

There were no handbills or programs distributed or posted, so I can’t credit the actors by name. But there were some standouts. One indefatigable actor played Puck with creativity and manic poise (unfortunately, this being Berkeley, he performed in a manner uncannily reminiscent of a genuine lunatic who lives in our neighborhood. Oh well).  

A barrel-chested, stentorian, Bottom chewed up the scenery—a considerable task in a seven acre wooded park. The young women who played Helena and Hermia were extremely capable and convincing in their roles, particularly the former. The whole play-within-a-play—the absurd, doomed, courtship of "Pyramus and Thisby”—was a comic triumph by the entire cast. 

The production was undertaken almost entirely without artificial staging or ornate costumes. Lighting was a single street lamp. A few bales of hay, a single machete, a couple of torches, and branches and vines plucked from the local flora were about it in the prop department.  

Costumes consisted of current clothing thrown together to suggest characterizations, not elaborately designed, and for several scenes the cast and musicians reduced clothing to a rustic, bawdy, minimum—a literally chilling experience for these southerners who may not have been used to Berkeley’s foggy summer nights.  

Much of the cast performed barefoot. As the evening wore on, most of the audience probably pitied the young men and women who had to lie half-naked on the cold concrete, feigning sweet oblivion, for extended periods of time during the performance. 

The group made full and creative use of the setting. The play wove through the amphitheater, the surrounding slopes, and paths. Actors energetically romped up and down the seating tiers and side trails and took advantage of almost every wall, tree, thicket, and ivy tangle around the site. 

Particularly effective were the moments when cast members disappeared—often at a run or a bound—up the trails into the woods, carrying on singing or dialogue in the distance. The wooded ravines of John Hinkel Park proved an especially expressive Forest of Arden. 

In a way, despite the self-imported cast, the whole show was a turn back to Berkeley’s earlier days when amateur theatricals were common in the parks, churches, and community halls of the town.  

Although today’s renowned professional California Shakespeare Festival evolved and played for years in the same John Hinkel Park amphitheater—I imagine they also did “A Midsummer Night’s Dream” here—back when this arena was built, a considerable amount of live entertainment was provided by talented local amateurs.  

Community and club theatricals offered diversions to Berkeley residents in the era before movies, and then again before television. The City, for a time, sponsored dramatic competitions between home grown groups. All-volunteer pageants and performances were part of local life, from springtime to Christmas season, and many of them were held outdoors in spaces like these. 

This particular, well-loved, Shakespearean comedy has been done many times in Berkeley over the years. This event was the most recent installment in a notable sequence. 

Perhaps the most elaborate was in 1934 when Austrian impresario Max Reinhardt took the advice of one of his assistants, Berkeleyean Catherine Sibley, and brought his famous extravaganza of the play to not only San Francisco’s opera house but also the UC Berkeley campus. Reinhardt staged the first act in Faculty Glade; the cast, bearing lighted torches, then led the audience to the Greek Theatre for the second act.  

Olivia De Haviland (Helena) and Mickey Rooney (Puck) and James Cagney (Bottom) were featured in that live performance, which was later made into a classic film. 

Like this July’s performers, the 1934 show traveled up from Los Angeles, although one of the stars was homegrown. De Haviland, from Saratoga, had just been “discovered” and this was a breakthrough major professional role. 

How many Berkeley locals enjoyed the reprise last week? I don’t know, but not enough. At the Thursday night performance there were only about 60-70 spectators, and conversation in the crowd indicated that at least some of them had traveled up from Los Angeles to see their friends perform. I hope more Berkeleyans attended the weekend shows. 

We learned about the performances from a mention on the Berkeleyside blog. See http://www.berkeleyside.com/2010/07/23/guerrilla-shakespeare-in-john-hinkel-park/ 

That post provides more information on the group that staged the performance.

This week, normally the high summer layover, will see a slew of activity onstage. Shotgun's opening The Norman Conquests, Alan Ayckbourn's trilogy, directed by Joy Carlin, on Friday, and Woodminster mounts that perennial summer favorite, The Music Man, in the glades of Joaquin Miller Park in the Oakland Hills, directed by Joel Schlader, with choreography by Harriet Schlader (Sadly, her husband James, co-founder with Harriet of Woodminster musicals almost a half-century ago, died in May). 

In the city there's Anthony Clarvoe's Show & Tell at the Thick House on Potrero Hill, put on by Symmetry Theatre Co., attempting to redress the lopsided numbers, male to female, in contemporary playwrighting and casting. Also, on the old vaudeville stage of the Victoria Theatre, 16th & Mission, SexTapes for Seniors, featuring some local musical comedy talent, including Nancy Shneiderman of Berkeley. 

In Castro Valley at Chanticleers, Marty Nemko directs real-life husband and wife Chris Chapman and Sue Trigg in Neil Simon's estimable Broadway Bound. 

And--while Blithe Spirit continues onstage at Live Oak Theatre--Actors Ensemble's finishing up their staged reading series with An Evening of Short Pieces Referencing Shakespeare, directed by Alan Barkan (Tuesday, August 3 at 8; pay what you can)--and An Evening with Oscar Wilde, with two unusual Wilde one-acts, "The Florentine Tragedy" and "The woman Covered With Jewels," directed by Robert Estes--and Oscar's tale of Shakespeare's Sonnets and literary forgery, "The Portrait of Mr. W. H.~as recounted by Oscar Wilde," adapted and directed by this reviewer, featuring Howard Dillon of Wilde Irish as Oscar himself. Sunday, August 8 at 6 p. m. $8--all at Live Oak Theater, 1301 Shattuck @ Berryman. (aeofberkeley.org; Brown Paper Tickets) 

“If you want peace, work for justice.” 

Henry Louis Mencken (1880-1956) 

Thanks to my colleague and friend, California Senior Legislator 

Joanna Kim-Selby, for checking the following Elder justice update.  

In July 2010, the United States Department of Health and Human Services announced the establishment of the Advisory Board on Elder Abuse, Neglect and Exploitation. Creation of this Board was part of the Elder Justice Act passed earlier in 2010. The Advisory Board will be creating both short and long-term multidisciplinary strategic plans for the development of the field of elder justice in the U.S. It will examine relevant research and identify best practices and make recommendations to the Elder Justice Coordinating Council and to Congress regarding improving and enhancing federal, state, and local elder justice programs, research, training and coordination.  

If you would like to be recommended for this Board by the EJC, send a brief bio to the Council at once. Nominations (including self-nominations) should be submitted to Edwin Walker, Deputy Assistant Secretary for Program Operations, Department of Health and Human Services, Administration on Aging, Washington, DC 20201, no later than August 15, 2010.  

The Congressional Report on the Feasibility of Establishing a Uniform National Database on Elder Abuse was recently released, the result of the passage by Congress of a small portion of the Elder Justice Act in 2006. The study was to develop a system of elder abuse data collection that produces accurate and easily accessible data and therefore ensure an appropriate systematic legislative response to the overall problem. The major points include: 

• Current research indicates that the problem of elder abuse is largely unreported.  

• Little progress has been made and data continue to be collected via numerous agencies using inconsistent definitions for the data.  

• The two primary options for the study are 1) a national prevalence study to determine how many older adults are abused, and 2) a nationally coordinated administrative dataset to examine the outcomes of services and interventions after abuse is reported.  

• Some technical considerations for establishing a national data collection effort are: 1) there must be a uniform national or benchmark definition for elder abuse, 2) whether reporting should be mandatory or voluntary, 3) what data elements to include, 4) how to ensure confidentiality, and 5) data systems issues.  

• This data collection effort will likely require some level of federal funding.  

Key recommendations and conclusions include: 

• Addressing systematic weaknesses in existing elder abuse data collection systems  

• Compiling a national database of state APS (adult protective services) data  

• Planning to build a comprehensive cross-disciplinary national database of administrative data on elder abuse by combining sources incrementally  

• Investing in a national data collection effort could build upon the existing systems. 

xxxx 

The California Elder Economic Security Standard Index (The Elder Index) is a new tool that quantifies how much income is needed for a senior with a given living arrangement and geographic location in order adequately to meet his or her basic needs living in the community. It is the only elder-specific financial measure of its kind, based on credible, publicly-available sources and has been calculated for all 58 California Counties. Using it makes it is possible to identify, as of 2007, each California County’s Annual Comparisons and Basic Monthly Expenses for Selected Household Types.  

xxxx 

For your consideration: 

If you have been issued, prescribed, or provided a cane, while transitioning from surgery>walker>cane for example, be sure to have the physical therapist adjust it to “your height.” And apply a stickum label with your phone number or email address. 

Chondroitin appears to be useless. Whether glucosamine is useful is conflicted, but some well-designed studies are negative. 

August 14th is Social Security’s 75th Birthday –  

I have learned of several persons diagnosed with pneumonia. To the “Who should receive one-time vaccination for pneumococcal pneumonia?” question, Medicare responds: “The groups at higher risk for invasive pneumococcal disease include those over 64 years old and others with increased susceptibility to this infection, such as patients with HIV, splenectomy, sickle cell disease, diabetes mellitus, chronic disorders of the lungs or heart, and cirrhosis. You can receive this vaccination on the same day that you get the flu shot, and for those covered under Medicare Part B, it is also free when ordered by a physician. However, the pneumococcal vaccine can be given at any time of year and is a once-in-a-lifetime vaccination for most people.” 

I am occasionally asked about “affordable housing” construction-related requirements in Berkeley. So I asked Steve Barton of the Berkeley Rent Stabilization Board staff, and he provided the following: “The City has an “inclusionary zoning” ordinance that requires that 20% of the units in such developments [I had mentioned Gaia, Library Gardens, New Californian, etc.] have their rents or in the case of condominiums their sales prices set according to a formula based on the area median income, typically that it be affordable to people with incomes at 80% of area median or be rented to tenants with Section 8 vouchers. Unfortunately, a recent court decision (Palmer v. Los Angeles) has invalidated all local ordinances in California that require inclusionary rental units on the grounds that it is a prohibited form of rent control. The decision does not change the requirement for existing buildings and does not change requirements for condominium projects but at the moment there are no more local inclusionary requirements in California. Many developments still provide below-market rate rental units in return for concessions from the locality, such as additional density, but it’s now voluntary and based on incentives rather than on requirements. State law requires that local governments provide these “density bonuses” in return for below-market rate units following a fairly complex formula that gives more additional density based on the degree of affordability and the percentage of units made affordable. Affordable housing advocates are hoping that with a new governor they could get the state legislature to change the law to make it clear that it does not apply to inclusionary ordinances in this way.” 

!SINGLE PAYER, UNIVERSAL HEALTH CARE IN CALIFORNIA! 

### 

Helen Rippier Wheeler can be reached at pen136@dslextreme.com. 

No email attachments; PLEASE USE “Senior Power” FOR SUBJECT. 

A tip of the hat to John Westlake for alerting me to the recent publication of the 51^st Supplement to the American Ornithologists’ Union checklist, essential reading for any active or recovering birder. As happens every year, the AOU has voted to accept or reject a number of proposed changes in bird nomenclature for the Western Hemisphere and Hawai’i. This includes the recognition of new species (splits), the demotion of old ones (lumps), taxonomic reshufflings at various levels, and changes in common and Latin names, sometimes just to correct the gender of the Latin. The process is an incidental boon to publishers, who can justify new editions of Peterson, Sibley, National Geographic and the other standard field guides. 

The splits and lumps are the main focus of attention. This is when birders learn that their life lists have increased overnight, even if they haven’t been out in the field for months. Or, conversely, shrunk, although that doesn’t happen much these days. The splitters seem to be firmly in the saddle. This year’s supplement includes four species-level splits for North American and Hawai’ian birds, and no lumps at all. 

The full text of the supplement is only available at this point to subscribers to The Auk, but a birder named Michael L. Retter has posted the gist of the changes on his website. 

So what’s new? The black scoter, a sea duck that winters along the California coast, is now recognized as a distinct species from the common scoter of Eurasia; it retains its old name. I believe the British birding authorities adopted this change some year back. 

I don’t know if the common scoter has ever shown up here. 

The whip-poor-will has been split into two species: the broadly ranging eastern whip-poor-will and the Mexican whip-poor-will, which reaches the mountains of southeastern Arizona. These are both cryptic nocturnal birds, far more often heard than seen. Fortunately their voices are distinctive: the eastern says “Whip-poor-will,” while the Mexican’s call is described in one guide as “a burry pwurr-p’wium,” lower and slower than the eastern’s. Either would be unlikely in California. 

Not as unlikely, though, as the newly recognized species of ‘elepaio, Old World flycatchers endemic to the Hawai’ian islands. 

The Hawai’i (Big Island), Kaua’i, and Oahu subspecies have been promoted to full species status. Plumages differ from island to island, but range is sufficient to identify a species; these sedentary birds don’t make interisland flights. If you see an ‘elepaio on Kaua’i (which takes a bit of work these days), you can bank on it being a Kaua’i ‘elepaio. I will admit to having been skunked by the Oahu form a few years ago. Since the three forms never have the opportunity to interbreed, how do we know they’re valid species? Good question. Maybe the genetics were persuasive. 

The big deal for most mainland birders will be the wren decision, another three-way deal: winter wren (the old name for the species) in Eastern North America, Pacific wren in the West, and Eurasian—the unmodified wren of British birdlore—in Europe and Asia. I don’t know where the geographic boundary has been drawn between winter and Pacific. According to Sibley, plumage differences between the two forms are subtle. But the songs of the males are distinctive, and female preferences for the “right” song type keep the species reproductively separated even where the two forms nest side by side. 

Other species-level changes were proposed, but rejected as unjustified or premature. These included splitting our own western scrub-jay into coastal and interior species, dividing the curve-billed thrasher into western (Arizona) and eastern (Texas) species, and separating the South Hills crossbill, a bird endemic to a single mountain range in Idaho, from the widespread red crossbill. Apparently there are votes, a little like the process the astronomers went through in downgrading Pluto. More than likely there’s lobbying, armtwisting, backroom deals. 

I’m not sure why the jay and thrasher proposals failed, but I think I understand the decision on the crossbill. Most likely the AOU just didn’t want to go there. Once you start messing with the crossbills, you’ve opened Pandora’s box. The “red crossbill” may actually be a complex of at least nine species, best distinguished by flight call and mostly nomadic, so you can’t sort them out by range. The chronic uncertainty would really bother a lot of birders. 

At higher taxonomic levels, the longspurs and snow buntings were moved from the sparrow family to their own family; the wrentit, an anomalous California bird which was formerly in a family of its own and then placed with the babblers, is now considered an Old World warbler; and the osprey is now the sole member of a new family. Typical hawks (like the redtail and Cooper’s) and eagles were placed in a separate order from the falcons. Herons, ibises, and spoonbills were transferred to the pelican order, which lost the gannets, frigatebirds, cormorants, anhingas, and tropicbirds to two new orders. 

