Opinion

The air around these pages has been crackling of late with thunderbolts hurled from the Olympian heights of Berkeley’s arts community. No sooner does artist A praise, for example, the primitive power of the examples of art at the Albany Bulb than artist B ripostes with suggestions that they are untidy and barely accessible. The “Here-There” metal cutouts installed on the Berkeley-Oakland border, to the tune of $50,000, are either witty examples of post-modernism or ludicrous mis-spending of public funds. The only public sculpture, (as far as anyone can remember) which was ratified by a ballot initiative is still, many years later, the target of derision in some circles. In light of all this excitement, it’s hard not to suppress a smile at one writer’s comment that “visual arts coverage in the Planet is infrequent and often inaccurate, a tradition one hopes will be corrected before Berkeley’s vibrant visual arts community dies of neglect or goes elsewhere.” -more-

The most appalling aspect of the bombings in Spain, in England and in Egypt in the past weeks is that the choice of victims is indiscriminate. Though it appears that the bombers have some general connection to the Islamic religion, many of the victims, perhaps most of them, do too. -more-