If your knowledge of Hannah Arendt is limited to her memorable phrase, "the banality of evil," director Margarethe von Trotta's latest character-study-in-courage offers an illuminating profile of the remarkable human being behind the indelible words. -more-
Arts & Events
In his latest film, writer director Woody Allen doesn't quite capture San Francisco but Cate Blanchett absolutely conquers the lead role as Jasmine, a woman who had it all and lost it all. -more-
"When you hired us, you said we were like family ... "
"That was bullshit!"
Frantic ad exec Bob (Brian Trybom) bursts into the half-abandoned LA office of the firm with bloodletting on his mind, having flown in from New York to fire someone, talking loud, brash and peppering his aggression with expletives, obviously trying to impress himself as much as everyone else in his self-conscious hard nose act. "You didn't have a childhood, did you, Bob?" queries Caitlin (Maggie Mason), the pert, blue-eyed Brit office manager-cum-multitasker, wearing many hats; "We used to have jobs here!" Then a Hide-a-Bed groans "Oh God, where am I?"—and the audience is introduced to Roger (Tim Redmond), a kind of self-made Robin Hood of an agency creative director, sarcastic and playful up against Bob's stiff contentiousness ... -more-
Twenty years ago, on my first trip to London, for a Wednesday matinee my companion and I took a chance on a play we knew nothing about except that it was one of the more popular shows there. -more-
I have referred to Central Works as a Berkeley Treasure. It has won many Critics Circle Awards. Gary Graves is a talented playwright and a good director. His choice of works is generally tip-top, while sometimes taking a chance with experimental fare.
However, this current production, Pitch Perfect by Martin Edwards, does not live up to that reputation in playwrighting, acting, and directing, as well as in the title, which is easily confused with the recent musical comedy film. -more-