That’s this year. Give it time and maybe new tools for genetic analysis, and it’s all subject to change. Some of us are still waiting for the terrible revenge of the lumpers. 

Washington DC is a swamp in more ways than one. But an estimated 30,000 desperate homeowners have or will be coming to DC in the middle of a heat wave to attend the Neighborhood Assistance Corporation of America’s Save the Dream event. (NACA is one of many HUD-approved housing counseling agencies trying to help homeowners modify their mortgages under HAMP.) These events bring together housing counselors and representatives from lenders and mortgage servicers in one place so homeowners can meet face to face and attempt to work out a modification and avoid foreclosure. Homeowners started lining up Thursday night outside the Convention Center, though the event didn’t open till Friday morning. 

I didn’t get there till Friday at 6 a.m., having flown from Oakland the day before and not having camping equipment on me. That put my place in line about two blocks from the door. NACA estimated there were 3500 people attending the first day. This was my second attempt to modify my mortgage after my income tanked in the Second Great Depression. On my first attempt they were kind enough to offer me a three month forbearance- a suspension of mortgage payments for three months, which does nothing but ruin your credit and put you in an even deeper hole. When I refused the forbearance, my entire application was summarily rejected by my servicer (GMAC) via the internet with the cryptic comment "cannot reach an affordable payment." 

Before leaving, I had spent two days making copies of every document I could imagine they might possibly want in triplicate, and carefully placing them into divided binders: self-employment worksheets, six months of pay stubs, 72 pages of bank statements (including, of course, the pages that say “This page intentionally left blank”), copies of my entire tax return, copies of IRS Form 4506-T( which allows them to order a copy of my tax return from the IRS, since clearly on the one I am providing I would probably have whited out the numbers and replaced them with something that would look better), my mortgage statement, my property tax statement, my HELOC statement, the declaration from my homeowner’s insurance, rental agreements for my three housemates, a copy of my budget statement from NACA, and even a copy of the complaint I recently filed about all this with the Office of the Comptroller of the Currency. (When I got home today there was a letter from them- GMAC isn’t a national bank and so not under their jurisdiction, so they referred it to the Federal Trade Commission, which, they explained, tracks complaints but does not investigate them. That’s helpful.) 

And because I am apparently a masochist, I even included a Profit and Loss statement from my Quickbooks file. Those who have been following this series will know that NACA, at least, has consistently refused to even look at this, because I am so clever that I could have been keeping a completely false set of books this whole time, even though I can barely manage to operate Quickbooks at all. 

Since everything went to hell in 2008, I have taken a part-time retail job, tried to rent out more rooms in my house (I had to evict a deadbeat tenant the end of last year, but that’s a whole other story. Let’s just say it didn’t help my income…), cut out everything I could think of, tried to increase my self-employment income (so easy when you’re a writer who writes mainly about fixing up houses when no one has money to fix up their house),etc. Even renting out a room takes six months of advertising it on Craigslist. But I digress. Which I do often. 

HAMP was promoted as something that would reduce your mortgage payment to 31% of your income. They just didn’t mention the fine print. 

From the FAQ’s at www.makinghomeaffordable.gov: 

26. What will my servicer do to determine if I qualify for HAMP? 

* Determine whether your loan meets the minimum eligibility criteria (i.e., owner- occupied; originated on or before January 1, 2009; unpaid principal balance equal to or less the loan limit for the number of units involved, mortgage payment greater than 31% of gross income; and financial hardship). 

* If your loan meets the minimum eligibility criteria, the servicer will ask about current income, assets and expenses, as well as any specific hardship circumstances to determine if you are unable to make your mortgage payment. Your servicer may initially accept verbal income and expense information; however, you will need to provide verifying documentation before a final modification is approved. 

* Determine if your monthly first lien mortgage payment is greater than 31% of your gross or pre-tax monthly income. 

* Apply a Net Present Value (NPV) test to determine whether the value of the loan to the investor will be greater if the loan is modified (factoring in the government’s incentive payments). If the modified loan is not of greater value, the investor and servicer may still modify the loan. However, modification in such cases is not required. Please note: Your servicer may re-run the NPV test before the modification becomes official if they receive new information that could affect your NPV score. 

* If the modified loan is of greater value, the servicer must offer you a modification under HAMP, and, if you accept the offer, will put you on a trial modification (typically three months) at the new payment level. 

* If you successfully make all of the required trial payments during the trial period and the income and expense information you provided is determined to be accurate, your servicer will execute an official modification agreement. 

It all sounds just swell, doesn’t it? 

In reality, if reducing your interest rate to 2%, extending the loan term to 40 years, and even doing a "principal reduction" (in which they theoretically reduce the principal but really simply add that amount on as a balloon payment at the end of the loan) isn’t enough, they don’t have to eat the principal. They can tell you to take a flying leap- either you somehow increase your income (by taking a third non-existent job?) or prepare to lose your house. Because, as it turns out, it’s often a better deal for the investor, and invariably a better deal for the servicer, to foreclose. They run a calculation called NPV (net present value): 

# Apply a Net Present Value (NPV) test to determine whether the value of the loan to the investor will be greater if the loan is modified (factoring in the government’s incentive payments). If the modified loan is not of greater value, the investor and servicer may still modify the loan.However, modification in such cases is not required.  

I’m not even going into trial modifications lasting far longer than three months, refusals to make modifications permanent, or the up-and-coming scam of rescinding permanent modifications after the fact based on technicalities (they apparently have taken a page from the health insurance industry playbook on rescissions). 

I spent my three and a half hours in line talking to the people around me. Others had come from as far away as Florida and Georgia, though most were from nearer DC. Their stories were of varied hardships, but it was clear they had played by the rules and now were getting screwed. Their anger at the financial industry was palpable. Discussions about whether Bank of America was worse than Chase (or substitute bankster of your choice) abounded. 

Once we got inside, we were sorted into groups and sent to talk to counselors or servicers depending on our situations. There was a good deal of waiting. The GMAC representative was nice enough, but couldn’t really do anything except send my file to someone at Fannie Mae (the investor). Although the affordable 31% payment would have been $1147, she said it was unlikely they would go for it, because the 2%/ 40 year term extension wouldn’t be enough to get there, and they were unlikely to take $100K off my loan, even as a balloon payment. (Yeah, I’d be able to pay that off when I’m 84, using my non-existent Social Security, courtesy of President Obama’s Cat Food-oops, I mean Deficit Reduction Commission) She said maybe they could go to 38% of my income- more like $1800. Well, it ain’t great but it’s damn sight better than the $2600 I’m paying now. She said it would take about a week to get an answer- apparently they do respond a little faster to requests that come from these events. 

Even if they say yes, the Treasury Dept. has conveniently placed many land mines in the road. A temporary modification ruins your credit, so if you don’t get a permanent modification, any financial flexibility you might have had through credit cards will be over, so anyone with existing credit card debt will end up in an even deeper hole as their interest rate gets jacked up and their credit limit reduced. Not to mention their ability to get a job, since employers are now checking credit ratings before hiring. If it wasn’t all so evil, you could almost admire the beauty of their plan to sentence us all to a lifetime of indentured servitude. 

One moment at the event really brought it all home. While I was waiting, I noticed what appeared to be a vending machine on the other side of the room. Since it was well into the afternoon, and I hadn’t had anything but water since having breakfast at 5 a.m., some juice or soda would have helped. I walked over to check it out. As I got close, I could see a large sign taped to the front. It said "Bank of America employees only." 

Jane Powell writes for the Planet whenever she feels like it. Right now she feels happy to be home from the DC swamp, and you can contact her at hsedressng@aol.com.

ASHKENAZ  

"Danceversity World Dance Camp 2010," through Aug. 20, Monday-Friday, Aug.2-6, Aug. 9-13, Aug. 16-20, 9 a.m.-4 p.m. A series of week-long dance camps designed to give children the unique opportunity to explore how people around the world express themselves through dance. $170-$340. www.danceversity.com. 

1317 San Pablo Ave., Berkeley. (510) 525-5054, www.ashkenaz.com.< 

ELKS LODGE, ALAMEDA  

"All You Can Dance Sunday Socials," Sunday, 4-6 p.m. Marilyn Bowe and Robert Henneg presents monthly socials with ballroom, swing, Latin and rock & roll themes. www.dancewithme.info. 

2255 Santa Clara Ave., Alameda. (510) 864-2256.< 

LA PENA CULTURAL CENTER  

"Ballroom Dancing," through Aug. 16, Jul. 26, Aug. 9 and 16. Free ballroom dances classes are held during the afternoons.  

"Domingos de Rumba," Aug. 1 and Aug. 15, 3:30 p.m. Community participatory event features drums, dancing and the songs of rumba.  

free. 3105 Shattuck Ave., Berkeley. (510) 849-2568, www.lapena.org.< 

SHATTUCK DOWN LOW  

"Live Salsa," Wednesdays. An evening of dancing to the music of a live salsa band. Salsa dance lesson from 8:30-9:30 p.m. $5-$10.  

For ages 21 and older. 2284 Shattuck Ave., Berkeley. (510) 548-1159, www.shattuckdownlow.com.< 

SOLAD DANCE CENTER  

"Persian Dance," Tuesdays and Thursdays, 8:30 and 10 p.m. Rosa Rojas offers traditional dance classes. $10.  

Citrus Marketplace, 2260 Oak Grove Rd., Walnut Creek. (925) 938-3300.< 

STARRY PLOUGH PUB  

"Ceili and Dance," Traditional Irish music and dance. The evening begins with a dance lesson at 7 p.m. followed by music at 9 p.m. Mondays, 7 p.m. Free.  

For ages 21 and over unless otherwise noted. Sunday and Wednesday, 8 p.m.; Thursday-Saturday, 9:30 p.m. unless otherwise noted. 3101 Shattuck Ave., Berkeley. (510) 841-2082, www.starryploughpub.com.<

CARMEN FLORES RECREATION CENTER  

"El Corazon de la Communidad: The Heart of the Community", Painted by Joaquin Alejandro Newman, this mural installation consists of four 11-foot panels that mix ancient Meso-American and contemporary imagery to pay homage to local activists Carmen Flores and Josie de la Cruz.  

Free unless otherwise noted. Monday-Friday, 10 a.m.-7 p.m. 1637 Fruitvale Ave., Oakland. (510) 535-5631.< 

DAVID BROWER CENTER  

"Water, Rivers and People/ Agua, Rios y Pueblos," through Aug. 31. Exhibition depicts those who are fighting to defend rivers and the people who depend on them.  

2150 Allston Way, Berkeley. < 

FRANK BETTE CENTER FOR THE ARTS  

OPENING -- "2010 Alameda Plein Air Painout Exhibit," Aug. 6 through Aug. 28. Plein air artists display their work.  

Free. Wednesday and Friday-Sunday, 10:30 a.m.-5 p.m.; Thursday, 10:30 a.m.-9:30 p.m. 1601 Paru St., Alameda. (510) 523-6957, www.frankbettecenter.org.< 

JOHANSSON PROJECTS  

OPENING -- "Between Currencies," through Sept. 11. Works by Erik Parra.  

OPENING -- "Some Math," through Sept. 11. Works by Jana Flynn and Jill Gallenstein.  

Free. Thursday-Saturday, noon-6 p.m. 2300 Telegraph Ave., Oakland. (510) 444-9140, www.johanssonprojects.com.< 

LAWRENCE HALL OF SCIENCE  

ONGOING EXHIBITS --  

"NanoZone," Discover the science of the super-small: nanotechnology. Through hands-on activities and games, explore this microworld and the scientific discoveries made in this area.  

"Forces That Shape the Bay," A science park that shows and explains why the San Francisco Bay is the way it is, with information on water, erosion, plate tectonics and mountain building. You can ride earthquake simulators, set erosion in motion and look far out into the bay with a powerful telescope from 1,100 feet above sea level. The center of the exhibit is a waterfall that demonstrates how water flows from the Sierra Nevada Mountains to the Bay. Visitors can control where the water goes. There are also hands-on erosion tables, and a 40-foot-long, 6-foothigh, rock compression wall.  

"Real Astronomy Experience," A new exhibit-in-development allowing visitors to use the tools that real astronomers use. Aim a telescope at a virtual sky and operate a remote-controlled telescope to measure a planet.  

"Biology Lab," In the renovated Biology Lab visitors may hold and observe gentle animals. Saturday, Sunday and holidays, 1:30 p.m. to 4 p.m.  

"The Idea Lab," Experiment with some of the basics of math, science and technology through hands-on activities and demonstrations of magnets, spinning and flying, puzzles and nanotechnology.  

"Math Around the World," Play some of the world's most popular math games, such as Hex, Kalah, Game Sticks and Shongo Networks.  

"Math Rules," Use simple and colorful objects to complete interesting challenges in math through predicting, sorting, comparing, weighing and counting.  

"Kapla," The hands-on exhibit features thousands of versatile building blocks that can be used to build very large, high and stable structures and models of bridges, buildings, animals or anything else your mind can conceive.  

$6-$12; free children ages 2 and under. Daily, 10 a.m.-5 p.m. University of California, Centennial Drive, Berkeley. (510) 642-5132, www.lawrencehallofscience.org.< 

LINDSAY WILDLIFE MUSEUM This is the oldest and largest wildlife rehabilitation center in America, taking in 6,000 injured and orphaned animals yearly and returning 40 percent of them to the wild. The museum offers a wide range of educational programs using non-releasable wild animals to teach children and adults respect for the balance of nature. The museum includes a state-of-the art wildlife hospital which features a permanent exhibit, titled "Living with Nature,'' which houses 75 non-releasable wild animals in learning environments; a 5,000-square-foot Wildlife Hospital complete with treatment rooms, intensive care, quarantine and laboratory facilities; a 1-acre Nature Garden featuring the region's native landscaping and wildlife; and an "Especially For Children'' exhibit.  

WILDLIFE HOSPITAL -- September-March: 9 a.m. to 5 p.m. The hospital is open daily including holidays to receive injured and orphaned animals. There is no charge for treatment of native wild animals and there are no public viewing areas in the hospital. 

EXHIBITS --  

SPECIAL EVENTS --  

$5-$7; free children under age 2. Wednesdays-Sundays, 10 a.m.-5 p.m. 1931 First Ave., Walnut Creek. (925) 935-1978, www.wildlife-museum.org.< 

NATIONAL INSTITUTE OF ART AND DISABILITIES  

"Word Play," through Aug. 20. NIAD artists manipulate and repeat letters to create their own language, transform words into hybrid forms, utilize captions to tell a story, or their autograph can become a focal point of their work.  

551 23rd St., Richmond. (510) 620-0290, www.niadart.org.< 

OAKLAND ASIAN CULTURAL CENTER  

"Oakland's 19th-Century San Pablo Avenue Chinatown," A permanent exhibit of new findings about the rediscovered Chinatown on San Pablo Avenue. The exhibit aims to inform visitors about the upcoming archaeological work planned to explore the lives of early Chinese pioneers in the 1860s.  

Free. Monday-Friday, 10 a.m.-5 p.m.; Saturday, 11 a.m.-4 p.m. Pacific Renaissance Plaza, 388 Ninth St., Suite 290, Oakland. (510) 637-0455, www.oacc.cc.< 

OAKLAND INTERNATIONAL AIRPORT  

"Going Away, Coming Home," A 160-foot public art installation by Mills College art professor Hung Liu. Liu hand painted 80 red-crowned cranes onto 65 panels of glass that were then fired, tempered and paired with background panes that depict views of a satellite photograph, ranging from the western United States to the Asia Pacific Area. Terminal 2.  

Free. Daily, 24 hours, unless otherwise noted. Oakland International Airport, 1 Airport Drive, Oakland. (510) 563-3300, www.flyoakland.com.< 

ORINDA LIBRARY  

OPENING -- "Its Own Nothingness," through Aug. 31. Works by Wenda Pyman.  

24 Orinda Way, Orinda. (925) 254-2184.< 

RICHMOND ART CENTER  

"Innovations in Contemporary Crafts," through Aug. 21. Juried exhibition features works by 30 San Francisco Bay Area artists.  

Free. Tuesday-Sunday, noon-5 p.m. 2540 Barrett Ave., Richmond. (510) 620-6772, www.therichmondartcenter.org.< 

WOMEN'S CANCER RESOURCE CENTER  

"Benny's Garden," through Sept. 3. Works by Benny Alba, Jen Downey, Anna Edwards, Jeremy Qwan and L. Hickox Robinson.  

5471 Telegraph Ave., Oakland. <

"3RD ANNUAL MARTINEZ BEAVER FESTIVAL," -- Aug. 7. Come celebrate the relationship between beavers, the community and watershed. There will be music, environmental displays, tours, children's activities and more. Event takes place at "Beaver Park,'' 495 Alhambra Ave., Martinez. 

Free.11 a.m.-4 p.m.www.martinezbeavers.org.< 

924 GILMAN ST. -- All ages welcome. 

Fang, Oppressed Logic, Sex Offenders, Hewhocannotbenamed, Gutwrench, Aug. 13, 7:30 p.m. $10.  

$5 unless otherwise noted. Shows start Friday and Saturday, 8 p.m.; Sunday, 5 p.m. unless otherwise noted. 924 Gilman St., Berkeley. (510) 525-9926, www.924gilman.org.< 

CRANEWAY PAVILION  

"Global Sol," Aug. 6 and Aug. 7, 7 p.m. Festival features Arrested Development, Hamsa Lila, EOTO, Ernest Ranglin, Afrolicious and more. $35-$130.  

1414 Harbour Way South, Richmond. (510) 735-1133, www.craneway.com.< 

FOX THEATER  

Natalie Merchant, Aug. 11, 8 p.m. $45-$59.50.  

1807 Telegraph Ave., Oakland. (510) 452-0438.< 

LESHER CENTER FOR THE ARTS  

"Diablo Symphony, 20th Anniversary of the Lesher Center," Aug. 14, 8 p.m. Joyce Johnson Hamilton conducts the orchestra and performers from the Diablo Theatre Company in a celebration of the 20th anniversary of the Lesher Center for the Arts. The concert will include music from five top Broadway shows, including "Les Miserables,'' and tributes to Steven Sondheim and Andrew Lloyd Webber. $25-$37. (925) 943-7469, www.diablosymphony.org. 

1601 Civic Drive, Walnut Creek. (925) 943-7469, www.lesherartscenter.com.< 

MARTINEZ REGIONAL SHORELINE  

"Scene On The Straight 2010," Aug. 14, 10 a.m.-5 p.m. A unique festival that combines fine art with helping young people and saving the environment. Visitors will be able to watch as artists set up along the waterfront and paint the landscapes. Art auctions will be held, fine food will be available and a jazz trio will provide live music. Free. (510) 787-9772, www.sceneonthestraight.org. 

Daily, 5 a.m.-10 p.m. unless otherwise posted or permitted. North end of Ferry Street, Martinez. (510) 562-PARK.< 

SLEEP TRAIN PAVILION AT CONCORD  

"Mount Diablo Jazz Festival," Aug. 14, 4 p.m. Festival features Tower of Power, George Benson, Natalie Cole, Brian Culbertson, Lucy Woodward and more.  

2000 Kirker Pass Road, Concord. www.livenation.com/.< 

YOSHI'S  

Gerald Albright, Aug. 6 through Aug. 8, Friday and Saturday, 8 and 10 p.m.; Sunday, 2 and 7 p.m. Smooth jazz saxophonist. $5-$28.  

Shows are Monday through Saturday, 8 and 10 p.m.; Sunday, 2 and 7 p.m., unless otherwise noted. 510 Embarcadero West, Oakland. (510) 238-9200, www.yoshis.com.< 

ZELLERBACH HALL AT THE UNIVERSITY OF CALIFORNIA, BERKELEY  

Orquesta Aragon, Aug. 13, 8 p.m. $35-$65.  

UC Berkeley campus, Bancroft Way and Telegraph Avenue, Berkeley. (510) 642-9988.<

ARDENWOOD HISTORIC FARM Ardenwood farm is a working farm that dates back to the time of the Patterson Ranch, a 19th-century estate with a mansion and Victorian Gardens. Today, the farm still practices farming techniques from the 1870s. Unless otherwise noted, programs are free with regular admission.  

ONGOING PROGRAMS --  

"Blacksmithing," Thursday, Friday and Sunday, 10 a.m. to 4 p.m. Watch a blacksmith turn iron into useful tools.  

"Horse-Drawn Train," Thursday, Friday and Sunday. A 20-minute ride departs from Ardenwood Station and Deer Park.  

"Animal Feeding," Thursday-Sunday, 3-4 p.m. Help slop the hogs, check the henhouse for eggs and bring hay to the livestock.  

"Victorian Flower Arranging," Thursday, 10:15-11:30 a.m. Watch as Ardenwood docents create floral works of art for display in the Patterson House.  

SPECIAL EVENTS --  

"Horse-Drawn Train Rides," Thursday, Friday and Sunday, 10:15 a.m.-3:30 p.m. Meet Jigs or Tucker the Belgian Draft horses that pull Ardenwood's train. Check the daily schedule and meet the train at Ardenwood Station or Deer Park. 

"Country Kitchen Cookin'," Sundays, 10:30 a.m.-2 p.m. Enjoy the flavor of the past with treats cooked on Ardenwood's wood burning stove. Sample food grown on the farm and discover the history of your favorite oldtime snacks. 

"Animal Feeding," Thursday-Sunday, 3 p.m. Feed the pigs, check for eggs and bring hay to the livestock. 

"Toddler Time," Tuesdays, 11-11:30 a.m. Bring the tiny tots out for an exciting morning at the farm. Meet and learn all about a new animal friend through stories, chores and fun.  

"Potato Harvesting," Learn the spectacular history of this New World native as you dig with your spade and help find the spuds. 

"Bunny Love," Aug. 1 and Aug. 15, 2-3 p.m. Pet the farm rabbits and learn about them. 

"Luscious Lettuce Leaf Burritos," Aug. 7, Noon-1 p.m. Explore what's growing in the Kitchen Garden. 

"Rocking Rootbeer Floats," Aug. 7, 1:30-2:30 p.m. Help make ice cream. 

"Victorian Table-Top Games," Aug. 7, 2:30-3 p.m. Challenge your family and friends to pick-up sticks, tops or jacks. 

"Scrumptious Berry Pancakes," Aug. 8, Noon-1 p.m. Take a trek around the farm to gather ingredients. 

"Wonders of Worms," Aug. 8, 1:30-2:30 p.m. Dig up earthworms and observe their behavior. 

$1-$5; free children under age 4. Tuesday-Sunday, 10 a.m.-4 p.m. 34600 Ardenwood Blvd., Fremont. (510) 796-0199, (510) 796-0663, www.ebparks.org.< 

BAY POINT LIBRARY  

"Monthly Craft Night," Last Friday of every month, 4-5 p.m. Each month features a different themed craft.  

Riverview Middle School, 205 Pacifica Ave., Pittsburg. (925) 458-9597.< 

BLACKHAWK MUSEUM  

AUTOMOTIVE MUSEUM -- The museum's permanent exhibition of internationally renowned automobiles dated from 1897 to the 1980s. The cars are displayed as works of art with room to walk completely around each car to admire the workmanship. On long-term loan from the Smithsonian Institution is a Long Steam Tricycle; an 1893-94 Duryea, the first Duryea built by the Duryea brothers; and a 1948 Tucker, number 39 of the 51 Tuckers built, which is a Model 48 "Torpedo'' four-door sedan.  

ONGOING EXHIBITS --  

"International Automotive Treasures," An ever-changing exhibit featuring over 90 automobiles.  

"A Journey on Common Ground," An exhibit of moving photographs, video and art objects from around the world exploring the causes of disability and the efforts of the Wheelchair Foundation to provide a wheelchair for every person in need who cannot afford one.  

ONGOING EVENT --  

Free Public Tours, Saturday and Sunday, 2 p.m. Docent-led guided tours of the museum's exhibitions. 

$5-$8; free for children ages 6 and under. Wednesday-Sunday, 10 a.m.-5 p.m. 3700 Blackhawk Plaza Circle, Danville. (925) 736-2280, (925) 736-2277, www.blackhawkmuseum.org.< 

CHABOT SPACE AND SCIENCE CENTER State-of-the-art facility unifying science education activities around astronomy. Enjoy interactive exhibits, hands-on activities, indoor stargazing, outdoor telescope viewing and films. 

ASK JEEVES PLANETARIUM -- The planetarium features one of the most advanced star projectors in the world. A daily planetarium show is included with general admission. Call for current show schedule.  

"Black Holes: The Other Side of Infinity," Take a ride to the inside of a massive black hole and learn about the latest scientific evidence, which suggests that black holes are real. Narrated by Liam Neeson. Suitable for age 12 and older. Free with General Admission ticket. 

"Astronaut," What does it take to be part of the exploration of space? Experience a rocket launch from inside the body of an astronaut. Explore the amazing worlds of inner and outer space, from floating around the International Space Station to maneuvering through microscopic regions of the human body. Narrated by Ewan McGregor. 25 min. 

"Space NOW!", Each week, this real-time ride through constellations, stars, and planets will reflect current happenings in our sky. Space NOW! will also tie in activities going on throughout the center. This is Chabot's first daytime guided tour of the universe. 

"Immersive Space: Fly Through the Cosmos," Fridays, 8 p.m. Experience the "digital universe'' in a new full-dome system. Travel to the nearest star and beyond in seconds. 

"Sunshine," A 15-minute planetarium show for children ages 5 and under. In the show, Sunshine, a lovable animated cartoon of the Sun, urges children to sing and play along with his tricks. In the process, he introduces the colors of the day sky and the other suns of the night sky. Free with regular general admission. 

"Secret of the Cardboard Rocket," Take a journey through the solar system with two young adventurers who turn an old cardboard box into a rocket. Recommended for ages 5-10. 

"The Search for Life: Are We Alone?" A voyage from the ocean deep to the outer reaches of the cosmos in search of life, narrated by Harrison Ford. 

"The Sky Tonight," Saturdays, 8 p.m. Take a live tour of the starry sky overhead on the night of your visit. The show includes a look at constellations, planets and special celestial objects. 

"Sonic Vision," Friday-Saturday, 9:15 p.m. This show uses the latest digital technology to illuminate the planetarium with colorful computer-generated imagery set to today's popular music, including Radiohead, U2, David Bowie, Coldplay, Moby and more. 

"Tales Of The Maya Skies," "Tales of the Maya Skies'' is a new full-dome planetarium show that explores the cosmology of the ancient Maya, along with their culture and their contributions to astronomy. Starts November 21. 

SPECIAL EVENTS --  

"Planet Hike," Aug. 13, 6:30 p.m.-9 p.m. Take a simulated walk through the solar system on Redwood Park trails. $7. 

"Kids Go Green," Aug. 14, 11 a.m.-4 p.m. Join Chabot for its monthly handson environmentally related demonstrations and activities. Free with general admission. 

SPECIAL EXHIBITS --  

"Chabot Observatories: A View to the Stars," This new permanent exhibit honors the 123-year history of Chabot and its telescopes. The observatory is one of the oldest public observatories in the United States. The exhibit covers the three different sites of the observatory over its history as well as how its historic telescopes continue to be operated today. Included are informative graphic panels, multimedia kiosks, interactive computer programs, hands-on stations, and historic artifacts. 

TIEN MEGADOME SCIENCE THEATER -- A 70-foot dome-screen auditorium. Show times subject to change. Call for current show schedule. Price with paid general admission is $6-$7. Theater only: $7-$8. (510) 336-7373, www.ticketweb.com. 

"Forces of Nature," This film showcases the awesome spectacle of earthquakes, volcanoes, and severe storms as scientists continue their quests to understand how these natural disasters are triggered. 

"Dinosaurs Alive," A global adventure of science and discovery, featuring the earliest dinosaurs of the Triassic Period to the monsters of the Cretaceous, "reincarnated" life-sized for the giant screen. Audiences will journey with some of the world's preeminent paleontologists as they uncover evidence that the descendents of dinosaurs still walk (or fly) among us. From the exotic, trackless expanses and sand dunes of Mongolia's Gobi Desert to the dramatic sandstone buttes of New Mexico, the film will follow American Museum of Natural History (AMNH) paleontologists as they explore some of the greatest dinosaur finds in history. 

"The Human Body," This show explores the daily biological processes that go on in the human body without our control and often without our notice. This amazing story is revealed in detail on the giant screen. 

"The Living Sea," The film celebrates the beauty, power and importance of the ocean. Produced in association with The National Maritime Center, the Ocean Film Network and Dr. Robert Ballard. 

"Cosmic Voyage," A breathtaking journey through time and space. Zoom from the surface of the Earth to the largest observable structures of the Universe and back down to the sub-nuclear realm, a guided tour across some 42 orders of magnitude. Explore some of the greatest scientific theories, many of which have never before been visualized on film. 

Center Admission: $14.95; $10.95 children 3-12; free children under 3; $3 discount for seniors and students. Telescope viewing only: free. Wednesday-Thursday, 10 a.m.-5 p.m.; Friday-Saturday, 10 a.m.-10 p.m.; Sunday, 11 a.m.-5 p.m.; Also open on Tuesdays 10 a.m.-5 p.m. after June 29. 10000 Skyline Blvd., Oakland. (510) 336-7300, www.chabotspace.org.< 

CHILDREN'S FAIRYLAND A fairy tale theme park featuring more than 30 colorful fantasy sets. Designed especially for children ages 10 and under, there are gentle rides, a train, the "Peter Rabbit Village,'' puppet shows, story-telling and lots of slides and animals. Admission price includes unlimited rides, special shows, guest entertainers and puppet shows.  

OLD WEST JUNCTION -- Children's Fairyland's newest attraction is a Wild West-themed town sized just for children, with a livery stable, bank, jail and a water tower slide.  

PUPPET SHOWS -- Saturday and Sunday, 11 a.m., 2 p.m. and 4 p.m. All shows are at the Open Storybook Theatre. Free with regular Fairyland admission.  

ARTS AND CRAFTS CENTER -- Activities on Saturday and Sunday, noon to 3 p.m.  

ANIMAL OF THE DAY -- Saturday and Sunday, 1-1:20 p.m. at the Humpty Dumpty Wall. Learn about one of Fairyland's animal friends. 

SPECIAL EVENTS --  

"Animal of the Day!" Saturdays and Sundays, 1-1:20 p.m. Come up close and learn about Fairyland's creatures. 

"Arts and Crafts," Noon-3 p.m. Event features arts and crafts projects for children and their families. $6. 

"Puppet Show: The Petrified Princess," through Aug. 1 and Aug. 7 through Aug. 1, 11 a.m., 2 and 4 p.m. Baron Bullyrag wishes to marry the lovely princess. The baron owns most of the lands and the poor, indebted princess is being forced into marriage. When she refuses, he turns her to stone. The knight Puff Louse has twenty four hours to find the ingredients to reverse the curse.  

Blake Maxam, Aug. 7 through Aug. 8, 1:30 and 2:30 p.m. "The Wizard of Ahhhhs'' astounds and amazes children of all ages with his magic show.  

$6; free for children under age 1; $2 for a Magic Key. No adult admitted without a child and no child admitted without an adult. Summer (June through Labor Day): Monday through Friday, 10 a.m. to 4 p.m.; Saturday and Sunday, 10 a.m. to 5 p.m.; Fall and Spring: Wednesday through Sunday, 10 a.m. to 4 p.m.; Winter: Friday through Sunday, 10 a.m. to 4 p.m. CLOSED DEC. 25-JAN. 4. 699 Bellevue Ave., Oakland. (510) 452-2259, www.fairyland.org.< 

COYOTE HILLS REGIONAL PARK The park is located on the shoreline of Fremont Bay and features rich wetland areas as well as Ohlone Indian shellmound sites. Hiking in the park allows scenic views of San Francisco Bay and southern Alameda County. The 12-mile Alameda Creek Trail runs from the Bay east to the mouth of Niles Canyon and features an equestrian trail as well as a bicycle trail; hikers are welcome on both. The park conducts naturalist programs and has a visitor center with a nature store and Ohlone, natural history and wildlife exhibits.  

SPECIAL EVENTS -- Free unless otherwise noted.  

"Trash into Treasure," Aug. 7, 1-3 p.m. Discover how to turn trash into arts and crafts. 

"Nature Tales," Aug. 7, 1-2 p.m. Hike and hear stories inspired by nature. 

"Teaching Local Indian Cultures," Aug. 8, 10 a.m.-4 p.m. Learn about Indian cultures at an interactive workshop. 

Free unless otherwise noted; A parking fee may be charged. Registration required for events. April through October: daily, 8 a.m. to 8 p.m.; October through April, 8 a.m. to 6 p.m., unless otherwise posted. 8000 Patterson Pass Road, Fremont. (510) 636-1684, (510) 795-9385, www.ebparks.org.< 

CRAB COVE VISITOR CENTER At Crab Cove, you can see live underwater creatures and go into the San Francisco Bay from land. You can also travel back in time to Alameda's part. The goal is to increase understanding of the environmental importance of San Francisco Bay and the ocean ecosystem. Crab Cove's Indoor Aquarium and Exhibit Lab is one of the largest indoor aquariums in the East Bay. 

SPECIAL EVENTS --  

"Sea Siblings," Tuesdays, 9:30 a.m. and 11 a.m. Explore the natural world and take part in a theme related craft. Designed for the 3-5 year old learner. Registration is required. $4. (888) 327-2757. 

"Catch of the Day," Sundays, 2-3 p.m. Drop by to find out more about the Bay and its wildlife through guided exploration and hands-on fun. 

"Sea Squirts," 10-11:30 a.m. and 11 a.m.-12:30 p.m. Discover the wonders of nature with your little one. Registration is required. $6-$8. 

"Flying Fish," Aug. 7, 1-2 p.m. Make a fish kite. 

Free unless otherwise noted; parking fee may be charged. 1252 McKay Ave., Alameda. (510) 521-6887, www.ebparks.org.< 

DUNSMUIR HOUSE AND GARDENS HISTORIC ESTATE Nestled in the Oakland hills, the 50-acre Dunsmuir House and Gardens estate includes the 37-room Neoclassical Revival Dunsmuir Mansion, built by coal and lumber baron Alexander Dunsmuir for his bride. Restored outbuildings set amid landscaped gardens surround the mansion.  

ESTATE GROUNDS -- Self-Guided Grounds Tours are available yearround. The 50 acres of gardens and grounds at the mansion are open to the public for walking Tuesday-Friday, 9 a.m.-4 p.m. Booklets and maps of the grounds are available at the Dinkelspiel House. Free.  

GUIDED TOURS -- Docent-led tours are available on the first Sunday of each month at 1 p.m. and 2 p.m. (except for July) and Wednesdays at 11 a.m. $5 adults, $4 seniors and juniors (11-16), children 11 and under free. 

Dunsmuir House and Gardens, 2960 Peralta Oaks Court, Oakland. (510) 615-5555, www.dunsmuir.org.< 

FOREST HOME FARMS The 16-acre former farm of the Boone family is now a municipal historic park in San Ramon. It is located at the base of the East Bay Hills and is divided into two parts by Oak Creek. The Boone House is a 22-room Dutch colonial that has been remodeled several times since it was built in 1900. Also on the property are a barn built in the period from 1850 to 1860; the Victorian-style David Glass House, dating from the late 1860s to early 1870s; a storage structure for farm equipment and automobiles; and a walnut processing plant. 

Free unless otherwise noted. Public tours available by appointment. 19953 San Ramon Valley Blvd., San Ramon. (925) 973-3281, www.ci.sanramon. ca.us/parks/boone.htm.< 

HABITOT CHILDREN'S MUSEUM A museum especially for children ages 7 and under. Highlights include "WaterWorks,'' an area with some unusual water toys, an Infant Tree for babies, a garden especially for toddlers, a child-scale grocery store and cafe, and a costume shop and stage for junior thespians. The museum also features a toy lending library.  

ONGOING EXHIBITS --  

"Waterworks." A water play gallery with rivers, a pumping station and a water table, designed to teach about water.  

"Little Town Grocery and Cafe." Designed to create the ambience of shopping in a grocery store and eating in a restaurant.  

"Infant-Toddler Garden." A picket fence gated indoor area, which includes a carrot patch with wooden carrots to be harvested, a pretend pond and a butterfly mobile to introduce youngsters to the concept of food, gardening and agriculture.  

"Dramatic Arts Stage." Settings, backdrops and costumes coincide with seasonal events and holidays. Children can exercise their dramatic flair here.  

"Wiggle Wall." The floor-to-ceiling "underground'' tunnels give children a worm's eye view of the world. The tunnels are laced with net covered openings and giant optic lenses. 

SPECIAL EXHIBITS --  

$6-$7. Wednesday and Thursday, 9:30 a.m.-1 p.m.; Friday and Saturday, 9:30 a.m.-4:30 p.m.; Closed Sunday-Tuesday. 2065 Kittredge St., Berkeley. (510) 647-1111, www.habitot.org.< 

HALL OF HEALTH A community health-education museum and science center promoting wellness and individual responsibility for health. There are hands-on exhibits that teach about the workings of the human body, the value of a healthy diet and exercise, and the destructive effects of smoking and drug abuse. "Kids on the Block'' puppet shows, which use puppets from diverse cultures to teach about and promote acceptance of conditions such as cerebral palsy, Down Syndrome, leukemia, blindness, arthritis and spina bifida, are available by request for community events and groups visiting the Hall on Saturdays.  

ONGOING EXHIBITS --  

"This Is Your Heart!" An interactive exhibit on heart health.  

"Good Nutrition," This exhibit includes models for making balanced meals and an Exercycle for calculating how calories are burned.  

"Draw Your Own Insides," Human-shaped chalkboards and models with removable organs allow visitors to explore the inside of their bodies.  

"Your Cellular Self and Cancer Prevention," An exhibit on understanding how cells become cancerous and how to detect and prevent cancer. 

Suggested $3 donation; free for children under age 3. Tuesday-Saturday, 10 a.m.-4 p.m. 2230 Shattuck Ave., Berkeley. (510) 549-1564, www.hallofhealth.org.< 

HAYWARD SHORELINE INTERPRETIVE CENTER Perched on stilts above a salt marsh, the Center offers an introduction to the San Francisco Bay-Estuary. It features exhibits, programs and activities designed to inspire a sense of appreciation, respect and stewardship for the Bay, its inhabitants and the services they provide. The Habitat Room offers a preview of what may be seen outside. The 80-gallon Bay Tank contains some of the fish that live in the Bay's open waters, and the Channel Tank represents habitats formed by the maze of sloughs and creeks that snake through the marsh. The main room of the Center features rotating exhibits about area history, plants and wildlife. Part of the Hayward Area Recreation and Park District.  

ONGOING EXHIBIT --  

"Exploring Nature," An exhibit of Shawn Gould's illustrations featuring images of the natural world. 

SPECIAL EVENTS --  

"Nature Detectives," 11 a.m.-noon. An introduction and exploration of the world of Black-Crowned Night-Herons. Ages 3-5 and their caregivers. Registration required. 

"Waterfowl of the Freshwater Marsh," 10 a.m.-1 p.m. Join an expert birder to go "behind the gates'' to areas of the marsh that are not open to the public. 

"Weekend Weed Warriors," 1-4 p.m. Help the shoreline to eliminate the non-native plants that threaten its diversity. Ages 12 and older. Registration required. 

Free. Saturday and Sunday, 10 a.m. to 5 p.m. 4901 Breakwater Ave., Hayward. (510) 670-7270, www.hard.dst.ca.us/hayshore.html.< 

JEWISH COMMUNITY CENTER OF THE EAST BAY  

"Shabbat Celebration for Young Children," Saturday, 10:30 a.m.-noon. Join other families with young children to sharethis weekly Jewish holiday of joy and renewal.  

1414 Walnut St., Berkeley. (510) 848-0237, www.jcceastbay.org/.< 

JUNIOR CENTER OF ART AND SCIENCE A center dedicated to encouraging children's active wonder and creative response through artistic and scientific exploration of their natural urban environment. The center's classes, workshops, exhibits and events integrate art and science.  

EXHIBITS -- Three educational exhibits are mounted in the "Children's Gallery'' each year. A docent-led tour, demonstrations, hands-on activities and art projects are available to school groups throughout the year.  

"Jake's Discovery Garden," Jake's Discovery Garden is a new interactive studio exhibit designed for preschool-aged children and their adult caregivers that teaches young visitors about the natural environments found in their backyards, playgrounds and neighborhoods. 

SPECIAL EVENTS --  

Free; programs and special exhibits have a fee. September through May: Tuesday through Friday, 10 a.m. to 6 p.m.; Saturday, 10 a.m. to 3 p.m. June through August: Monday through Thursday, 8:30 a.m. to 5:30 p.m. 558 Bellevue Ave., Oakland. (510) 839-5777, www.juniorcenter.org.< 

LAKE CHABOT REGIONAL PARK The 315-acre lake offers year-round recreation. Services include canoe and boat rental, horseshoe pits, hiking, bicycling, picnicking and seasonal tours aboard the Chabot Queen. For boat rentals, call (510) 247-2526. 

Free unless noted otherwise; $5 parking; $2 per dog except guide/service dogs. Daily, 6 a.m. to 9 p.m. 17930 Lake Chabot Road, Castro Valley. (510) 562-PARK, www.ebparks.org.< 

LAWRENCE HALL OF SCIENCE  

ONGOING EXHIBITS --  

"NanoZone," Discover the science of the super-small: nanotechnology. Through hands-on activities and games, explore this microworld and the scientific discoveries made in this area.  

"Forces That Shape the Bay," A science park that shows and explains why the San Francisco Bay is the way it is, with information on water, erosion, plate tectonics and mountain building. You can ride earthquake simulators, set erosion in motion and look far out into the bay with a powerful telescope from 1,100 feet above sea level. The center of the exhibit is a waterfall that demonstrates how water flows from the Sierra Nevada Mountains to the Bay. Visitors can control where the water goes. There are also hands-on erosion tables, and a 40-foot-long, 6-foothigh, rock compression wall.  

"Real Astronomy Experience," A new exhibit-in-development allowing visitors to use the tools that real astronomers use. Aim a telescope at a virtual sky and operate a remote-controlled telescope to measure a planet.  

"Biology Lab," In the renovated Biology Lab visitors may hold and observe gentle animals. Saturday, Sunday and holidays, 1:30 p.m. to 4 p.m.  

"The Idea Lab," Experiment with some of the basics of math, science and technology through hands-on activities and demonstrations of magnets, spinning and flying, puzzles and nanotechnology.  

"Math Around the World," Play some of the world's most popular math games, such as Hex, Kalah, Game Sticks and Shongo Networks.  

"Math Rules," Use simple and colorful objects to complete interesting challenges in math through predicting, sorting, comparing, weighing and counting.  

HOLT PLANETARIUM Shows on Saturdays and Sundays. Programs recommended for ages 6 and up unless otherwise noted. $2.50-$3 in addition to general admission.  

$6-$12; free children ages 2 and under. Daily, 10 a.m.-5 p.m. University of California, Centennial Drive, Berkeley. (510) 642-5132, www.lawrencehallofscience.org.< 

LINDSAY WILDLIFE MUSEUM This is the oldest and largest wildlife rehabilitation center in America, taking in 6,000 injured and orphaned animals yearly and returning 40 percent of them to the wild. The museum offers a wide range of educational programs using non-releasable wild animals to teach children and adults respect for the balance of nature. The museum includes a state-of-the art wildlife hospital which features a permanent exhibit, titled "Living with Nature,'' which houses 75 non-releasable wild animals in learning environments; a 5,000-square-foot Wildlife Hospital complete with treatment rooms, intensive care, quarantine and laboratory facilities; a 1-acre Nature Garden featuring the region's native landscaping and wildlife; and an "Especially For Children'' exhibit.  

WILDLIFE HOSPITAL -- September-March: 9 a.m. to 5 p.m. The hospital is open daily including holidays to receive injured and orphaned animals. There is no charge for treatment of native wild animals and there are no public viewing areas in the hospital. 

SPECIAL EVENTS --  

$5-$7; free children under age 2. Wednesdays-Sundays, 10 a.m.-5 p.m. 1931 First Ave., Walnut Creek. (925) 935-1978, www.wildlife-museum.org.< 

MUSEUM OF CHILDREN'S ART A museum of art for and by children, with activities for children to participate in making their own art.  

ART CAMPS -- Hands-on activities and engaging curriculum for children of different ages, led by professional artists and staff. $60 per day.  

CLASSES -- A Sunday series of classes for children ages 8 to 12, led by Mocha artists. Sundays, 2 p.m. to 4 p.m.  

OPEN STUDIOS -- Drop-in art play activities with new themes each week.  

"Big Studio." Guided art projects for children age 6 and older with a Mocha artist. Tuesday through Friday, 4 p.m. to 5 p.m. $5.  

"Little Studio." A hands-on experience that lets young artists age 18 months to 5 years see, touch and manipulate a variety of media. Children can get messy. Tuesday through Friday, 10 a.m. to 4 p.m. $5.  

"Family Weekend Studios." Drop-in art activities for the whole family. All ages welcome. Saturday and Sunday, noon to 4 p.m. $5 per child.  

FAMILY EXTRAVAGANZAS -- Special weekend workshops for the entire family.  

"Sunday Workshops with Illustrators," Sundays, 1 p.m. See the artwork and meet the artists who create children's book illustrations. Free. 

EVENTS --  

"Saturday Stories," 1 p.m. For children ages 2-5. Free. 

SPECIAL EVENT --  

"Saturday Stories," 1 p.m. For ages 2-5. Free. 

Free gallery admission. Tuesday-Friday, 10 a.m.-5 p.m.; Saturday-Sunday, noon-5 p.m. 538 Ninth St., Oakland. (510) 465-8770, www.mocha.org.< 

OHLONE COLLEGE  

"Ohlone for Kids and Teens," through Aug. 12. Learn about biology, try lego robotics, journey into outer space and more. www.ohloneforkids.com. 

43600 Mission Blvd., Fremont. (510) 659-6285, www.ohlone.edu.< 

POINT PINOLE REGIONAL SHORELINE The 2,315-acre parkland bordering Pinole, Richmond and San Pablo offers views of Mount Tamalpais, the Marin shoreline and San Pablo Bay. There are trails through meadows and woods, and along the bluffs and beaches of San Pablo Bay. Visitors can hike, ride bikes or take the park's shuttle bus to reach the 1,250-foot fishing pier at Point Pinole. 

$5 per vehicle; $4 per trailered vehicle; $2 per dog (guide/service dogs free). Daily, 5 a.m. to 10 p.m., unless otherwise posted. Giant Highway, Richmond. (510) 562-PARK, www.ebparks.org.< 

ROBERT SIBLEY VOLCANIC REGIONAL PRESERVE East Bay residents have several volcanoes in their backyard. This park contains Round Top, one of the highest peaks in the Oakland Hills. 

Free. Daily, 5 a.m. to 10 p.m. 6800 Skyline Blvd., Oakland. (510) 562-PARK, www.ebparks.org.< 

SHADOW CLIFFS REGIONAL RECREATION AREA The 296-acre park includes an 80-acre lake and a four-flume waterslide, with picnic grounds and a swimming beach. Water slide fees and hours: (925) 829-6230. 

$6 per vehicle; $2 per dog except guide and service dogs. May 1 through Labor Day: daily, 6 a.m. to 9 p.m.; shortened hours for fall and winter. Stanley Boulevard, one mile from downtown, Pleasanton. (510) 562-PARK, www.ebparks.org.< 

SULPHUR CREEK NATURE CENTER A wildlife rehabilitation and education facility where injured and orphaned local wild creatures are rehabilitated and released when possible. There is also a lending library of animals such as guinea pigs, rats, mice and more. The lending fee is $8 per week.  

ONGOING EVENTS --  

"Toddler Time," Learn about animals by listening to stories and exploring. Themes vary by month. Call for schedule. $7 per family.  

"Day on the Green Animal Presentations," Meet an assortment of wild and domestic animals. Wildlife volunteers will present a different animal each day from possums to snakes, tortoises to hawks. Saturday and Sunday, 2:30 p.m. 

CHILDREN'S EVENTS --  

Free. Park: Tuesday-Sunday, 10 a.m.-5 p.m.; Discovery Center: Tuesday-Saturday, 10 a.m.-4:30 p.m.; Animal Lending Library: Saturday-Sunday, 10 a.m.-3 p.m.; Wildlife Rehabilitation Center: daily, 10 a.m.-4:30 p.m. 1801 D St., Hayward. (510) 881-6747, www.haywardrec.org/sulphur_creek.html.< 

USS HORNET MUSEUM Come aboard this World War II aircraft carrier that has been converted into a floating museum. The Hornet, launched in 1943, is 899 feet long and 27 stories high. During World War II she was never hit by an enemy strike or plane and holds the Navy record for number of enemy planes shot down in a week. In 1969 the Hornet recovered the Apollo 11 space capsule containing the first men to walk on the moon, and later recovered Apollo 12. In 1991 the Hornet was designated a National Historic Landmark and is now docked at the same pier she sailed from in 1944. Today, visitors can tour the massive ship, view World War II-era warplanes and experience a simulated aircraft launch from the carrier's deck. Exhibits are being added on an ongoing basis. Allow two to three hours for a visit. Wear comfortable shoes and be prepared to climb steep stairs or ladders. Dress in layers as the ship can be cold. Arrive no later than 2 p.m. to sign up for the engine room and other docent-led tours. Children under age 12 are not allowed in the Engine Room or the Combat Information Center.  

ONGOING EVENTS --  

"Limited Access Day," Due to ship maintenance, tours of the navigation bridge and the engine room are not available. Tuesdays.  

"Flight Deck Fun," A former Landing Signal Officer will show children how to bring in a fighter plane for a landing on the deck then let them try the signals themselves. Times vary. Free with regular Museum admission.  

"Protestant Divine Services," Hornet chaplain John Berger conducts church services aboard The Hornet in the Wardroom Lounge. Everyone is welcome and refreshments are served immediately following the service. Sundays, 11 a.m. 

"Flashlight Tour," Receive a special tour of areas aboard the ship that have not yet been opened to the public or that have limited access during the day. 

"Living Ship Day," Experience an aircraft carrier in action, with simulated flight operations as aircraft are lifted to the flight deck and placed in launch position. Some former crewmembers will be on hand. 

"Family Day," Discounted admission for families of four with a further discount for additional family members. Access to some of the areas may be limited due to ship maintenance. Every Tuesday. $20 for family of four; $5 for each additional family member. 

"Living Ship: 65th Anniversary of the end of World War II," Aug. 14. Commemorate the end of the second world war and learn about the USS Hornet's contribution's to the Pacific Theater and VJ day. 

$6-$14; free children age 4 and under with a paying adult. Daily, 10 a.m.-4 p.m. Pier 3 (enter on Atlantic Avenue), Alameda Point, Alameda. (510) 521-8448, www.uss-hornet.org.< 

WATERWORLD CALIFORNA A family water theme park with many water adventures including the Tornado, an extreme thrill ride designed for four people that begins 75 feet in the air and culminates in a waterfall splashdown. Other rides include the Kaanapali Kooler, a meandering 1,000-foot circular river; a wave pool for swimming; the "Big Kahuna Family Raft Ride,'' the Dragon's Tail slides for children; eight other water slides, including two that drop six stories; a water-themed kid's island with a number of water slides; two shotgun slides, free inner tubes and a family oriented area with cargo nets, family slides and other family friendly water sports. In addition there is the Honolulu Halfpipe, a four-and-a-half story, sidewinder inner tube slide that up three people at a time can ride. There are lawn and sand areas for sunning plus shaded eating areas, but the park does not allow food to be brought in. There is a small picnic area outside the park gates. There are height restrictions on all water slides. 

$19.95-$31.95 General Admission; Season pass: $39.99-$59.99. July-August: Open daily, 10:30 a.m.-6 p.m., closed Aug. 23-27, 30-31. 1950 Waterworld Parkway,, Concord. (925) 609-1364, www.waterworldcalifornia.com.<

ARDENWOOD HISTORIC FARM Ardenwood farm is a working farm that dates back to the time of the Patterson Ranch, a 19th-century estate with a mansion and Victorian Gardens. Today, the farm still practices farming techniques from the 1870s. Unless otherwise noted, programs are free with regular admission.  

ONGOING PROGRAMS --  

"Blacksmithing," Thursday, Friday and Sunday, 10 a.m. to 4 p.m. Watch a blacksmith turn iron into useful tools.  

"Horse-Drawn Train," Thursday, Friday and Sunday. A 20-minute ride departs from Ardenwood Station and Deer Park.  

"Animal Feeding," Thursday-Sunday, 3-4 p.m. Help slop the hogs, check the henhouse for eggs and bring hay to the livestock.  

"Victorian Flower Arranging," Thursday, 10:15-11:30 a.m. Watch as Ardenwood docents create floral works of art for display in the Patterson House.  

SPECIAL EVENTS --  

"Horse-Drawn Train Rides," Thursday, Friday and Sunday, 10:15 a.m.-3:30 p.m. Meet Jigs or Tucker the Belgian Draft horses that pull Ardenwood's train. Check the daily schedule and meet the train at Ardenwood Station or Deer Park. 

"Country Kitchen Cookin'," Sundays, 10:30 a.m.-2 p.m. Enjoy the flavor of the past with treats cooked on Ardenwood's wood burning stove. Sample food grown on the farm and discover the history of your favorite oldtime snacks. 

"Animal Feeding," Thursday-Sunday, 3 p.m. Feed the pigs, check for eggs and bring hay to the livestock. 

"Toddler Time," Tuesdays, 11-11:30 a.m. Bring the tiny tots out for an exciting morning at the farm. Meet and learn all about a new animal friend through stories, chores and fun.  

"Potato Harvesting," Learn the spectacular history of this New World native as you dig with your spade and help find the spuds. 

"Bunny Love," Aug. 1 and Aug. 15, 2-3 p.m. Pet the farm rabbits and learn about them. 

"Victorian Table-Top Games," Aug. 7, 2:30-3 p.m. Challenge your family and friends to pick-up sticks, tops or jacks. 

"Luscious Lettuce Leaf Burritos," Aug. 7, Noon-1 p.m. Explore what's growing in the Kitchen Garden. 

"Rocking Rootbeer Floats," Aug. 7, 1:30-2:30 p.m. Help make ice cream. 

"Scrumptious Berry Pancakes," Aug. 8, Noon-1 p.m. Take a trek around the farm to gather ingredients. 

"Wonders of Worms," Aug. 8, 1:30-2:30 p.m. Dig up earthworms and observe their behavior. 

$1-$5; free children under age 4. Tuesday-Sunday, 10 a.m.-4 p.m. 34600 Ardenwood Blvd., Fremont. (510) 796-0199, (510) 796-0663, www.ebparks.org.< 

BAY AREA RAIL TRAILS A network of trails converted from unused railway corridors and developed by the Rails to Trails Conservancy.  

BLACK DIAMOND MINES REGIONAL PRESERVE RAILROAD BED TRAIL -- This easy one mile long rail trail on Mount Diablo leads to many historic sites within the preserve. Suitable for walking, horseback riding, and mountain biking. Accessible year round but may be muddy during the rainy season. Enter from the Park Entrance Station parking lot on the East side of Somersville Road, Antioch.  

IRON HORSE REGIONAL TRAIL -- The paved trail has grown into a 23 mile path between Concord and San Ramon with a link into Dublin. The trail runs from the north end of Monument Boulevard at Mohr Lane, east to Interstate 680, in Concord through Walnut Creek to just south of Village Green Park in San Ramon. It will eventually extend from Suisun Bay to Pleasanton and has been nominated as a Community Millennium Trail under the U.S. Millennium Trails program. A smooth shaded trail suitable for walkers, cyclists, skaters and strollers. It is also wheelchair accessible. Difficulty: easy to moderate in small chunks; hard if taken as a whole.  

LAFAYETTE/MORAGA REGIONAL TRAIL -- A 7.65 mile paved trail converted from the Sacramento Northern Rail line. This 20-year old trail goes along Las Trampas Creek and parallels St. Mary's Road. Suitable for walkers, equestrians, and cyclists. Runs from Olympic Boulevard and Pleasant Hill Road in Lafayette to Moraga. The trail can be used year round.  

OHLONE GREENWAY -- A 3.75-mile paved trail converted from the Atchison, Topeka and Santa Fe railway. Suitable for walkers, strollers and skaters. It is also wheelchair accessible. The trail runs under elevated BART tracks from Conlon and Key Streets in El Cerrito to Virginia and Acton Streets in Berkeley.  

SHEPHERD CANYON TRAIL -- An easy 3-mile paved trail converted from the Sacramento Northern Rail Line. The tree-lined trail is gently sloping and generally follows Shepherd Canyon Road. Suitable for walkers and cyclists. It is also wheelchair accessible. Begins in Montclair Village behind McCaulou's Department Store on Medau Place and ends at Paso Robles Drive, Oakland. Useable year round. 

Free. (415) 397-2220, www.traillink.com.< 

BAY AREA RIDGE TRAIL The Bay Area Ridge Trail, when completed, will be a 400-mile regional trail system that will form a loop around the entire San Francisco Bay region, linking 75 public parks and open spaces to thousands of people and hundreds of communities. Hikes on portions of the trail are available through the Bay Area Ridge Trail Council. Call for meeting sites.  

ONGOING EVENTS --  

ALAMEDA COUNTY -- "Lake Chabot Bike Rides." These rides are for strong beginners and intermediates to build skill, strength and endurance at a non hammerhead pace. No one will be dropped. Reservations required. Distance: 14 miles. Elevation gain: 1,000 feet. Difficulty: beginner to intermediate. Pace: moderate. Meeting place: Lake Chabot Road at the main entrance to the park. Thursday, 6:15 a.m. (510) 468-3582.  

ALAMEDA-CONTRA COSTA COUNTY -- "Tilden and Wildcat Bike Rides." A vigorous ride through Tilden and Wildcat Canyon regional parks. Reservations required. Distance: 15 miles. Elevation gain: 2,000 feet. Difficulty: intermediate. Pace: fast. Meeting place: in front of the North Berkeley BART Station. Wednesday, 5:30 p.m. (510) 849-9650. 

Free. (415) 561-2595, www.ridgetrail.org.< 

BICYCLE TRAILS COUNCIL OF THE EAST BAY The Council sponsors trail work days, Youth Bike Adventure Rides, and Group Rides as well as Mountain Bike Basics classes which cover training and handling skills.  

ONGOING EVENTS --  

"Weekly Wednesday Ride at Lake Chabot," Wednesdays, 6:30 p.m. A 13- to 20-mile ride exploring the trails around Lake Chabot, with 1,500 to 2,000 feet of climbing. Meet at 6:15 p.m. in the parking lot across from the public safety offices at Lake Chabot in Castro Valley. Reservations requested. (510) 727-0613.  

"Weekly Wednesday 'Outer' East Bay Ride," Wednesdays, 5:30 p.m. Ride some of the outer East Bay parks each week, such as Wild Cat Canyon, Briones, Mount Diablo, Tilden and Joaquin Miller-Redwood. Meeting place and ride location vary. Reservations required. (510) 888-9757. 

Free. (510) 466-5123, www.btceb.org.< 

BOTANIC GARDEN  

EVENTS --  

Intersection of Wildcat Canyon Road and South Park Drive, Tilden Regional Park, Berkeley. www.ebparks.org.< 

COYOTE HILLS REGIONAL PARK The park is located on the shoreline of Fremont Bay and features rich wetland areas as well as Ohlone Indian shellmound sites. Hiking in the park allows scenic views of San Francisco Bay and southern Alameda County. The 12-mile Alameda Creek Trail runs from the Bay east to the mouth of Niles Canyon and features an equestrian trail as well as a bicycle trail; hikers are welcome on both. The park conducts naturalist programs and has a visitor center with a nature store and Ohlone, natural history and wildlife exhibits.  

SPECIAL EVENTS -- Free unless otherwise noted.  

"Nature Tales," Aug. 7, 1-2 p.m. Hike and hear stories inspired by nature. 

"Trash into Treasure," Aug. 7, 1-3 p.m. Discover how to turn trash into arts and crafts. 

"Teaching Local Indian Cultures," Aug. 8, 10 a.m.-4 p.m. Learn about Indian cultures at an interactive workshop. 

Free unless otherwise noted; A parking fee may be charged. Registration required for events. April through October: daily, 8 a.m. to 8 p.m.; October through April, 8 a.m. to 6 p.m., unless otherwise posted. 8000 Patterson Pass Road, Fremont. (510) 636-1684, (510) 795-9385, www.ebparks.org.< 

CRAB COVE VISITOR CENTER At Crab Cove, you can see live underwater creatures and go into the San Francisco Bay from land. You can also travel back in time to Alameda's part. The goal is to increase understanding of the environmental importance of San Francisco Bay and the ocean ecosystem. Crab Cove's Indoor Aquarium and Exhibit Lab is one of the largest indoor aquariums in the East Bay. 

SPECIAL EVENTS --  

"Sea Squirts," 10-11:30 a.m. and 11 a.m.-12:30 p.m. Discover the wonders of nature with your little one. Registration is required. $6-$8. 

"Catch of the Day," Sundays, 2-3 p.m. Drop by to find out more about the Bay and its wildlife through guided exploration and hands-on fun. 

"Sea Siblings," Tuesdays, 9:30 a.m. and 11 a.m. Explore the natural world and take part in a theme related craft. Designed for the 3-5 year old learner. Registration is required. $4. (888) 327-2757. 

"Flying Fish," Aug. 7, 1-2 p.m. Make a fish kite. 

Free unless otherwise noted; parking fee may be charged. 1252 McKay Ave., Alameda. (510) 521-6887, www.ebparks.org.< 

DUNSMUIR HOUSE AND GARDENS HISTORIC ESTATE Nestled in the Oakland hills, the 50-acre Dunsmuir House and Gardens estate includes the 37-room Neoclassical Revival Dunsmuir Mansion, built by coal and lumber baron Alexander Dunsmuir for his bride. Restored outbuildings set amid landscaped gardens surround the mansion.  

ESTATE GROUNDS -- Self-Guided Grounds Tours are available yearround. The 50 acres of gardens and grounds at the mansion are open to the public for walking Tuesday-Friday, 9 a.m.-4 p.m. Booklets and maps of the grounds are available at the Dinkelspiel House. Free.  

GUIDED TOURS -- Docent-led tours are available on the first Sunday of each month at 1 p.m. and 2 p.m. (except for July) and Wednesdays at 11 a.m. $5 adults, $4 seniors and juniors (11-16), children 11 and under free. 

Dunsmuir House and Gardens, 2960 Peralta Oaks Court, Oakland. (510) 615-5555, www.dunsmuir.org.< 

FIFTY-PLUS ADVENTURE WALKS AND RUNS The walks and runs are 3-mile round-trips, lasting about one hour on the trail. All levels of ability are welcome. The walks are brisk, however, and may include some uphill terrain. Events are held rain or shine and on all holidays except Christmas and the Fifty-Plus Annual Fitness Weekend. Call for dates, times and details. 

Free. (650) 323-6160, www.50plus.org.< 

FOREST HOME FARMS The 16-acre former farm of the Boone family is now a municipal historic park in San Ramon. It is located at the base of the East Bay Hills and is divided into two parts by Oak Creek. The Boone House is a 22-room Dutch colonial that has been remodeled several times since it was built in 1900. Also on the property are a barn built in the period from 1850 to 1860; the Victorian-style David Glass House, dating from the late 1860s to early 1870s; a storage structure for farm equipment and automobiles; and a walnut processing plant. 

Free unless otherwise noted. Public tours available by appointment. 19953 San Ramon Valley Blvd., San Ramon. (925) 973-3281, www.ci.sanramon. ca.us/parks/boone.htm.< 

GARIN AND DRY CREEK PIONEER REGIONAL PARKS Independent nature study is encouraged here, and guided interpretive programs are available through the Coyote Hills Regional Park Visitor Center in Fremont. The Garin Barn Visitor Center is open Saturday and Sunday from 10 a.m. to 4:30 p.m. In late summer, the Garin Apple Festival celebrates Garin's apple orchards. The parks also allow picnicking, hiking, horseback riding and fishing. 

Free; $5 parking fee per vehicle; $2 per dog. Daily, 5 a.m. to 10 p.m. 1320 Garin Ave., Hayward. (510) 562-PARK, (510) 795-9385, www.ebparks.org/parks/garin.htm.< 

GREENBELT ALLIANCE OUTINGS A series of hikes, bike rides and events sponsored by Greenbelt Alliance, the Bay Area's non-profit land conservation and urban planning organization. Call for meeting places. Reservations required for all trips.  

ALAMEDA COUNTY --  

"Self-Guided Urban Outing: Berkeley," This interactive smart growth walking tour of central Berkeley examines some of the exciting projects that help alleviate the housing shortage in the city as well as amenities important to making a livable community. The walk, which includes the GAIA Cultural Center, Allston Oak Court, The Berkeley Bike Station, University Terrace and Strawberry Creek Park, takes between an hour-and-ahalf to two hours at a leisurely pace. Download the itinerary which gives specific directions by entering www.greeenbelt.org and clicking on "get involved'' and then "urban outings.'' Drop down and click on Berkeley. Free. 

Free unless otherwise noted. (415) 255-3233, www.greenbelt.org.< 

HAYWARD REGIONAL SHORELINE With 1,682 acres of salt, fresh and brackish water marshes, seasonal wetlands and the approximately three-mile San Lorenzo Trail, the Hayward Shoreline restoration project is one of the largest of its kind on the West Coast, comprising 400 acres of marshland. Part of the East Bay Regional Park District. 

EVENTS --  

Free. Daily, 5 a.m. to 10 p.m. 3010 W. Winton Ave., Hayward. (510) 562-PARK, www.ebparks.org/parks/hayward.htm.< 

HAYWARD SHORELINE INTERPRETIVE CENTER Perched on stilts above a salt marsh, the Center offers an introduction to the San Francisco Bay-Estuary. It features exhibits, programs and activities designed to inspire a sense of appreciation, respect and stewardship for the Bay, its inhabitants and the services they provide. The Habitat Room offers a preview of what may be seen outside. The 80-gallon Bay Tank contains some of the fish that live in the Bay's open waters, and the Channel Tank represents habitats formed by the maze of sloughs and creeks that snake through the marsh. The main room of the Center features rotating exhibits about area history, plants and wildlife. Part of the Hayward Area Recreation and Park District.  

ONGOING EXHIBIT --  

"Exploring Nature," An exhibit of Shawn Gould's illustrations featuring images of the natural world. 

SPECIAL EVENTS --  

"Weekend Weed Warriors," 1-4 p.m. Help the shoreline to eliminate the non-native plants that threaten its diversity. Ages 12 and older. Registration required. 

"Nature Detectives," 11 a.m.-noon. An introduction and exploration of the world of Black-Crowned Night-Herons. Ages 3-5 and their caregivers. Registration required. 

"Waterfowl of the Freshwater Marsh," 10 a.m.-1 p.m. Join an expert birder to go "behind the gates'' to areas of the marsh that are not open to the public. 

Free. Saturday and Sunday, 10 a.m. to 5 p.m. 4901 Breakwater Ave., Hayward. (510) 670-7270, www.hard.dst.ca.us/hayshore.html.< 

JOHN MUIR NATIONAL HISTORIC SITE The site preserves the 1882 Muir House, a 17-room Victorian mansion where naturalist John Muir lived from 1890 to his death in 1914. It was here that Muir wrote about preserving America's wilderness and helped create the national parks idea for the United States. The house is situated on a hill overlooking the City of Martinez and surrounded by nine acres of vineyards and orchards. Take a self-guided tour of this well-known Scottish naturalist's home. Also part of the site is the historic Martinez Adobe and Mount Wanda.  

ONGOING EVENT --  

Public Tours of the John Muir House, Begin with an eight-minute park film and then take the tour. The film runs every 15 minutes throughout the day. Wednesday through Friday, 2 p.m.; Saturday and Sunday, 1 p.m., 2 p.m. and 3 p.m.  

MOUNT WANDA -- The mountain consists of 325 acres of grass and oak woodland historically owned by the Muir family. It offers a nature trail and several fire trails for hiking. Open daily, sunrise to sunset. 

JOHN MUIR HOUSE, Tours of this well-known Scottish naturalist's home are available. The house, built in 1882, is a 14-room Victorian home situated on a hill overlooking the city of Martinez and surrounded by nine acres of vineyards and orchards. It was here that Muir wrote about preserving America's wilderness and helped create the national parks idea for the United States. The park also includes the historic Vicente Martinez Adobe, built in 1849. An eight-minute film about Muir and the site is shown every 15 minutes throughout the day at the Visitor Center. Self guided tours of the Muir home, the surrounding orchards, and the Martinez Adobe: Wednesday-Sunday, 1 a.m.-5 p.m. Public tours or the first floor of the Muir home: Wednesday-Friday, 2 p.m.; Saturday-Sunday, 2 p.m. and 3 p.m. Reservations not required except for large groups.  

$3 general; free children ages 16 and under. Wednesday-Sunday, 10 a.m.-5 p.m. 4202 Alhambra Ave., Martinez. (925) 228-8860, www.nps.gov/jomu.< 

KENNEDY GROVE REGIONAL RECREATION AREA The 95-acre park contains picnic areas, horseshoe pits and volleyball courts among its grove of aromatic eucalyptus trees.  

$5 parking; $2 per dog except guide/service dogs Through September: daily, 8 a.m. to 8 p.m. San Pablo Dam Road, El Sobrante. (510) 223-7840, www.ebparks.org.< 

LAKE CHABOT REGIONAL PARK The 315-acre lake offers year-round recreation. Services include canoe and boat rental, horseshoe pits, hiking, bicycling, picnicking and seasonal tours aboard the Chabot Queen. For boat rentals, call (510) 247-2526. 

Free unless noted otherwise; $5 parking; $2 per dog except guide/service dogs. Daily, 6 a.m. to 9 p.m. 17930 Lake Chabot Road, Castro Valley. (510) 562-PARK, www.ebparks.org.< 

LINDSAY WILDLIFE MUSEUM This is the oldest and largest wildlife rehabilitation center in America, taking in 6,000 injured and orphaned animals yearly and returning 40 percent of them to the wild. The museum offers a wide range of educational programs using non-releasable wild animals to teach children and adults respect for the balance of nature. The museum includes a state-of-the art wildlife hospital which features a permanent exhibit, titled "Living with Nature,'' which houses 75 non-releasable wild animals in learning environments; a 5,000-square-foot Wildlife Hospital complete with treatment rooms, intensive care, quarantine and laboratory facilities; a 1-acre Nature Garden featuring the region's native landscaping and wildlife; and an "Especially For Children'' exhibit.  

WILDLIFE HOSPITAL -- September-March: 9 a.m. to 5 p.m. The hospital is open daily including holidays to receive injured and orphaned animals. There is no charge for treatment of native wild animals and there are no public viewing areas in the hospital. 

EXHIBITS --  

SPECIAL EVENTS --  

$5-$7; free children under age 2. Wednesdays-Sundays, 10 a.m.-5 p.m. 1931 First Ave., Walnut Creek. (925) 935-1978, www.wildlife-museum.org.< 

MARTIN LUTHER KING JR. SHORELINE This 1,200-acre park situated near Oakland International Airport offers picnic areas with barbecues and a boat launch ramp. Swimming is not allowed. The Martin Luther King Jr. Memorial Grove, a group of trees surrounding a grassy glade, is at the intersection of Doolittle Drive and Swan Way. The area also includes the 50-acre Arrowhead Marsh (part of the Western Hemisphere Shorebird Reserve Network) and a Roger Berry sculpture titled "Duplex Cone,'' which traces the summer and winter solstice paths of the sun through the sky. 

Free. Daily, 5 a.m. to 10 p.m., unless otherwise posted Doolittle Drive and Swan Way, Oakland. (510) 562-PARK, Picnic reservations: (510) 636-1684, www.ebayparks.org.< 

MILLER-KNOX REGIONAL SHORELINE A 295-acre shoreline picnic area with a secluded cove and swimming beach, and a hilltop offering panoramic views of the north Bay Area. 

Free. Daily, 5 a.m. to 10 p.m., unless otherwise posted. 900 Dornan Dr., Richmond. (510) 562-PARK, Picnic Reservations: (510) 636-1684, www.ebparks.org.< 

MOUNT DIABLO STATE PARK The 3,849-foot summit of Mount Diablo offers great views of the Bay Area and an extensive trail system. Visitors to the park can hike, bike, ride on horseback and camp. Notable park attractions include: The Fire Interpretive Trail, Rock City, Boy Scout Rocks and Sentinel Rock, Fossil Ridge, Deer Flat, Mitchell Canyon Staging Area, Diablo Valley Overlook, the Summit Visitor Center (open Wednesday through Sunday, 10 a.m. to 4 p.m.), the Art Gallery, the Observation Deck and the Mitchell Canyon Interpretive Center. 

Free. $6 per vehicle park-entrance fee; $5 for seniors. Daily, 8 a.m. to sunset. Mount Diablo Scenic Boulevard, from the Diablo Road exit off Interstate Highway 680, Danville. (925) 837-2525, www.mdia.org or www.parks.ca.gov.< 

PLEASANTON RIDGE REGIONAL PARK This 3,163-acre parkland is on the oak-covered ridge overlooking Pleasanton and the Livermore Valley from the west. A multi-purpose trail system accommodates hikers, equestrians and bicyclists. 

Free. Daily, 5 a.m. to 10 p.m. Foothill Road, Pleasanton. (510) 562-PARK, www.ebparks.org.< 

POINT PINOLE REGIONAL SHORELINE The 2,315-acre parkland bordering Pinole, Richmond and San Pablo offers views of Mount Tamalpais, the Marin shoreline and San Pablo Bay. There are trails through meadows and woods, and along the bluffs and beaches of San Pablo Bay. Visitors can hike, ride bikes or take the park's shuttle bus to reach the 1,250-foot fishing pier at Point Pinole. 

$5 per vehicle; $4 per trailered vehicle; $2 per dog (guide/service dogs free). Daily, 5 a.m. to 10 p.m., unless otherwise posted. Giant Highway, Richmond. (510) 562-PARK, www.ebparks.org.< 

PREWETT FAMILY WATERPARK There are pools and water slides for all ages, from the Tad Pool for toddlers to Boulder cove for older swimmers. In addition to fun pools and slides there are fitness pools for lessons and exercise, lawns for relaxing, locker rooms, community room and kitchen. Lap lanes are open year round. Food and beverages are not permitted in the park. Picnic tables are available outside the park. 

$4-$11. Sunday through Friday: 11 a.m.-7 p.m.; Saturdays, 11 a.m.-6 p.m.; closed Aug.23-27, 30-31. 4701 Lone Tree Way, Antioch. (925) 776-3070, www.ci.antioch.ca.us/CitySvcs/Prewett.< 

QUARRY LAKES REGIONAL RECREATION AREA The park includes three lakes sculpted from former quarry ponds. The largest, Horseshoe Lake, offers boating and fishing, with a swim beach that will open in the spring. Rainbow Lake is for fishing only, and the third lake, Lago Los Osos, is set aside for wildlife habitat. In addition, there are hiking and bicycling trails that connect to the Alameda Creek Regional Trail. The park includes three lakes sculpted from former quarry ponds. The largest, Horseshoe Lake, offers boating and fishing, with a swim beach that will open in the spring. Rainbow Lake is for fishing only, and the third lake, Lago Los Osos, is set aside for wildlife habitat. In addition there are hiking and bicycling trails that connect to the Alameda Creek Regional Trail. 

$5 parking; $2 per dog except guide/service dogs; boat launch fees; Park District fishing access permit fee of $3. Through Labor Day: daily, 6 a.m. to 9 p.m.; Sept. 6 through Sept. 30, 6 a.m. to 8 p.m. 2100 Isherwood Way,, between Paseo Padre Parkway and Osprey Drive,, Fremont. (510) 795-4883, Picnic reservations:: (510) 562-2267, www.ebparks.org.< 

ROBERT SIBLEY VOLCANIC REGIONAL PRESERVE East Bay residents have several volcanoes in their backyard. This park contains Round Top, one of the highest peaks in the Oakland Hills. 

Free. Daily, 5 a.m. to 10 p.m. 6800 Skyline Blvd., Oakland. (510) 562-PARK, www.ebparks.org.< 

RUTH BANCROFT GARDEN One of America's finest private gardens, the Ruth Bancroft Garden displays 2,000 specimens from around the world that thrive in an arid climate. Included are African and Mexican succulents, New World cacti, Australian and Chilean trees, and shrubs from California. 

DOCENT TOUR SCHEDULE -- Saturdays, 10 a.m. Docent-led tours last approximately an hour and a half. Plant sales follow the tour. By reservation only. $7; free children under age 12.  

SELF-GUIDED TOURS -- Monday-Thursday, 9:30 a.m.-noon; Friday, 9:30 a.m.; Saturday, 9:30 a.m. and 5 p.m.; Sunday, 5 p.m. Self-guided tours last two hours. No reservations required for weekday tours; reservations required for Friday and Saturday tours. Plant sales follow the tours. $7; free children under age 12.  

Gardens open only for tours and special events listed on the garden's telephone information line. 1500 Bancroft Road, Walnut Creek. (925) 210-9663, www.ruthbancroftgarden.org.< 

SHADOW CLIFFS REGIONAL RECREATION AREA The 296-acre park includes an 80-acre lake and a four-flume waterslide, with picnic grounds and a swimming beach. Water slide fees and hours: (925) 829-6230. 

$6 per vehicle; $2 per dog except guide and service dogs. May 1 through Labor Day: daily, 6 a.m. to 9 p.m.; shortened hours for fall and winter. Stanley Boulevard, one mile from downtown, Pleasanton. (510) 562-PARK, www.ebparks.org.< 

SULPHUR CREEK NATURE CENTER A wildlife rehabilitation and education facility where injured and orphaned local wild creatures are rehabilitated and released when possible. There is also a lending library of animals such as guinea pigs, rats, mice and more. The lending fee is $8 per week.  

ONGOING EVENTS --  

"Toddler Time," Learn about animals by listening to stories and exploring. Themes vary by month. Call for schedule. $7 per family.  

"Day on the Green Animal Presentations," Meet an assortment of wild and domestic animals. Wildlife volunteers will present a different animal each day from possums to snakes, tortoises to hawks. Saturday and Sunday, 2:30 p.m. 

CHILDREN'S EVENTS --  

Free. Park: Tuesday-Sunday, 10 a.m.-5 p.m.; Discovery Center: Tuesday-Saturday, 10 a.m.-4:30 p.m.; Animal Lending Library: Saturday-Sunday, 10 a.m.-3 p.m.; Wildlife Rehabilitation Center: daily, 10 a.m.-4:30 p.m. 1801 D St., Hayward. (510) 881-6747, www.haywardrec.org/sulphur_creek.html.< 

SUNOL REGIONAL WILDERNESS This park is full of scenic and natural wonders. You can hike the Ohlone Wilderness trail or Little Yosemite. There are bedrock mortars that were used by Native Americans, who were Sunol's first inhabitants. 

SPECIAL EVENTS --  

"Sunol Sunday Hike," Sundays, 1:30-3 p.m. A natural history walk in the wilderness. 

"Sunol Sunday Hike," Sundays, 1:30-3 p.m. A natural history walk in Sunol Regional Wilderness. 

Free unless otherwise noted; $5 parking; $2 dog fee. Geary Road off Calaveras Road, six miles south of Interstate Highway 680, Sunol. (510) 652-PARK, www.ebparks.org.<

"SUN SPHERES," -- "Sun Spheres'' is a trio of mosaic sculptures by artist Laurel True at the intersection of Ocean and Granada Avenues in the OMI District of San Francisco. 

(415) 252-2551, www.sfartscommission.org/pubart.< 

AIA SAN FRANCISCO  

OPENING -- "Water for a Sustainable City," through Oct. 29. Exhibit explores the development of San Francisco's water system through the lens of architecture and design.  

Free. Monday-Friday, 9 a.m.-5 p.m. 130 Sutter St., # 600, San Francisco. (415) 362-7397, www.aiasf.org.< 

CONSERVATORY OF FLOWERS The Victorian landmark has 1,500 species including rare and beautiful tropical plants from 50 countries. Exhibits include Highland Tropics, the Aquatic Plants, Lowland Tropics, Potted Plants and the new Special Exhibits gallery. Opened in 1879, the wood and glass greenhouse is the oldest existing conservatory in the Western Hemisphere. 

"Chomp 2! Return of the Carnivorous Plants," through Oct. 31. Special exhibition of carnivorous plants features living plants and activities for families.  

$5 general; $3 seniors, students and youth ages 12-17; $1.50 children ages 5-11; free for ages 4 and under; free first Tuesdays. Tuesday-Sunday, 9 a.m.-5 p.m. John F. Kennedy Drive, Golden Gate Park, San Francisco. (415) 666-7001, www.conservatoryofflowers.org.< 

EVENING GALLERY WALKS These monthly evening gallery walks or "crawls'' are a way to learn about art for the casual viewer without the intimidation of visiting a gallery with no one else around. Generally the galleries are filled on the "walk'' evenings with people drinking wine and talking. Gallery owners are happy to answer questions about the art on view. The important thing to remember is that it is free to gaze and drink. 

"First Thursday," 5:30-8 p.m. Generally some 20 galleries participate in this monthly evening of open galleries. Many are located around Union Square. Some of the galleries that participate on a regular basis are Pasquale Iannetti Gallery, Caldwell Snyder Gallery, and Hackett-Freedman Gallery, all on Sutter Street; Meyerovich Gallery and Dolby Chadwick Gallery on Post Street; and Rena Bransten Gallery and Stephen Wirtz Gallery on Geary Street. Sponsored by the San Francisco Art Dealers Association. First Thursday of the month. Free.  

San Francisco. < 

GIANT ROBOT  

OPENING-- "Hot Pink Fuzz," Aug. 14 through Sept. 8. Featuring works from artists Monyomonyo, Miss Muju, and Snaggs, this show is focused on all felt and sewn art pieces. Opening reception, August 14, 6:30 p.m.  

618 Schrader St., San Francisco. (415) 876-4773, www.gr-sf.com.< 

HOTEL DES ARTS The boutique 51-room art hotel in Union Square features an art gallery by Start SOMA. 

"Painted Rooms," An exhibit of painted rooms in the hotel by emerging artists.  

Free. Daily, 8 a.m.-11 p.m. 447 Bush St., San Francisco. (415) 956-4322, www.sfhoteldesarts.com.< 

JAZZ HERITAGE CENTER  

"The Art of Michael Rios," through Aug. 22. Features a Rios retrospective and a tribute to Miles Davis and Carlos Santana.  

1320 Fillmore Street, San Francisco. < 

JEWISH COMMUNITY CENTER OF SAN FRANCISCO  

"The Digital Liberation of G-d," A permanent interactive media installation created by New York-based artist Helene Aylon, which examines the influences of patriarchal attitudes upon Jewish traditions and sacred texts.  

Monday-Thursday, 8 a.m.-10 p.m.; Friday, 8 a.m.-6 p.m.; Saturday, 8:30 a.m.-6 p.m.; Sunday, 9 a.m.-6 p.m. 3200 California St., San Francisco. (415) 292-1200, Box Office: (415) 292-1233, www.jccsf.org.< 

MILTON MARKS CONFERENCE CENTER  

"Local Color," through Oct. 10. Works by 27 artists from the Peninsula Chapter of the Women's Caucus for Art.  

455 Golden Gate Ave., San Francisco. < 

RAYKO PHOTO CENTER  

"(Por)trait Revealed," through Sept. 10. Works by Hiroyo Kaneko, Mark Menjivar, Fritz Liedtke and others.  

Free. Tuesday-Thursday, noon-10 p.m.; Friday-Sunday, noon to 8 p.m. 428 Third St., San Francisco. (415) 495-3773, www.raykophoto.com.< 

SAN FRANCISCO ART INSTITUTE  

"Pure Consciousness at 19 Kindergartens," through Sept. 18. Works by On Kawara.  

Free unless noted otherwise. Lecture Hall, 800 Chestnut St., San Francisco. (415) 771-7020, www.sfai.edu/.< 

SAN FRANCISCO PUBLIC LIBRARY, BAYVIEW-ANNA E. WADEN BRANCH  

"Bayview's Historical Footprints," A permanent photographic exhibition celebrating the diverse history of Bayview Hunters Point featuring multimedia oral histories from community elders.  

Free. Monday, Tuesday and Saturday, 10 a.m.-6 p.m.; Wednesday, 1 p.m.-8 p.m.; Thursday, 1 p.m.-7 p.m.; Friday, 1 p.m.-6 p.m. 5075 Third St., San Francisco. (415) 355-5757, www.sfpl.org.< 

SAN FRANCISCO PUBLIC LIBRARY, MAIN BRANCH  

"Digging Deep: Underneath San Francisco Public Library," Exhibition collects archaeological remains from the Gold Rush-era cemetery and the ruins of old City Hall destroyed in the 1906 earthquake.  

"Hand Bookbinders of California 38th Anniversary Exhibition," through Aug. 15. Exhibition features work of professional bookbinders, as well as amateurs and students of the art and craft of hand bookbinding.  

Free. Monday and Saturday, 10 a.m.-6 p.m.; Tuesday-Thursday, 9 a.m.-8 p.m.; Friday, noon-6 p.m.; Sunday, noon-5 p.m. 100 Larkin St., San Francisco. (415) 557-4400, www.sfpl.org.< 

SF CAMERAWORK  

"Theater of War: Pretend Villages of Iraq and Afghanistan," through Aug. 7. Works by Christopher Sims.  

CLOSING -- "Soldiers' Stories from Iraq and Afghanistan," through Aug. 7. Works by Jennifer Karady.  

$2-$5. Tuesday-Saturday, noon-5 p.m. 657 Mission St., San Francisco. (415) 863-1001, www.sfcamerawork.org.< 

YERBA BUENA CENTER FOR THE ARTS The center's visual arts exhibitions feature contemporary art and popular culture by local, national and international artists. There are four rounds of exhibitions in the galleries each year. 

"The Bowls Project: Secrets of the Apocalyptic Intimate," through Aug. 22. An interactive sound sculpture/immersive performance installation by Jewlia Eisenberg and Charming Hostess.  

"PlayCRAFT: A Game of Your Design," through Oct. 3. Create your own design object as you explore the "TechnoCRAFT'' exhibition.  

"Something from Nothing: Films on Design and Architecture," through Sept. 5. Jul. 25, 2 p.m.: "Wow and Flutter.''  

$3-$6; free the first Tuesday of every month. Tuesday, Wednesday and Sunday, noon-5 p.m.; Thursday-Saturday, noon-8 p.m. 701 Mission St., San Francisco. (415) 978-2787, www.ybca.org.<

"3RD ANNUAL MARTINEZ BEAVER FESTIVAL," -- Aug. 7. Come celebrate the relationship between beavers, the community and watershed. There will be music, environmental displays, tours, children's activities and more. Event takes place at "Beaver Park,'' 495 Alhambra Ave., Martinez. 

Free.11 a.m.-4 p.m.www.martinezbeavers.org.< 

AQUATIC PARK  

"Japanese Peace Lantern Ceremony," Aug. 7, 6:30-9 p.m. Participants are encouraged to remember the atomic bombings of World War II with this traditional ceremony that expresses hope for world peace. (510) 595-4626, www.progressiveportal.org/lanterns. 

Ashby St. and University Ave., Berkeley. < 

ASHKENAZ  

"I Like My Bike Night," First Friday of the month, 9 p.m. This monthly series brings bicycle innovators, enthusiasts, artists and organizations together under one roof, as well as encourages regular Ashkenaz show-goers to leave their cars in the driveway and arrive at the venue by bicycle instead. $8-$25.  

1317 San Pablo Ave., Berkeley. (510) 525-5054, www.ashkenaz.com.< 

AUCTIONS BY THE BAY  

"ArtiFacts: A Lecture Series for Collectors," The first Sunday of every month at 3 p.m. Guest curators, scholars and conservation experts from throughout the Bay Area discuss the art of collecting. First Sunday of every month, 3 p.m. $7; includes a preview of the monthly estate auction which takes place the following day at 10am.  

Auctions by the Bay Theater-Auction House, 2700 Saratoga St., Alameda. (510) 835-6187, www.auctionsbythebay.com.< 

BAY AREA FREE BOOK EXCHANGE  

"Free Books," Saturday and Sunday, 9 a.m.-6 p.m. Donate your unwanted books and receive new titles for free.  

10520 San Pablo Ave., El Cerrito. (510) 526-1941, www.bayareafreebookexchange.com.< 

CALIFORNIA GENEALOGICAL SOCIETY AND LIBRARY  

"California Genealogical Society and Library Free First Saturday," 10 a.m.- 4 p.m. Event takes place on the first Saturday of every month, 10 a.m.- 4 p.m. Trace and compile your family history at this month's open house event. Free. www.calgensoc.org. 

2201 Broadway, Suite LL2, Oakland. (510) 663-1358.< 

CALIFORNIA HISTORICAL SOCIETY  

HISTORY WALKABOUTS -- A series of walking tours that explore the history, lore and architecture of California with veteran tour guide Gary Holloway. Walks are given on specific weekends. There is a different meeting place for each weekend and walks take place rain or shine so dress for the weather. Reservations and prepayment required. Meeting place will be given with confirmation of tour reservation. Call for details.  

678 Mission St., San Francisco. (415) 357-1848, www.californiahistoricalsociety.org.< 

CALIFORNIA MAGIC THEATER  

"Dinner Theater Magic Show," Friday-Saturday, 7:30 p.m. Enter the joyous and bewildering world of illusion while chowing down on a home cooked meal. Each weekend features different professional magicians. Recommended for ages 13 and older. $54-$64 includes meal.  

729 Castro St., Martinez. (925) 374-0056, www.calmagic.com.< 

CHABOT SPACE AND SCIENCE CENTER State-of-the-art facility unifying science education activities around astronomy. Enjoy interactive exhibits, hands-on activities, indoor stargazing, outdoor telescope viewing and films. 

Center Admission: $14.95; $10.95 children 3-12; free children under 3; $3 discount for seniors and students. Telescope viewing only: free. Wednesday-Thursday, 10 a.m.-5 p.m.; Friday-Saturday, 10 a.m.-10 p.m.; Sunday, 11 a.m.-5 p.m.; Also open on Tuesdays 10 a.m.-5 p.m. after June 29. 10000 Skyline Blvd., Oakland. (510) 336-7300, www.chabotspace.org.< 

CIVIC PARK, WALNUT CREEK  

"Summer Contra Costa Crystal Fair," Aug. 14 and Aug. 15, Saturday, 10 a.m.-6 p.m.; Sunday, 10 a.m.-4 p.m. An array of crystals, minerals, beads, gems, jewelry and metaphysical healing tools will be on display at this summer's festival. $6. www.crystalfair.com. 

1375 Civic Drive, Walnut Creek. < 

CRANEWAY PAVILION  

"Global Sol," Aug. 6 and Aug. 7, 7 p.m. A two day cultural festival featuring music from acts such as Arrested Development, DJs, dance performances, immersive light presentations, art installations and a global bazaar vending village with organic food. $35-$130.  

1414 Harbour Way South, Richmond. (510) 735-1133, www.craneway.com.< 

DUNSMUIR HOUSE AND GARDENS HISTORIC ESTATE Nestled in the Oakland hills, the 50-acre Dunsmuir House and Gardens estate includes the 37-room Neoclassical Revival Dunsmuir Mansion, built by coal and lumber baron Alexander Dunsmuir for his bride. Restored outbuildings set amid landscaped gardens surround the mansion.  

ESTATE GROUNDS -- Self-Guided Grounds Tours are available yearround. The 50 acres of gardens and grounds at the mansion are open to the public for walking Tuesday-Friday, 9 a.m.-4 p.m. Booklets and maps of the grounds are available at the Dinkelspiel House. Free.  

GUIDED TOURS -- Docent-led tours are available on the first Sunday of each month at 1 p.m. and 2 p.m. (except for July) and Wednesdays at 11 a.m. $5 adults, $4 seniors and juniors (11-16), children 11 and under free. 

Dunsmuir House and Gardens, 2960 Peralta Oaks Court, Oakland. (510) 615-5555, www.dunsmuir.org.< 

EAST BAY SPCA  

"Fanciful Bunny," Aug. 7, Adoptions, 11 a.m.; art reception, 4-5 p.m. Buy a work of art and adopt a bunny.  

Wednesday-Thursday, 1 p.m.-8 p.m.; Friday-Sunday, 11 a.m.-6 p.m. 4651 Gleason Drive, Dublin. < 

ECOLOGY CENTER  

"Sustainable Reconstruction of Haiti Benefit," Aug. 6, 7-9 p.m. Berkeley architect Martin Hammer shows slides and discusses his recent experiences advocating for and helping to implement the sustainable reconstruction of Haiti. $5-$50 at the door.  

2530 San Pablo Ave., Berkeley. (510) 548-2220.< 

FRANK OGAWA PLAZA  

"Oakland Artisan Marketplace," Fridays, 10 a.m.-4 p.m. The City of Oakland and Cultural Arts & Marketing Department presents a weekly market featuring fine arts and crafts of local artists. Free. (510) 238-4948, www.oaklandartisanmarketplace.org. 

14th Street and Broadway, Oakland. < 

JACK LONDON AQUATIC CENTER  

"Oakland Artisan Marketplace,"' Saturdays, 11 a.m.-6 p.m.; Sundays, 10 a.m.-4 p.m. The City of Oakland and Cultural Arts & Marketing Department presents a weekly market featuring fine arts and crafts of local artists. Free. (510) 238-4948, www.oaklandartisanmarketplace.org. 

115 Embarcadero, Oakland. < 

LA PENA CULTURAL CENTER  

"Domingos de Rumba," Aug. 1 and Aug. 15, 3:30 p.m. Community participatory event features drums, dancing and the songs of rumba.  

Bill Santiago, Aug. 6, 8 p.m. Alicia Dattner costars in this comedy workshop/performance. $10-$12.  

free. 3105 Shattuck Ave., Berkeley. (510) 849-2568, www.lapena.org.< 

LAWRENCE HALL OF SCIENCE  

ONGOING EXHIBITS --  

"NanoZone," Discover the science of the super-small: nanotechnology. Through hands-on activities and games, explore this microworld and the scientific discoveries made in this area.  

"Forces That Shape the Bay," A science park that shows and explains why the San Francisco Bay is the way it is, with information on water, erosion, plate tectonics and mountain building. You can ride earthquake simulators, set erosion in motion and look far out into the bay with a powerful telescope from 1,100 feet above sea level. The center of the exhibit is a waterfall that demonstrates how water flows from the Sierra Nevada Mountains to the Bay. Visitors can control where the water goes. There are also hands-on erosion tables, and a 40-foot-long, 6-foothigh, rock compression wall.  

"Real Astronomy Experience," A new exhibit-in-development allowing visitors to use the tools that real astronomers use. Aim a telescope at a virtual sky and operate a remote-controlled telescope to measure a planet.  

"Biology Lab," In the renovated Biology Lab visitors may hold and observe gentle animals. Saturday, Sunday and holidays, 1:30 p.m. to 4 p.m.  

"The Idea Lab," Experiment with some of the basics of math, science and technology through hands-on activities and demonstrations of magnets, spinning and flying, puzzles and nanotechnology.  

"Math Around the World," Play some of the world's most popular math games, such as Hex, Kalah, Game Sticks and Shongo Networks.  

"Math Rules," Use simple and colorful objects to complete interesting challenges in math through predicting, sorting, comparing, weighing and counting.  

HOLT PLANETARIUM Shows on Saturdays and Sundays. Programs recommended for ages 6 and up unless otherwise noted. $2.50-$3 in addition to general admission.  

$6-$12; free children ages 2 and under. Daily, 10 a.m.-5 p.m. University of California, Centennial Drive, Berkeley. (510) 642-5132, www.lawrencehallofscience.org.< 

MARTINEZ REGIONAL SHORELINE  

"Scene On The Straight 2010," Aug. 14, 10 a.m.-5 p.m. A unique festival that combines fine art with helping young people and saving the environment. Visitors will be able to watch as artists set up along the waterfront and paint the landscapes. Art auctions will be held, fine food will be available and a jazz trio will provide live music. Free. (510) 787-9772, www.sceneonthestraight.org. 

Daily, 5 a.m.-10 p.m. unless otherwise posted or permitted. North end of Ferry Street, Martinez. (510) 562-PARK.< 

ORACLE ARENA  

"Ultimate Fighting Championship," Aug. 7, 4 p.m. Spectators can watch Silva vs. Sonnen, for the World Middleweight Championship, plus additional bouts. $50-$400. (800) 745-3000, www.ticketmaster.com. 

"Ringling Bros. And Barnum & Bailey Present Barnum's Funundrum," Aug. 11 through Aug. 15, Wednesday, Thursday, Friday, 7:30 p.m.; Saturday, 11 a.m., 3 p.m., 7 p.m.; Sunday, 1 p.m., 5 p.m. Watch more than 150 performers from six continents around the world as they take part in a spectacle celebrating the 200th anniversary of the birth of the legendary showman P.T. Barnum. $15-$105. (800) 745-3000, www.ringling.com. 

Hegenberger Road and Interstate 880, Oakland. (510) 625-8497, (925) 685-8497, (415) 421-8497, www.ticketmaster.com or www.theoaklandarena.com.< 

RODA THEATRE  

"San Francisco Jewish Film Festival," through Aug. 7. For complete lineup, list of discussion programs, guests and more, see website. (415) 256-8499, www.sfjff.org. 

Berkeley Repertory Theatre, 2015 Addison St., Berkeley. www.berkeleyrep.org.< 

UNIVERSITY OF CALIFORNIA, BERKELEY PACIFIC FILM ARCHIVE Exploring cinema from the Bay Area and cultures around the world, the Pacific Film Archive offers daily film screenings, including rare and rediscovered prints of movie classics; new and historic works by world famous directors; restored silent films with live musical accompaniment; retrospectives; and new and experimental works. Check Web site for a full schedule of films.  

"First Impressions: Free First Thursdays," first Thursday of every month. Special tours and movie presentations. Admission is free. 

Single feature: $5-$8; Double feature: $9-$12 general. PFA Theater, 2575 Bancroft Way, Berkeley. (510) 642-5249, www.bampfa.berkeley.edu.< 

UNIVERSITY OF CALIFORNIA, BERKELEY, MORRISON LIBRARY  

"Lunch Poems," First Thursday of the month, 12:10-12:50 p.m. 

2600 Bancroft Way, Berkeley. (510) 642-3671.< 

USS HORNET MUSEUM Come aboard this World War II aircraft carrier that has been converted into a floating museum. The Hornet, launched in 1943, is 899 feet long and 27 stories high. During World War II she was never hit by an enemy strike or plane and holds the Navy record for number of enemy planes shot down in a week. In 1969 the Hornet recovered the Apollo 11 space capsule containing the first men to walk on the moon, and later recovered Apollo 12. In 1991 the Hornet was designated a National Historic Landmark and is now docked at the same pier she sailed from in 1944. Today, visitors can tour the massive ship, view World War II-era warplanes and experience a simulated aircraft launch from the carrier's deck. Exhibits are being added on an ongoing basis. Allow two to three hours for a visit. Wear comfortable shoes and be prepared to climb steep stairs or ladders. Dress in layers as the ship can be cold. Arrive no later than 2 p.m. to sign up for the engine room and other docent-led tours. Children under age 12 are not allowed in the Engine Room or the Combat Information Center.  

ONGOING EVENTS --  

"Limited Access Day," Due to ship maintenance, tours of the navigation bridge and the engine room are not available. Tuesdays.  

"Flight Deck Fun," A former Landing Signal Officer will show children how to bring in a fighter plane for a landing on the deck then let them try the signals themselves. Times vary. Free with regular Museum admission.  

"Protestant Divine Services," Hornet chaplain John Berger conducts church services aboard The Hornet in the Wardroom Lounge. Everyone is welcome and refreshments are served immediately following the service. Sundays, 11 a.m. 

SPECIAL EVENTS  

"Living Ship Day," Experience an aircraft carrier in action, with simulated flight operations as aircraft are lifted to the flight deck and placed in launch position. Some former crewmembers will be on hand. 

"Family Day," Discounted admission for families of four with a further discount for additional family members. Access to some of the areas may be limited due to ship maintenance. Every Tuesday. $20 for family of four; $5 for each additional family member. 

"Flashlight Tour," Receive a special tour of areas aboard the ship that have not yet been opened to the public or that have limited access during the day. 

"Living Ship: 65th Anniversary of the end of World War II," Aug. 14. Commemorate the end of the second world war and learn about the USS Hornet's contribution's to the Pacific Theater and VJ day. 

$6-$14; free children age 4 and under with a paying adult. Daily, 10 a.m.-4 p.m. Pier 3 (enter on Atlantic Avenue), Alameda Point, Alameda. (510) 521-8448, www.uss-hornet.org.<